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| - | ====== Jean Bresson ====== | + | => //**My up-to-date information is now [[https://j-bresson.github.io/|here]] !**// |
| - | {{:bresson:jb3.jpg?150 }} | + | {{ :bresson:jb3.jpg?110}} |
| - | Research / Development | + | |
| + | ~~NOTOC~~ | ||
| + | |||
| + | ;;# | ||
| + | **Jean Bresson**\\ | ||
| + | Directeur de Recherche IRCAM | //IRCAM Senior Researcher// \\ | ||
| + | /* Institut de Recherche et Coordination Acoustique / Musique, Paris\\ */ | ||
| + | UMR Science et Technologies de la Musique et du Son (STMS)\\ | ||
| + | IRCAM – CNRS – Sorbonne Université\\ | ||
| \\ | \\ | ||
| - | IRCAM - CNRS UMR STMS | + | [[https://www.stms-lab.fr/person/jean-bresson/|STMS-Lab]] | |
| - | \\ | + | [[https://cv.archives-ouvertes.fr/jean-bresson|HAL]] | |
| - | Music Representations | + | [[https://github.com/j-bresson|GitHub]] | |
| - | \\ | + | [[https://scholar.google.fr/citations?hl=fr&user=e7hfV1AAAAAJ|Google Scholar]] | |
| - | [[jean.bresson@ircam.fr]] | + | [[https://www.linkedin.com/in/jean-bresson/|LinkedIn]] | |
| - | \\ | + | [[http://ircam.academia.edu/JeanBresson/|Academia.edu]] |
| - | (+33) 1 44 78 16 57 | + | |
| - | /* | + | ;;# |
| - | \\ \\ | + | |
| - | {{:bresson:cv-jean-bresson-short.pdf|[short cv]}} | + | |
| - | */ | + | |
| - | ===== Research interests and projects ===== | + | |
| - | * [[:cao|Computer-aided composition]] | + | ------ |
| - | * [[:cao:sound|Control of sound synthesis]] | + | === Projects === |
| - | * [[:cao:spatialisation|Spatialization and spatial sound synthesis]] | + | |
| - | * [[.:bresson:projects:om-chant|OM-Chant: Control of Chant Synthesis in OpenMusic]] | + | |
| - | * [[:openmusic:dev-resources:analysis|Score segmentation and analysis]] | + | |
| - | /* | + | * **[[paco:home-en|PACO]]**: Processus d'Apprentissage en Composition assistée par Ordinateur (//Machine Learning Processes in Computer-Assisted Composition//).\\ //Coordinator and lead researcher//. CNRS PEPS I3A (Intelligence Artificielle et Apprentissage Automatique), 2018-2019. |
| - | My works and projects focus on computer-aided composition and are mostly related to the OpenMusic visual programming / music composition environment. | + | * **[[:bresson:cnmat:|Fulbright scholarship]]**. UC Berkeley / Center for New Music and Audio Technologies.\\ Research, teachning and activities at CNMAT, 2016. |
| - | Since 2003 I am working as researcher and developer in the Music Representation research group. My first projects dealt with sound description and musical data representation and manipulation for computer-aided composition (SDIF-Edit, MIDI/SDIF toolkits in OpenMusic). | + | * **[[efficace:|EFFICAC(e)]]**: Extended Frameworks for "In-time" Computer-Aided Composition.\\ //Coordinator and lead researcher//. French National Research Agency (ANR), Programme JCJC 2013--2017. |
| - | I have then been charged of the Musique Lab 2 project and created a pedagogical application based on OpenMusic for it. For this purpose I also developed the first multi-platform release of OpenMusic for Mac/Windows, OM 5. | + | * **[[dyci2:|DYCI2]]**: Creative Dynamics of Improvised Interaction.\\ French National Research Agency (ANR), 2015--2018. |
