Ceci est une ancienne révision du document !
Jean Bresson
Chargé de recherche et développement HDR
Institut de Recherche et Coordination Acoustique / Musique, Paris
UMR Science et Technologies de la Musique et du Son (STMS)
IRCAM – CNRS – Université Pierre et Marie Curie / Sorbonne Université
—Projects
- PACO: Processus d'Apprentissage en Composiation assistée par Ordinateur (Applications of Machine Learning in Computer-Assisted Composition).
Coordinator and lead researcher. CNRS PEPS I3A (Intelligence Artificielle et Apprentissage Automatique), 2018. - EFFICAC(e): Extended Frameworks for "In-time" Computer-Aided Composition.
Coordinator and lead researcher. French National Research Agency (ANR), Programme JCJC 2013–2017. - DYCI2: Creative Dynamics of Improvised Interaction.
French National Research Agency (ANR), 2015–2018. - INEDIT: INteractivité dans l’Écriture De l’Interaction et du Temps.
French National Research Agency (ANR), 2012–2015.
- Research, teachning and activities at CNMAT, UC Berkeley.
Fulbright visiting scholarship, 2016.
—Publications
- ⇒ See List of publications.
- The OM Composer's Books, a series 3 books about OpenMusic and it's use by composers.
⇒ The OM Composer's Book 3, 2016. - Special issue of Journal of New Music Research (46-1): Interactive Composition, co-edited with Joel Chadabe, 2017.
- Special issue of Technique et Science Informatique (TSI) (33-7/8): Informatique Musicale, co-edited with Dominique Fober, 2014.
—Software
- OpenMusic (OM): Visual programming language for music composition
- o7: A prototype new implementation of OM
- symbolist: Vector graphics notation editor (with Rama Gottfried)
- Musique Lab 2: Music education software based on OpenMusic
- SDIF-Edit: Visualisation of SDIF sound description data
- Spatialisation Tools: Streaming and visualization of source trajectories
—Community
- TENOR: International Conference on Technologies for Music Notation and Representation.
Co-founder and member of the steering committee. - FARM: ACM SIGPLAN Workshop on Functional Art, Music, Modeling and Design.
Member of the steering committee. - MusICAL: Interaction Calcul Algorithmique et Langages appliqués à la Musique.
Coordinator of the thematic network of the RNSC, National Network on Complex Systems, 2015. - MaMuX: Mathématiques, Musique et relation aux autres disciplines.
Coordinator of the seminar and of the RNSC network, 2011–2014. - Groupe de travail IRCAM - Notation.
Coordinator, 2018. - AFIM (Association Française d'Infprmatique Musicale / French Computer Music Association)
Member of the administrative board.
—Events and activities
Forthoming
Recent
- Workshop @SMC'18: Music Composition & Creative Interaction with Machine Learning
15th Sound and Music Computing conference, July 4-7 2018, Limassol, Cyprus. - TENOR'18: 4th International Conference on Technologies for Music Notation and Representation.
Montréal, Canada – May 22-27, 2018. [Program Chair] - Séminaire Épistémologie de la musicologie numérique.
IReMus, Paris – 13/04/2018. - Workshop MusICAL (RNSC network: Interaction Calculus Algorithmics and Languages applied to Music)
Models of time in computer music. University of Bordeaux, 30/03/2018. - FARM'17: ACM SIGPLAN Workshop on Functional Art, Music, Modeling and Design.
Co-located with ICFP 2017 in Oxford, UK, 9/9/2017. [Program Chair] - Human-Computer Inetraction in Music – Berkeley 2016.
- Interactivity in Music Composition and Performance – Montreal 2015.