http://repmus.ircam.fr/ 2012-05-17T01:06:26+02:00 http://repmus.ircam.fr/ http://repmus.ircam.fr/ttp://repmus.ircam.fr/lib/tpl/repmus/images/favicon.ico text/html 2011-03-18T17:11:44+02:00 http://repmus.ircam.fr/agon?rev=1300464704&do=diff Research / Development IRCAM - CNRS UMR STMS Music Representations Carlos.Agon [at] ircam.fr (+33) 1 44 78 48 33 Désolé cette page est en construction Cependant voici quelques liens : * : Visual programming language for music composition * Séminaire * [Mémoire HDR] text/html 2011-10-27T11:57:23+02:00 http://repmus.ircam.fr/aidegalaxie?rev=1319709443&do=diff The candidature process comprises 3 phases : * completing the online candidature process with the Galaxie server * gathering information in a PDF file and sending it by email to the committee * upon pre-selection in the short list by the committee, coming to UPMC to meet the selection committee for an oral presentation with questions text/html 2012-05-06T12:39:53+02:00 http://repmus.ircam.fr/antescofo?rev=1336300793&do=diff Anticipatory Score Following MuSync Team-Project, Music Representation research group, (c) Ircam-Centre Pompidou, 2007-2012. * 2-year software engineer job offer. (Apply-En) (Apply-Fr) * Antescofo on Online Radio Quadrivium (french). * Antescofo won the La recherche special prize 2011, among the most important popular science prizes in France. text/html 2011-11-28T02:04:46+02:00 http://repmus.ircam.fr/argument_francais?rev=1322442286&do=diff En 2004, Gérard Assayag et Marc Chemillier ont organisé une rencontre sur l' improvisation et les nouvelles technologies à l'Ircam qui a eu un impact majeur en identifiant les contours d'une communauté internationale de chercheurs et de musiciens (et quelquefois de musiciens chercheurs) œuvrant à la frontière entre improvisation (du jazz aux musiques contemporaines et actuelles), médias numériques et programmation. L'événement permettait de faire le point sur les techniques, les dispositifs, les… text/html 2012-05-06T17:54:24+02:00 http://repmus.ircam.fr/arshia-cont?rev=1336319664&do=diff Head of Research, MuSync Team-Project (INRIA/CNRS/Ircam). Director, Department for Research/Creativity interfaces. Ircam - Centre Pompidou, Paris, France. arshia.cont [at] ircam.fr * Antescofo has won the 2011 La Recherche prize in the special prize category. * Public press article on Antescofo in Interstices and La recherche magazine (French). * For Antescofo events and news see here text/html 2011-12-19T18:33:45+02:00 http://repmus.ircam.fr/atiam_ml_2011?rev=1324316025&do=diff Instructors: Arshia Cont and Mathieu Lagrange This course provides an introduction to pattern recognition and statistical learning for the ATIAM Masters at Ircam during the school year 2011-2012. The goal of the course series is to expose students to problem solving tools using machine learning techniques and intuitions behind each approach. text/html 2012-05-15T10:25:26+02:00 http://repmus.ircam.fr/bresson?rev=1337070326&do=diff Research / Development IRCAM - CNRS UMR STMS Music Representations <jean.bresson@ircam.fr> (+33) 1 44 78 16 57 Research interests  * Computer-aided composition * Visual programming languages * Control of sound synthesis * Spatialization and spatial Sound synthesis text/html 2011-09-26T17:25:49+02:00 http://repmus.ircam.fr/cao?rev=1317050749&do=diff Since it was founded in 1992 the Music Representations team attempted to build a coherent research thread clearly identified under the name of Computer Assisted Composition (CAC -- now also called Computer-Aided Composition), with a particular accent on the concept of "écriture" (an untranslatable French term which is the union of instrumental score writing and musical thought in general — we will use here the term "writing"). text/html 2012-05-02T16:20:42+02:00 http://repmus.ircam.fr/echeveste?rev=1335968442&do=diff Ph.D. Student in Computer Music * Lab : Ircam (STMS) 1, place Igor-Stravinsky, 75004 Paris * Team : Musical Representations * Supervisors : Jean-Louis Giavitto, Arshia Cont * <jose.echeveste@ircam.fr> Research Interests * Score Following * Synchronous Programming * Formalization of the constraints of musical coherence * Development and implementation of a synchronous language for real-time writing of musical interaction * Multi-scale hybrid scheduling * Development of pr… text/html 2011-11-28T13:32:21+02:00 http://repmus.ircam.fr/electionsconseillabo?rev=1322483541&do=diff Suite au renouvellement en cours de la convention d'unité, de l'évolution de ses effectifs notamment par l'arrivée de nouveaux chercheurs et de l'incorporation des ITA (ingénieurs, techniciens, administratifs) la structure du conseil de labo a été modifiée. La nouvelle structure a été approuvée par l'ancien conseil et un nouveau conseil doit être élu selon les modalités ci-après. text/html 2011-12-17T11:28:54+02:00 http://repmus.ircam.fr/electronic-music-composition-design?rev=1324117734&do=diff Electronic Music Composition & Design A musical Research with the French Jazz flute player Malik