| - | My PhD was about the relations between sound synthesis and computer-aided composition. I developed a framework for sound analysis, processing, and synthesis in OpenMusic, and have been led to different related problems such as the low level music and sound representations or the temporal issues in computer and composition systems. | + | * **[[http://inedit.ircam.fr|INEDIT]]**: INteractivité dans l’Écriture De l’Interaction et du Temps (//Interactivity in the Writing of Time and Interaction//).\\ French National Research Agency (ANR), 2012--2015. |
| - | I also worked and extended OMChroma, an environment for the control of sound synthesis in OM developed in collaboration with composer Marco Stroppa. | + | |
| - | In addition to the regular development and evolutions of OpenMusic, my current works also concern sound spatialization and the different possibilities to deal with 3D data, trajectories, spatial sound synthesis, etc. in the computer-aided compositional framework. | + | |
| - | */ | + | |
| - | + | \\ | |
| - | == [ software ] == | + | ====== ====== |
| + | ------ | ||
| + | === Software === | ||
| + | {{ :sdifedit:sdifedit.jpg?240|SDIF-Edit}} | ||
| - | * **[[OpenMusic:]]**: Visual programming language for music composition | + | * **[[https://cac-t-u-s.github.io/om-sharp|CACtus / oM#]]**: A new computer-assisted composition environment derived from OpenMusic |
| + | * **[[https://openmusic-project.github.io/|OpenMusic (OM)]]**: Visual programming language for music composition | ||
| + | * **[[https://github.com/ramagottfried/symbolist|symbolist]]**: Vector graphics notation editor (with Rama Gottfried) | ||
| + | * **[[https://github.com/openmusic-project/OM-Chant/wiki|OM-Chant]]**: Control of continuous sound synthesis processes using Chant and OpenMusic | ||
| * **[[ml2|Musique Lab 2]]**: Music education software based on OpenMusic | * **[[ml2|Musique Lab 2]]**: Music education software based on OpenMusic | ||
| - | * **[[sdifedit|SDIF-Edit]]**: Visualisation of SDIF sound description data | + | * **[[https://github.com/j-bresson/SDIF-Edit|SDIF-Edit]]**: Visualisation of SDIF sound description data |
| - | * **[[.:bresson:projects:spatialization-tools|Spatialisation Tools]]**: Streaming and visualization of source trajectories | + | * **[[https://github.com/j-bresson/Spat-SDIF-Player|Spatialisation Tools]]**: For streaming and visualization of source trajectories |
| - | + | \\ | |
| - | ;;# | + | ====== ====== |
| - | [[.:bresson:private:projects:| [private pages] ]] | + | ------ |
| - | ;;# | + | === Publications === |
| - | + | ||
| - | ===== Publications ===== | + | * **[[.:bresson:publications|List of publications]]** |
| - | == [ recent papers (selection) ] == | + | \\ |
| + | **Mémoire d'Habilitation à Diriger des Recherches / //Habilitation Thesis// (2017)**:\\ | ||
| + | Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale\\ | ||
| + | //Computer-assisted composition: visual programming techniques and tools for musical creation//.\\ | ||
| + | **[[https://hal.archives-ouvertes.fr/tel-01525998/|Thesis [in French]]]** | [[.:bresson:hdr|Support materials]]. | ||
| + | \\ | ||
| + | \\ | ||
| - | * J. Bresson, C. Pérez Sancho (2012) [[http://articles.ircam.fr/textes/Bresson12c/index.pdf|New Framework for Score Segmentation and Analysis in OpenMusic]]. //Proc. Sound and Music Computing Conference//, Copenhagen, Denmark. | ||
