Différences

Cette page vous donne les différences entre la révision choisie et la version actuelle de la page.

--- antescofo:videos [2012/07/18 12:08]
Arshia Cont
+++ antescofo:videos [2013/05/14 10:22] (Version actuelle)
Jose Echeveste [Antescofo in Action]
@@ Ligne 10: / Ligne 10: @@
 ====== Antescofo in Action ======
+{{youtube>CQ1pQNy5XJk?360x300 | Christopher Trapani - Real-Time Tempo Canons}}
+{{dailymotion>xrt38h_pluton-de-philippe-manoury-par-antoine-alerini-et-le-logiciel-antescofo-ircam_creation?360x300 | Antescofo on Manoury's Pluton}} \\
 {{youtube>iN9MmiSlBj0?360x300 | Automatic Accompaniment}} \\
-{{youtube>9pnlyluFYWY&?360x300 | Mixed Instrumental and Live Electronics}} \\
 {{youtube>HSab_znc_y8?360x300 | Boulez' Anthemes II}} \\
 ====== Documentaries Featuring Antescofo ======
@@ Ligne 56: / Ligne 54: @@
 ===== Pitch Days =====
 {{youtube>A-MHLFjYgag?240x198 }}
-With the advent of dedicated audio processing hardware modules (such as 4X and ISPW at Ircam), the first ''pitch-based'' score followers emerged out, this time taking audio as input and following pitches in the music score. Many early real-time electronic pieces used this technology for performances of live electronics with musicians playing a music score. A historical example of this development is Philippe Manoury's //Jupiter// for flute and live electronics composed originally for MIDI flute and ported for audio in 1992, and ''En Echo'' for voice and live electronics. //Jupiter// is probably the first realtime piece composed in MaxMSP.
+{{ youtube>VHPV6kxOcb0?240x198}}
+With the advent of dedicated audio processing hardware modules (such as 4X and ISPW at Ircam), the first ''pitch-based'' score followers emerged out, this time taking audio as input and following pitches in the music score. Many early real-time electronic pieces used this technology for performances of live electronics with musicians playing a music score. A historical example of this development is Philippe Manoury's //Jupiter// for flute and live electronics composed originally for MIDI flute and ported for audio in 1992, and ''En Echo'' for voice and live electronics (left video). //Jupiter// is considered the first realtime piece composed in MaxMSP.
+The video on right shows the natural big step from this paradigm using ''stochastic methods'' pioneered by Dannenberg and Grubb in Carnegie Melon.
 ===== MIDI Days =====
@@ Ligne 64: / Ligne 64: @@
 ===== Early Days =====
 {{youtube>vOYky8MmrEU?240x198 }}
-Score Following research was initiated at Ircam by Barry Vercoe in 1983, and also by Roger Dannenberg at CMU. Due to computing limitations at the time, the technology was limited to symbolic inputs from the musician rather than audio. In the case of Vercoe's //synthetic performer//, Larry Beauregard (the flutist of the Ensemble Intercontemporain) setup sensors on his instruments at IRCAM to provide symbolic inputs to the machine. Vercoe and Puckette extended their //synthetic performer// by making it train itself to a performance.
+{{ youtube>RnjoxwY3RfA?240x198}}
+Score Following research was initiated at Ircam by Barry Vercoe in 1983, and also by Roger Dannenberg at CMU. Due to computing limitations at the time, the technology was limited to symbolic inputs from the musician rather than audio. In the case of Vercoe's //synthetic performer// (video on the left), Larry Beauregard (the flutist of the Ensemble Intercontemporain) setup sensors on his instruments at IRCAM to provide symbolic inputs to the machine. In the 1985 video (right), Dannenberg shows his automatic accompaniment software on Commodore Amiga, where pitch detection is accomplished by a Barcus Berry transducer.