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lebel:hkb [2019/04/09 16:48] Frédéric Le Bel |
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- | ====== Work Samples ====== | ||
- | The following samples were selected in order to reflect the diversity of styles and techniques related to my artistic work.\\ | ||
- | If you should have trouble reading the files below, you can also find them here: https://drive.google.com/drive/folders/1HJ3ksGTwlKmu_7TzCgCdW-5zqwknxW0I?usp=sharing | ||
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- | **__La jeune fille et la lune__, for 5 voices and 14 instruments.**\\ | ||
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- | Based on a short story, this piece enacts the gloomy atmosphere conveyed by the tale of a young woman seeking for mercy.\\ | ||
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- | **Score**\\ | ||
- | * {{:lebel:hkb:lebel_lajeunefilleetlalune-score.pdf|}} | ||
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- | **Recording**\\ | ||
- | {{mp3play>{:lebel:hkb:lebel_lajeunefilleetlalune-live.mp3|}} | ||
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- | **Info**\\ | ||
- | Performed by Orkest De Ereprijs\\ | ||
- | https://www.ereprijs.nl\\ | ||
- | Recorded @Gaudeamus, Utrecht - NL, 2015.\\ | ||
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- | **__Alors que le monde est décomposé__, for piano and live electronics.**\\ | ||
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- | This piece undertakes the challenge of real-time processing by using a custom made interactive system built in MaxMSP.\\ | ||
- | It works on different combinations of processing modules including spectral delays, resonators, granular synthesisers, reverberators\\ | ||
- | and an 8-channnel spatialisation engine dynamically modulated by a pitch tracker and an envelope follower but also via external controllers.\\ | ||
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- | **Score**\\ | ||
- | * {{:lebel:alors-que-le-monde-est-decompose:lebel_alorsquelemondeestdecompose-score.pdf|}} | ||
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- | **Recording**\\ | ||
- | Stereophonic reduction, excerpt from #28 to #60 in the score. | ||
- | {{mp3play>{{:lebel:hkb:lebel_alorsquelemondeestdecompose-stereo.mp3|}} | ||
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- | **Info**\\ | ||
- | Performed by Wilhem Latchoumia\\ | ||
- | http://www.wilhemlatchoumia.com/\\ | ||
- | Recorded @IRCAM studio 5, Paris - FR, 2016.\\ | ||
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- | **__Il ne s'agit pas de le recomposer__, for hybrid string quartet and fixed media.**\\ | ||
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- | In this context, hybrid means that the recorded sounds are played directly through the instruments by using a set of custom made transducers.\\ | ||
- | The use of sampled piano sounds, but not in a traditional way, comes from the idea of mirroring the shadow of a fifth performer lurking inside the string quartet.\\ | ||
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- | **Score**\\ | ||
- | * {{:lebel:il-ne-sagit-pas-de-le-recomposer:lebel_ilnesagitpasdelerecomposer-score.pdf|}} | ||
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- | **Recording**\\ | ||
- | Stereophonic reduction, 1st movement. | ||
- | {{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-1.mp3|}} | ||
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- | Stereophonic reduction, 2nd movement. | ||
- | {{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-2.mp3|}} | ||
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- | Stereophonic reduction, 3rd movement. | ||
- | {{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-3.mp3|}} | ||
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- | Stereophonic reduction, 4th movement. | ||
- | {{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-4.mp3|}} | ||
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- | Stereophonic reduction, 5th movement. | ||
- | {{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-5.mp3|}} | ||
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- | Stereophonic reduction, 6th movement. | ||
- | {{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-6.mp3|}} | ||
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- | **Info**\\ | ||
- | Performed by TANA string quartet\\ | ||
- | https://www.quatuortana.net/\\ | ||
- | Recorded @IRCAM studio D, Paris - FR, 2017.\\ | ||
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- | **__Outdoors__, for 16-channel fixed medium.**\\ | ||
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- | Mostly based on field recordings, this piece was made intuitively using various techniques in the tradition of "musique concrète".\\ | ||
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- | **Recording**\\ | ||
- | Stereophonic reduction, excerpt from 0:00 to 7:34. | ||
- | {{mp3play>:{:lebel:hkb:lebel_outdoors-stereo.mp3|}} | ||
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- | **Info**\\ | ||
- | Composed @IRCAM studio 1 (klangdom), Paris - FR, 2016-2017.\\ | ||
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- | **__Mais plutôt de trouver la, ou les justes relations...__, for 8-channel fixed medium.**\\ | ||
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- | This piece is based on a computer program which generates music by manipulating sampled sounds according to certain compositional strategies that are carried out in different structure generators.\\ | ||
- | Each generator synthesizes a specific idiom according to certain compositional algorithms that utilizes random operations, serial and stochastic procedures.\\ | ||
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- | **Recording**\\ | ||
- | Stereophonic reduction, excerpt from 0:00 to 7:06. | ||
- | {{mp3play>{:lebel:hkb:lebel_maisplutotdetrouverlaoulesjustesrelations-stereo.mp3|}} | ||
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- | **Info**\\ | ||
- | Composed @IRCAM studio D (octophonic), Paris - FR, 2018.\\ | ||
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- | Now working on __Extrapolation__, for flute, alto saxophone, piano, violin, cello and fixed media\\ | ||
- | to be premiered by the Barcelona Modern Ensemble in January 2020 at Fondació Phonos, Barcelona – SPAIN. | ||
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- | ----- | ||
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- | [[http://repmus.ircam.fr/lebel|See main page]] | ||
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- | {{ :frqsc_0.jpg?200|}} | ||
- | {{ :lebel:jim-2017:paris8.jpeg?125|}} | ||
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