| - | * J. Bresson (2012) [[http://articles.ircam.fr/textes/Bresson12b/index.pdf|Spatial Structures Programming for Music]]. //Spatial Computing Workshop - SCW'12// (co-located w. the 11th Int. Conf. on Autonomous Agents and MultiAgent Systems - AAMAS'2012), Valencia, Spain. | ||
| - | * J. Bresson, C. Agon, G. Assayag (2011) [[http://articles.ircam.fr/textes/Bresson11e/index.pdf|OpenMusic. Visual Programming Environment for Music Composition, Analysis and Research]]. //Proc. ACM MultiMedia 2011// (OpenSource Software Competition), Scottsdale, AZ, USA. | ||
| - | * J. Bresson, C. Agon (2011) [[http://articles.ircam.fr/textes/Bresson11d/index.pdf|Visual Programming and Music Score Generation with OpenMusic]], (demo paper) //VL/HCC 2011: IEEE Symposium on Visual Languages and Human-Centric Computing//. | ||
| - | * J. Bresson, M. Stroppa (2011) [[http://articles.ircam.fr/textes/Bresson11b/index.pdf|The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis]]. //Proc. International Computer Music Conference//. | ||
| - | * C. Agon, J. Bresson, M. Stroppa (2011) [[http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00057|OMChroma: Compositional Control of Sound Synthesis]], //Computer Music Journal//, 35(2). | ||
| - | * M. Schumacher, J. Bresson (2010) [[http://journals.cambridge.org/action/displayAbstract?aid=7916434|Spatial Sound Synthesis in Computer-Aided Composition]]. //Organised Sound//, 15(3). {{:bresson:papers:schumacher-os-2010-revised.pdf|[revised - incl. errata]}} | ||
| - | * J. Bresson (2010) [[http://articles.ircam.fr/textes/Bresson10c/index.pdf| | ||
| - | ML-Maquette / Musique Lab 2]], //Proc. International Computer Music Conference//. | ||
| - | * J. Bresson, C. Agon, G. Assayag (2009) [[http://www.springerlink.com/content/94875p0245x4q652/|Visual Lisp/CLOS Programming in OpenMusic]], //Higher-Order and Symbolic Computation//, 22(1). {{:bresson:papers:bresson-hosc-2009.pdf|[preprint]}} | ||
| + | * **[[openmusic:ombook|The OM Composer's Books]]**, a series 3 books about OpenMusic and it's use by composers. => [[http://www.editions-delatour.com/fr/sciences-de-la-musique/3298-the-om-composer-s-book-3-9782752102836.html|Vol. 3]] (2016). | ||
| + | * Special issue of [[http://www.tandfonline.com/toc/nnmr20/46/1|Journal of New Music Research]] (46-1): **Interactive Composition**, co-edited with Joel Chadabe, 2017. | ||
| + | * Special issue of [[https://tsi.revuesonline.com/resnum.jsp?editionId=1887&Submit2.x=18&Submit2.y=11|Technique et Science Informatique (TSI)]] (33-7/8): **Informatique Musicale**, co-edited with Dominique Fober, 2014. | ||
| - | /*Complete list on [[http://articles.ircam.fr/index.php?Action=Results&Auteur=Bresson,%20Jean&CoAuteursToo=on&SortBy=DateDesc|the IRCAM articles database]].*/ | + | \\ |
| + | ====== ====== | ||
| + | ------ | ||
| - | ;;# | ||
| - | [ [[.:bresson:publications:list|complete list of publications]] ] | ||
| - | ;;# | ||
| - | == [ books (editor) ] == | + | === Community === |
| - | * //[[http://www.springer.com/computer/information+systems+and+applications/book/978-3-642-21589-6|Mathematics and Computation in Music]]//, Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings. C. Agon, M. Andreatta, G. Assayag, E. Amiot, J. Bresson, J. Mandereau (Eds.) Lecture Notes in Artificial Intelligence / LNAI 6726, Springer, 2011. | + | /* Some groups, seminars and other activities that I have organised or coordinated in the past years: */ |