Mezzadri has lead to the formalization of the concept of Tonal Signatures, further extended by Bruno Simeone as Boolean Signatures. You can hear an example of Boolean Signatures used in some musical improvisation here . Below are some articles regarding the associated concepts. text/html 2012-05-15T13:03:01+02:00 http://repmus.ircam.fr/esling?rev=1337079781&do=diff PhD Student IRCAM - CNRS UMR 9912 Supervisor : Carlos Agon Music Representations <esling@ircam.fr> Research topics * Intelligent sound samples database : Seeking sound samples in a massive database can be a very tedious and painstaking task. Even when meta-informations are available, querying results may remain far from the mental representation expected by the user. We worked on the development of the first intelligent sound sample database. We propose a scheme where sounds can be retriev… text/html 2012-05-08T16:11:33+02:00 http://repmus.ircam.fr/giavitto?rev=1336486293&do=diff text/html 2011-12-29T14:55:19+02:00 http://repmus.ircam.fr/giavittobingsiteauth.xml?rev=1325166919&do=diff text/html 2012-05-08T01:49:20+02:00 http://repmus.ircam.fr/home?rev=1336434560&do=diff The Music Representations team carries out research and development into the symbolic representation of musical structures, languages and computer paradigms adapted to music. This work finds application in both computer assisted composition (CAC) and computer-based musicology. Reflection into the high-level representation of musical concepts and structures supported by original computer languages developed by the team, leads to the conception of models, which can be used for both musical product… text/html 2011-06-21T07:01:43+02:00 http://repmus.ircam.fr/impro?rev=1308632503&do=diff RepMus Improvisation projects OMax WoMax Mediation text/html 2012-05-12T23:27:03+02:00 http://repmus.ircam.fr/improtechbios?rev=1336858023&do=diff Back to Improtech Home Geri Allen Geri Allen is an internationally known composer and pianist. Since 1982, she has recorded, performed or collaborated with artists as diverse as Ravi Coltrane, Dianne Reeves, Liz Wright, and Simone, in a celebration of the life and music of Nina Simone, Donald Walden, Farah Jasmine Griffin, Bill Cosby, Mal Waldron, Sir Simon Rattle, Lee Konitz, Vernon Reid, Jackie Hillsman and Peter Bernard, JoAnne Akalaitis, Clark Terry, George Shirley, Carrie Mae Weem… text/html 2012-05-14T21:08:28+02:00 http://repmus.ircam.fr/improtechpny?rev=1337022508&do=diff Conferences, Workshops & Performances :: May 16-18, 2012 in New York City The ImproTech Paris - NYC 2012 workshop is dedicated to the exploration of the links between musical improvisation and digital technologies. Gathering researchers and artists from both research & creation scenes, it favors the idea of using digital intelligence as a source of continuous and sophisticated creation, in a complex interaction with live musicians, as opposed to mere decorative digital effects. text/html 2012-04-16T12:52:59+02:00 http://repmus.ircam.fr/jacquemard?rev=1334573579&do=diff INRIA researcher at IRCAM Music Representations team EPC INRIA muSync <florent.jacquemard@ircam.fr> (+33) 1 44 78 15 48 Research Interests * computer-aided composition * score following * automated verification of complex systems and software * logic in computer science * automated reasoning and term rewriting * tree automata theory text/html 2011-02-14T12:22:00+02:00 http://repmus.ircam.fr/ml2?rev=1297682520&do=diff [Example of a ML-Maquette document about J.-S. Bach's Goldberg Variations, by F. Guédy, IRCAM.] Compositional approach to musical processes for music education Jean Bresson IRCAM, Music Representations Team Pedagogical coordination: Fabrice Guédy, IRCAM / French Ministry of Education text/html 2012-03-19T12:56:59+02:00 http://repmus.ircam.fr/moreno?rev=1332158219&do=diff Chercheur CNRS Vice-président de la SMCM Equipe Représentations Musicales Ircam - CNRS UMR 9912 (STMS) 1, place I. Stravinsky F-75004 Paris tel:+33 (0)1 44781649 e-mail : Moreno.Andreatta[at]ircam.fr Mon activité de recherche se concentre depuis plusieurs années sur les liens entre mathématique et musique. Je m'intéresse, en particulier, au problème de la formalisation algébrique des structures musicales, un sujet qui a représenté le coeur de ma thèse de doctorat en musicologie c… text/html 2011-09-06T15:53:11+02:00 http://repmus.ircam.fr/mrc-cmr?rev=1315317191&do=diff Le département MRC va éditer un numéro spécial de revue ''Contemporary Music Review'' sur la recherche musicale à l'Ircam. Vous êtes sur cette page probablement parce que vous êtes sollicité pour une contribution à ce numéro. Vous trouverez les informations relatives pour écrire vos articles ici: text/html 2011-12-19T14:37:22+02:00 http://repmus.ircam.fr/music-information-geometry?rev=1324301842&do=diff [Realtime music segmentation using information geometric methods] Information geometry is a recent field of mathematics, in particular of statistical inference, that studies the notions of probability and information by