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Work Samples

The following samples were selected in order to reflect the diversity of styles and techniques related to my artistic work.
If you should have trouble reading the files below, you can also find them here: https://drive.google.com/open?id=1f-qy5chaJQtkDkP0QXN6V0u-9rmcuoji



Récollection, for 15 instruments.

This piece attempts to reproduce what psychosis is to the mechanism of vitality;
a form of reactivity of the urgence that gives way to construction in what appears to be a place of desire.

Score

Recording
Excerpt from m.1 to m.181 in the score.

Info
Performed by Nouvel Ensemble Moderne
http://lenem.ca/
Recorded @Salle Claude Champagne, Montreal - CA, 2012.



La jeune fille et la lune, for 5 voices and 14 instruments.

Based on a short story, this piece enacts the gloomy atmosphere conveyed by the tale of a young woman seeking for mercy.

Score

Recording

Info
Performed by Orkest De Ereprijs
https://www.ereprijs.nl
Recorded @Tivoli Vredengurg, Utrecht - NL, 2014.



25 : 17, for cello and live electronics.

This piece undertakes the challenge of real-time processing by using a custom made interactive system built in MaxMSP.
It works on different combinations of processing modules including delays, harmonisers, sample-based synthesisers, reverberators
and a 6-channnel spatialisation engine dynamically modulated by various audio descriptors and via external controllers.

Score

Recording
Stereophonic reduction, excerpt from A to BB in the score.

Info
Performed by Cameron Crozman
http://www.cameroncrozman.com/
Recorded @IRCAM studio 5, Paris - FR, 2015.



Alors que le monde est décomposé, for piano and live electronics.

This piece also undertakes the challenge of real-time processing by using a custom made interactive system built in MaxMSP.
It works on different combinations of processing modules including spectral delays, resonators, granular synthesisers, reverberators
and an 8-channnel spatialisation engine dynamically modulated by a pitch tracker and an envelope follower but also via external controllers.

Score

Recording
Stereophonic reduction, excerpt from #28 to #60 in the score.

Info
Performed by Wilhem Latchoumia
http://www.wilhemlatchoumia.com/
Recorded @IRCAM studio 5, Paris - FR, 2016.



Il ne s'agit pas de le recomposer, for hybrid string quartet and fixed media.

In this context, hybrid means that the recorded sounds are played directly through the instruments by using a set of custom made transducers.
The use of sampled piano sounds, but not in a traditional way, comes from the idea of mirroring the shadow of a fifth performer lurking inside the string quartet.

Score

Recording
Stereophonic reduction, 1st movement.

Stereophonic reduction, 2nd movement.

Stereophonic reduction, 3rd movement.

Stereophonic reduction, 4th movement.

Stereophonic reduction, 5th movement.

Stereophonic reduction, 6th movement.

Info
Performed by TANA string quartet
https://www.quatuortana.net/
Recorded @IRCAM studio D, Paris - FR, 2017.



Outdoors, for 16-channel fixed medium.

Mostly based on field recordings, this piece was made intuitively using various techniques in the tradition of "musique concrète".

Recording
Stereophonic reduction, excerpt from 0:00 to 7:34.

Info
Composed @IRCAM studio 1 (klangdom), Paris - FR, 2016-2017.



Mais plutôt de trouver la, ou les justes relations…, for 8-channel fixed medium.

This piece is based on a custom made program that generates music by manipulating sampled sounds according to certain compositional strategies that are carried out in different structure generators.
Each generator synthesizes a specific idiom according to certain compositional algorithms that utilizes random operations, serial and stochastic procedures.

Recording
Stereophonic reduction, excerpt from 0:00 to 7:06.

Info
Composed @IRCAM studio D (octophonic), Paris - FR, 2018.



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lebel/lulea.1557653679.txt.gz · Dernière modification: 2019/05/12 11:34 par Frédéric Le Bel