| - | * //[[openmusic:ombook|The OM Composer's Book]]// Vol. 2: J. Bresson, C. Agon, G. Assayag (Eds.) Editions Delatour / IRCAM, 2008. (Volume 1 by C. Agon, G. Assayag, J. Bresson, 2006). | + | |
| - | ===== Teaching / Enseignement ===== | + | * **[[http://tenor-conference.org/|TENOR]]: International Conference on Technologies for Music Notation and Representation.**\\ //Co-founder (2015) and General Chair of the steering committee.// |
| + | * **[[http://functional-art.org/|FARM]]: ACM SIGPLAN Workshop on Functional Art, Music, Modeling and Design.**\\ //Member of the steering committee.// | ||
| + | * **[[musical:|MusICAL]]**: Interaction Calcul Algorithmique et Langages appliqués à la Musique.\\ //Coordinator of the thematic network of RNSC, the French National Network on Complex Systems, 2015.// | ||
| + | * **[[mamux:|MaMuX]]**: Mathématiques, Musique et relation aux autres disciplines.\\ //Coordinator of the seminar and of the network of RNSC, the French National Network on Complex Systems, 2011--2014.// | ||
| + | * **[[http://notation.afim-asso.org|Nouveaux espaces de la notation / New spaces of music notation]]**.\\ A work group of [[http://www.afim-asso.fr|AFIM]], the French Computer Music Association. //Co-founder and coordinator, 2013--2015.// | ||
| + | * **[[http://repmus.ircam.fr/notation/|Work-group IRCAM • Music Notation]]**. //Coordinator, 2018.// | ||
| + | * **[[http://www.afim-asso.org|AFIM]]** (Association Française d'Infprmatique Musicale / //French Computer Music Association//)\\ //Member of the administrative board.// | ||
| - | * Méthodes mathématiques pour la création musicale, Master 2 ICA -- AST (Arts, Sciences, Technologie), PHELMA / INP Grenoble.\\ => [[education:inpg-ast|Programme et documents de cours]] | + | \\ |
| - | * Module inter-semestre "Outils pour la création et la composition musicale", Telecom Bretagne, Brest. | + | ====== ====== |
| - | * Formations professionnelles IRCAM: OpenMusic expert. | + | ------ |
| + | === Recent Events === | ||
| - | /* | + | {{ :efficace:events:cnmat-rama.jpg?direct&240|}} |
| - | == Proposition stage M2 Recherche / Informatique: == | + | |
| - | * [[:bresson:enseignement:stage|Programmation fonctionnelle réactive pour la composition assistée par ordinateur]] | + | |
| - | */ | + | |
| - | ===== Conferences & events ===== | + | * **[[.:bresson:hfmk:|Programming / Computer-Aided Composition courses at the Hochschule für Musik Karlsruhe]]**. 2018-2019. |
| + | * **[[http://repmus.ircam.fr/paco/workshop-smc|Music Composition & Creative Interaction with Machine Learning]]**.\\ Invited workshop, [[http://smc2018.cut.ac.cy/|15th Sound and Music Computing conference]], Limassol, Cyprus, 06/07/2018. | ||
| + | * **[[http://tenor2018.tenor-conference.org/|TENOR'18]]**: 4th International Conference on Technologies for Music Notation and Representation.\\ Montréal, Canada -- 22-27/05/2018. //[Program Chair]// | ||
| + | * **[[http://repmus.ircam.fr/musical/|Models of time in computer music]]**. University of Bordeaux, 30/03/2018.\\ Workshop "MusICAL" (RNSC network: Interaction Calculus Algorithmics and Languages applied to Music). | ||