the way of differential geometry. It is an emerging field that brings together various fields such as machine learning, information theory, signal processing, and differential geometry. text/html 2011-09-26T17:21:56+02:00 http://repmus.ircam.fr/music-theory?rev=1317050516&do=diff text/html 2012-05-10T12:48:55+02:00 http://repmus.ircam.fr/musync?rev=1336646935&do=diff <div class="news_box" style="width: 40%; float: right"><div class="news_header"><a class="news_header_link" href="http://repmus.ircam.fr/news/allnewsdata">NEWS flash</a></div> <div class="news_list" style="margin-right: 10px !important;""> <div class="prev_newsitem"><a class="news_link" href=" http://repmus.ircam.fr/antescofo/events"> Four world premiers using Antescofo in Manifeste</a> <span class="news_date"> ( May 2012)</span><br /> <span class="news_preview"> <p> <img src="http://repmus.irc… text/html 2011-12-17T11:11:49+02:00 http://repmus.ircam.fr/nouno?rev=1324116709&do=diff Associate Researcher, Music Representations Team Computer Music Designer, Musical Production Team Composer - Sound Artist Ircam - Centre Pompidou, Paris, France. gilbert.nouno [at] ircam.fr Musical Research Interests * Tempo Follower / Beat tracking : PhD suivi de tempo appliqué aux musiques improvisées , Paris 6-Ircam 2008 * Electronic Music Composition & Design * Sound spatialization text/html 2012-02-23T15:09:24+02:00 http://repmus.ircam.fr/orchestration?rev=1330006164&do=diff L'orchestration assistée par ordinateur est un nouvel axe de recherche qui s'est développé au cours des quatre dernières années à l'IRCAM. L'orchestration est une science artistique, celle d'écrire les différentes voix instrumentales pour obtenir de l'orchestre un timbre spécifique. Par sa définition même, cette discipline révèle de multiples facettes de complexité. D'une part celle-ci se situe à la croisée des mondes du signal et de la symbolique. Son étude relève donc de paradigmes hétérogènes… text/html 2011-03-08T14:37:31+02:00 http://repmus.ircam.fr/orchidee?rev=1299591451&do=diff [Orchidée] Grégoire Carpentier IRCAM, Représentations Musicales Description Orchidée is a computer-aided orchestration system. It aims at helping composer to write instrumental mixtures that achieve a given idea of timbre, i.e. a given orchestral color. The target timbre is provided by the user as a simple soundfile, and Orchidée searches within a large instrument sample database combinations of sounds that perceptually match the target. text/html 2011-11-25T20:41:11+02:00 http://repmus.ircam.fr/profupmc?rev=1322250071&do=diff Sept. 15 : opening of the candidature process (closing Oct. 16, 16h00) As the process is a little tricky, we have prepared a tutorial in english explaining in detail the different operations. This tutorial is adapted for people currently outside of the french academic system (typically researcher, prof. in a foreign university) text/html 2011-03-24T09:03:20+02:00 http://repmus.ircam.fr/scofo-biblio?rev=1300953800&do=diff This page contains some important Score Following related bibliographies. You can help us by sending yours to include. text/html 2011-02-14T11:12:52+02:00 http://repmus.ircam.fr/score-following?rev=1297678372&do=diff [Score Following Screenshot for Partita I] Score following is the realtime synchronization of a live musician playing a score with the score itself and decoding of expressive parameters of the musician on the fly. The interest of score following is usually twofold: text/html 2012-02-06T12:37:56+02:00 http://repmus.ircam.fr/sdifedit?rev=1328528276&do=diff [SDIF-Edit] Visualisation of SDIF sound description data Jean Bresson IRCAM, Music Representations Team Prix Spécial du Jury, Concours de Logiciels Musicaux LoMus 2006 (Association Française d'Informatique Musicale) Description SDIF-Edit is a tool for the visalization SDIF sound description data. text/html 2011-09-23T18:10:51+02:00 http://repmus.ircam.fr/synchrone?rev=1316794251&do=diff Synchronous programming languages are computer music languages optimized for real-time reactive systems and have long been used in avionics industries and embedded systems. This programming paradigm is of growing importance. Antescofo realtime score following system comes with a synchronous language, specialized for musical composition. It appears that many computer programming paradigms such as concurrency, broadcasting, dataflow programming is inherent in the long practice of musical composit… text/html 2012-04-21T04:56:47+02:00 http://repmus.ircam.fr/toto?rev=1334977007&do=diff Conferences, Workshops & Performances :: May 16-18, 2012 in New York City The ImproTech Paris - NYC 2012 is a mini festival dedicated to the exploration of the links between musical improvisation and digital technologies. Gathering researchers and artists from both research & creation scenes (and from elsewhere ), it favors the idea of using digital intelligence as a source of continuous and sophisticated creation, in a complex interaction with live musicians, as opposed to mere decorative …