The OM Composer's Book .1

Preface
Miller Puckette

Introduction
Carlos Agon

Writing a Homage to Mersenne: Tombeau de Marin Mersenne for Theorbo and Synthesiser
Michel Amoric

Electronics in Kaija Saariaho's Opera L'amour de loin
Marc Battier and Gilbert Nouno

Vuza Canons into the Museum
Georges Bloch

TimeSculpt in OpenMusic
Karim Haddad

The Genesis of Mauro Lanza's Aschenblume and the Role of Computer-Aided Composition Software in the Formalisation of Musical Processes
Juan Camilo Hernández Sánchez

Composing the Qualitative, on Encore Composition
Jean-Luc Hervé and Frédéric Voisin

Navigation of Structured Material in Second Horizon for Piano and Orchestra
Johannes Kretz

Generating Melodic, Harmonic and Rhythmic Processes in K…, an Opera by Philippe Manoury
Serge Lemouton

When the Computer Enables Freedom from the Machine (On an Outline of the Work Hérédo-Ribotes)
Fabien Lévy

Some Applications of OpenMusic in Connection with Modalys
Paola Livorsi

Fractals and Writing, Six Fractal Contemplations
Mikhail Malt

Algorithmic Strategies in A Collection of Caprices
Paul Nauert

Sculpted Implosions: Some Algorithms in the Waterscape of Musique Concrète
Ketty Nez

Strette
Hèctor Parra

Klangspiegel
Luís Antunes Pena

Kalejdoskop for Clarinet, Viola and Piano
Orjan Sandred

Flexible Time Flow, Set Theory and Constraints
Killian Sprotte

To Touch the Inner Sound, Before it Becomes Music; to Dream About Dreams, Before they Become Real
Elaine Thomazi-Freitas

Appendix: OpenMusic