| + | * **[[http://functional-art.org/2017/|FARM'17]]**: ACM SIGPLAN Workshop on Functional Art, Music, Modeling and Design.\\ Co-located with ICFP 2017 in Oxford, UK, 9/9/2017. //[Program Chair]// | ||
| + | * **[[http://repmus.ircam.fr/bresson/cnmat/spat-workshop-2016|Spatialization Workshop]]** -- CNMAT / UC Berkeley, 2016. | ||
| + | * **[[http://repmus.ircam.fr/efficace/events/workshop-berkeley|Human-Computer Inetraction in Music]]** -- Berkeley 2016. | ||
| + | * **[[http://repmus.ircam.fr/efficace/events/workshop-cirmmt|Interactivity in Music Composition and Performance]]** -- Montreal 2015. | ||
| + | /* | ||
| + | === —Students === | ||
| - | * **Coordination of the 2011/2012 sessions of the [[:mamux:|MaMuX]] seminar organized monthly at IRCAM**. | + | * [[http://repmus.ircam.fr/bouche|Dimitri Bouche]] (UPMC/IRCAM): //Ordonnancement et calcul des flux de contrôle pour la composition assistée par ordinateur.// |
| + | * [[http://repmus.ircam.fr/depaiva|Charles de Paiva]]\\ (UPMC - UNICAMP Brésil). Programme Doctoral International "Modélisation des Systèmes Complexes".\\ Direction Moreno Andreatta (IRCAM-CNRS-UPMC) et Jonatas Manzolli (UNICAMP).\\ //La pièce musicale comme événement d'un système complexe, ouvert et modélisable: un cas de musicologie assistée par ordinateur// | ||
| + | * [[http://www.idmil.org/people/marlon_schumacher|Marlon Schumacher]] (McGill University, Montréal CA). Co-direction Marcelo Wanderley et Sean Ferguson.\\ //Spatial sound synthesis in computer-aided composition//. | ||
| + | |||
| + | * Xavier Favory (Master 2 ATIAM -- IRCAM/UPMC Labex SMART, 2015)\\ //Applications mobiles pour le contrôle de la spatialisation sonore// | ||
| + | * Adrien Ycart (Master 2 ATIAM -- IRCAM/UPMC, 2015)\\ //Quantification rythmique// | ||
| + | * Diego Diverio (Master 2 AST -- PHELMA/INP Grenoble/ENSIMAG, 2014)\\ //Représentations spatiales pour la composition assistée par ordinateur// | ||
| + | * Dimitri Bouche (Ingénieur ENSEA, 2013)\\ //Architecture audio dans OpenMusic// | ||
| + | * Pierre Donat-Bouillud (Licence 3 ENS Cachan Bretagne, 2013)\\ //Transcription rythmique dans OpenMusic// | ||
| + | * Adrien Maire (Master 1 ENS Cachan Bretagne, 2013)\\ //Quantification musicale avec apprentissage sur des exemples// | ||
| + | * Raphaël Foulon (Master 2 ATIAM, 2012)\\ //Etude et implémentation de procédures de contrôle « continu » pour la synthèse par fonctions d'ondes formantiques// | ||
| + | * Ephrem Boudonnet (Ingénieur EPITA, 2006)\\ //Portage de l'environnement OpenMusic sur Linux// | ||
| - | /* | ||
| - | => Next session: <color darkred>[[mamux:saisons:saison11-2011-2012:2012-02-03|Reactive systems and synchronous programming languages]]</color> (02/3 2012)\\ => //Prochaine séance: <color darkred>[[mamux:saisons:saison11-2011-2012:2012-02-03|Systèmes réactifs et langages synchrones]]</color> (3 février 2012)// | ||
| */ | */ | ||
| - | * Co-chair of //Mathematics and Computation in Music// conference 2011 ([[http://mcm2011.ircam.fr/|MCM 2011]]) and of the organizing committee of [[http://ihm07.ircam.fr/|IHM'07]], the national French conference on human-computer interactions. | ||
| - | |||
| - | === News / activités récentes ou à venir... === | + | ==== ==== |
