http://repmus.ircam.fr/ 2026-05-08T18:23:53+02:00 http://repmus.ircam.fr/ http://repmus.ircam.fr/ttp://repmus.ircam.fr/lib/tpl/repmus/images/favicon.ico text/html 2013-09-12T18:47:16+02:00 http://repmus.ircam.fr/depaiva/stateofart/agon2004?rev=1379004436&do=diff Agon, C.; Andreatta, M.; Assayag, G.; Schaub, S. Formal Aspects of Iannis Xenakis’ “Symbolic Music”: A Computer-Aided Exploration of Compositional Processes. Journal of New Music Research 2004, Vol. 33, No. 2, pp. 145–159. Abstract: We present computer models of two works for solo instrument by Iannis Xenakis: Herma for piano (1962) and Nomos Alpha for cello (1965). Both works were described by the composer (in his book Formalized Music) as examples of "symbolic music." Xenakis' detailed descr… text/html 2013-09-12T22:32:50+02:00 http://repmus.ircam.fr/depaiva/stateofart/ahn2009?rev=1379017970&do=diff Ahn, Y.-K.; Agon, C.; Andreatta, M. Structures Ia pour deux pianos” by Boulez : towards creative analysis using OpenMusic and Rubato. Mathematics and Computation in Music Communications in Computer and Information Science Volume 37, 2009, pp 412-418 text/html 2013-09-13T04:23:57+02:00 http://repmus.ircam.fr/depaiva/stateofart/assayag00?rev=1379039037&do=diff Assayag, G. De la calculabilité à l’implémentation musicale. Séminaire Entretemps Math Musique Philo. 7 octobre 2000. Commentaries: Quotes: text/html 2013-09-13T02:58:34+02:00 http://repmus.ircam.fr/depaiva/stateofart/assayag93?rev=1379033914&do=diff Assayag, G. Cao: vers la partition potentielle. Les Cahiers de l'Ircam: La composition assistée par ordinateur 1(3), June 1993. Commentaries: In this text Gérard Assayag makes an overview of the history and current work at the time, in addition to some perspectives, of the Computer-Assisted Composition (CAC) domain at IRCAM. The paper is introduced by brief ponderations about what he considers the three fundamentals aspects of any successful system for CAO: the choice of the programming langua… text/html 2013-10-02T03:11:20+02:00 http://repmus.ircam.fr/depaiva/stateofart/berio06?rev=1380676280&do=diff Berio, Luciano. Poetics of Analysis. in: Remembering the Future (The Charles Eliot Norton Lectures). Harvard University Press: Cambridge, Massachusetts, 2006. Commentaries: In this text Luciano Berio develops upon the idea of "poetics of analysis". Here, he demonstrates a certain dissatisfaction with music analysis approaches already in its first paragraph when revealing us his "ambitious and maybe unfulfillable desire" to bring creativity and analysis together. text/html 2013-09-13T00:45:29+02:00 http://repmus.ircam.fr/depaiva/stateofart/boulez?rev=1379025929&do=diff Idee, Réalisation, Métier some quotes: text/html 2013-09-12T18:29:14+02:00 http://repmus.ircam.fr/depaiva/stateofart/chemillier94?rev=1379003354&do=diff Chemillier, M. Analysis and Computer Reconstruction of a Musical Fragment of György Ligeti's Melodien. ISMM Bucarest (Roumanie), 1994 Abstract: Commentaries: Quotes: text/html 2013-09-23T21:50:21+02:00 http://repmus.ircam.fr/depaiva/stateofart/keller2004?rev=1379965821&do=diff Keller, D.; Ferneyhough, B. Analysis by Modeling: Xenakis’s ST/10-1 080262. Journal of New Music Research 2004, Vol. 33, No. 2, pp. 161–171 Abstract: This paper proposes analysis by modeling as a complement to current analytical practices. We present an analysis of Xenakis’s algorithmic composition ST/10-1 080262. Two models were developed in order to study the temporal quantization processes and the streaming-fusion processes in this piece. Our study shows that fused granular textures could h… text/html 2013-09-26T19:50:47+02:00 http://repmus.ircam.fr/depaiva/stateofart/mesnage-riotte93?rev=1380217847&do=diff Mesnage, M.; Riotte, A. Modélisation informatique de partitions, analyse et composition assistée. Les Cahiers de l'Ircam: La composition assistée par ordinateur 1(3), June 1993. Commentaries: In this text Mesnage and Riotte give us an overview of the computer-assisted musical analysis field, opposing their achievements with other approaches, presenting its antecedents and its implication in the near field of computer-assisted composition. It seems to be written in a less formal and in a sligh… text/html 2013-09-12T18:16:31+02:00 http://repmus.ircam.fr/depaiva/stateofart/mesnage93?rev=1379002591&do=diff Mesnage, M. Morphoscope, a computer system for music analysis. Interface, Volume 22, Issue 2, 1993, pp. 119-131. Abstract: The Morphoscope system is designed around basic entities inspired from the theory of set relations, adapted to the representation of musical scores. Music analysis is first a search for significant similarities and differences between formal subsets of data, obtained at various levels by general operations of decomposition such as projections, domain functions, segmentati… text/html 2013-09-12T18:22:22+02:00 http://repmus.ircam.fr/depaiva/stateofart/riotte-cours?rev=1379002942&do=diff Riotte, A. Cours : formalisation des structures musicales. 1978 à 1990. Commentaries: Chapter I Chapter II Chapter III Quotes: * Interroger un texe musical, c'est y chercher ses propres racines. Il s'agit d'utiliser ou d'imaginer des concepts aptes à décrire une oeuvre, et si possible une famille d'oeuvres, comme un tout cohérent. text/html 2014-01-29T23:43:21+02:00 http://repmus.ircam.fr/depaiva/stateofart/rokita96?rev=1391035401&do=diff Rokita, L. Modèle Rythmique d'une piece pour clarinette d'Igor Stravinsky. JIM 96, 1996 Abstract: La découverte des compositeurs par l'Analyse est un véritable épanouissement pour le Musicien. Grâce au logiciel "Morphoscope", nous avons pu réaliser un modèle informatique de la partition. Celui-ci est fondé sur la découverte des principes générateurs du matériau musical et apparaît ici comme une formule paramétrée permettant la simulation du processus compositionnel. Cette démarche nous invite … text/html 2013-09-23T11:42:04+02:00 http://repmus.ircam.fr/depaiva/stateofart/temp?rev=1379929324&do=diff from various sources Xenakis formalized music: "The following are several of the advantages of using electronic computers in musical composition: l. The long laborious calculation made by hand is reduced to nothing. The speed of a machine such as the IBM-7090 is tremendous-of the order of500,000 elementary operations/sec.