We consider as multi-level scenario a description of a temporal structure (e.g. a chords progression) upon several level of hierarchical organisation. In particular, to model a multi-level scenario, we use a phrase structure grammar.
In order to test the benefits of using multi-level progressions, we have generated improvisations using two music generation methods :
| I | II- V7 | I | II- V7 |
| I7 | IV7 | III- VI7 | II- V7 |
| I | II- V7 | III- VI7 | II- V7 |
| V- I7 | IV #IVo | I | I |
| III7 | III7 | VI7 | VI7 |
| VI- | II7 | II- | V7 |
| I | II- V7 | I VI7 | II- V7 |
| I I7 | IV #IVo | I | II- V7 |
| I | II- V7 | III- VI7 | II- V7 |
| V- I7 | IV7 IV- | I VI7 | II- V7 |
| I VI- | II- V7 | I VI7 | II- V7 |
| I7 | IV bVII7 | II- V7 | I |
| VII- | III7 | III- | VI7 |
| VI- | II7 | II- | V7 |
| I VI7 | II- V7 | III- VI7 | II- V7 |
| I I7 | IV7 IV- | I | I |
| I VI7 | II- V7 | I | II- V7 |
| I I7 | IV7 #IVo | III- VI7 | II- V7 |
| I | II- V7 | I | II- V7 |
| V- I7 | IV #IVo | I | I |
| III7 | III7 | VI7 | VI7 |
| II7 | II7 | II- | V7 |
| I VI7 | II- V7 | I VI7 | II- V7 |
| V- I7 | IV7 IV- | I | II- V7 |