| - | {{ :bresson:skyline2.jpg?300|Skyline, installation and computer-generated video, Shanta Rao / Jean Bresson, Biennale de Belleville / Nuit Blanche, Paris, 2010 - © Place2B/JMP}} | + | |
| - | * 29/05-1/06 2012 - [[http://www.cirmmt.mcgill.ca/activities/workshops/training/om/zadel1|OpenMusic training workshop]] at CIRMMT. | + | ;;# |
| - | * 4/06/2012 - [[http://www.spatial-computing.org/scw12:start|Spatial Computing Workshop]]. Co-located event with [[http://aamas2012.webs.upv.es/|AAMAS'2012]], Valencia, Spain. | + | [[.:bresson:private:| [private pages] ]] |
| - | * 19-22/05/2012 - //[[http://www.opera-comique.com/spectacle/re-orso/|Re Orso]]// de Marco Stroppa à l'Opéra Comique, Paris (compsition et sons de synthèse réalisés en OpenMusic) | + | ;;# |
| - | * 30/11/2011 - Panel //Bridging Opportunities for the Music and Multimedia Domains// at [[http://mirum11.tudelft.nl/panel|MIRUM'11]], ACM Workshop on Music Information Retrieval with User-Centered and Multimodal Strategies. | + | |
| - | * 29/11/2011 - OpenMusic at the ACM MultiMedia [[http://www.acmmm11.org/content-program-tuesday.html#ossc|OpenSource Software Competition]] | + | \\ |
| - | * 18/11/2011 - Journée d'étude //[[http://www.sites.univ-rennes2.fr/arts-pratiques-poetiques/journees-etude/musique-journees-etude/openmusic|OpenMusic - Composition Assistée par Ordinateur]]//, Université de Rennes 2. | + | |
| - | * 26-30/09 2011 - Visiting scholarship at [[http://www.cirmmt.mcgill.ca/|CIRMMT]] (Centre for Interdisciplinary Research in Music Media and Technology), McGill University. | + | |
| - | * 22/09/2011 - Talk at Carnegie Mellon University [[http://www.cs.cmu.edu/|School of Computer Science]]. | + | |
| - | * 19-21/09/2011 - OpenMusic demo at the IEEE Symposium on Visual Languages and Human-Centric Computing ([[http://www.cs.cmu.edu/~vlhcc2011/|VL/HCC]]). | + | |
| - | * 31/07-5/08/2011 - [[http://www.icmc2011.org.uk/|ICMC 2011]], Huddersfield, UK. | + | |
| - | * 20/07/2011 - Séminaire [[http://www.di.ens.fr/ParkasSeminars.html.fr|Parkas]], Département d'informatique, ENS. | + | |
| - | * 15-18/06/2011 - International Conference [[http://mcm2011.ircam.fr|Mathematics and Computation in Music - MCM 2011]]. | + | |
| - | * 25-27/05/2011 - [[http://jim2011.univ-st-etienne.fr/|Journées d'Informatique Musicale]], Université de Saint-Etienne. | + | |
| - | * 13/05/2011 - Atelier logiciel: //OpenMusic/Pareto// (avec Fabien Lévy). [[http://ethnomusika.org/|Association Ethnomusika]], Paris. | + | |
| - | * 21/01/2011 - //Ecriture de la spatialisation en composition assistée par ordinateur//. [[http://www.lasemaineduson.org/la-spatialisation-sonore,451|La semaine du son]], Paris. | + | |
| - | * 12/2010 - Invited research at [[http://www.cirmmt.mcgill.ca/|CIRMMT]] (Centre for Interdisciplinary Research in Music Media and Technology), McGill University. | + | |
| - | * 16/12/2010 - //Computer-aided composition projects and applications in OpenMusic//, [[http://www.cirmmt.mcgill.ca/activities/seminars/bresson|CIRMMT Seminar Series]]. | + | |
| - | * 02/10/2010 - //Skyline//, de [[http://www.slash.fr/artistes/shanta-rao/a-propos|Shanta Rao]]. Installation / video générée par ordinateur. Biennale de Belleville / Nuit Blanche 2010, Paris. | + | |