Différences

Cette page vous donne les différences entre la révision choisie et la version actuelle de la page.

Lien vers cette vue

lebel:lulea [2019/05/14 18:20]
Frédéric Le Bel
— (Version actuelle)
Ligne 1: Ligne 1:
-====== Work Samples ====== 
  
-The following samples were selected in order to reflect the diversity of styles and techniques related to my artistic work.\\ 
-If you should have trouble reading the files below, you can also find them __here in full length__: https://drive.google.com/open?id=1f-qy5chaJQtkDkP0QXN6V0u-9rmcuoji 
-\\ 
------ 
-\\ 
-**__Récollection__, for 15 instruments.**\\ 
- 
-This piece attempts to reproduce what psychosis is to the mechanism of vitality;\\ 
-a form of reactivity of the urgence that gives way to construction in what appears to be a place of desire.\\ 
- 
-**Score**\\ 
-  * {{:lebel:lulea:lebel_recollection-score.pdf|}} 
- 
-**Recording**\\ 
-Excerpt from m.1 to m.181 in the score. 
-{{mp3play>{{:lebel:lulea:lebel_recollection-live.mp3|}} 
- 
-**Info**\\ 
-Performed by Nouvel Ensemble Moderne\\ 
-http://lenem.ca/\\ 
-Recorded @Salle Claude Champagne, Montreal - CA, 2012.\\ 
-\\ 
------ 
-\\ 
-**__La jeune fille et la lune__, for 5 voices and 14 instruments.**\\ 
- 
-Based on a short story, this piece enacts the gloomy atmosphere conveyed by the tale of a young woman seeking for mercy.\\ 
- 
-**Score**\\ 
-  * {{:lebel:hkb:lebel_lajeunefilleetlalune-score.pdf|}} 
- 
-**Recording**\\ 
-{{mp3play>{:lebel:hkb:lebel_lajeunefilleetlalune-live.mp3|}} 
- 
-**Info**\\ 
-Performed by Orkest De Ereprijs\\ 
-https://www.ereprijs.nl\\ 
-Recorded @Tivoli Vredengurg, Utrecht - NL, 2014.\\ 
-\\ 
------ 
-\\ 
-**__25 : 17__, for cello and live electronics.**\\ 
- 
-This piece undertakes the challenge of real-time processing by using a custom made interactive system built in MaxMSP.\\ 
-It works on different combinations of processing modules including delays, harmonisers, sample-based synthesisers, reverberators\\  
-and a 6-channnel spatialisation engine dynamically modulated by various audio descriptors and via external controllers.\\ 
- 
-**Score**\\ 
-  * {{:lebel:25-17:lebel_2517-score.pdf|}} 
- 
-**Recording**\\ 
-Stereophonic reduction, excerpt from A to BB in the score. 
-{{mp3play>{{:lebel:25-17:lebel_2517-stereo.mp3|}} 
- 
-**Info**\\ 
-Performed by Cameron Crozman\\ 
-http://www.cameroncrozman.com/\\ 
-Recorded @IRCAM studio 5, Paris - FR, 2015.\\ 
-\\ 
------ 
-\\ 
-**__Alors que le monde est décomposé__, for piano and live electronics.**\\ 
- 
-This piece also undertakes the challenge of real-time processing by using a custom made interactive system built in MaxMSP.\\ 
-It works on different combinations of processing modules including spectral delays, resonators, granular synthesisers, reverberators\\  
-and an 8-channnel spatialisation engine dynamically modulated by a pitch tracker and an envelope follower but also via external controllers.\\ 
- 
-**Score**\\ 
-  * {{:lebel:alors-que-le-monde-est-decompose:lebel_alorsquelemondeestdecompose-score.pdf|}} 
- 
-**Recording**\\ 
-Stereophonic reduction, excerpt from #28 to #60 in the score. 
-{{mp3play>{{:lebel:hkb:lebel_alorsquelemondeestdecompose-stereo.mp3|}} 
- 
-**Info**\\ 
-Performed by Wilhem Latchoumia\\ 
-http://www.wilhemlatchoumia.com/\\ 
-Recorded @IRCAM studio 5, Paris - FR, 2016.\\ 
-\\ 
----- 
-\\ 
-**__Il ne s'agit pas de le recomposer__, for hybrid string quartet and fixed media.**\\ 
- 
-In this context, hybrid means that the recorded sounds are played directly through the instruments by using a set of custom made transducers.\\ 
-The use of sampled piano sounds, but not in a traditional way, comes from the idea of mirroring the shadow of a fifth performer lurking inside the string quartet.\\ 
- 
-**Score**\\ 
-  * {{:lebel:il-ne-sagit-pas-de-le-recomposer:lebel_ilnesagitpasdelerecomposer-score.pdf|}} 
- 
-**Recording**\\ 
-Stereophonic reduction, 1st movement. 
-{{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-1.mp3|}} 
- 
-Stereophonic reduction, 2nd movement. 
-{{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-2.mp3|}} 
- 
-Stereophonic reduction, 3rd movement. 
-{{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-3.mp3|}} 
- 
-Stereophonic reduction, 4th movement. 
-{{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-4.mp3|}} 
- 
-Stereophonic reduction, 5th movement. 
-{{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-5.mp3|}} 
- 
-Stereophonic reduction, 6th movement. 
-{{mp3play>{{:lebel:hkb:lebel_ilnesagitpasdelerecomposer-6.mp3|}} 
- 
-**Info**\\ 
-Performed by TANA string quartet\\ 
-https://www.quatuortana.net/\\ 
-Recorded @IRCAM studio D, Paris - FR, 2017.\\ 
-\\ 
------ 
-\\ 
-**__Outdoors__, for 16-channel fixed medium.**\\ 
- 
-Mostly based on field recordings, this piece was made intuitively using various techniques in the tradition of "musique concrète".\\ 
- 
-**Recording**\\ 
-Stereophonic reduction, excerpt from 0:00 to 7:34. 
-{{mp3play>:{:lebel:hkb:lebel_outdoors-stereo.mp3|}} 
- 
-**Info**\\ 
-Composed @IRCAM studio 1 (klangdom), Paris - FR, 2016-2017.\\ 
-\\ 
------ 
-\\ 
-**__Mais plutôt de trouver la, ou les justes relations...__, for 8-channel fixed medium.**\\ 
- 
-This piece is based on a custom made program that generates music by manipulating sampled sounds according to certain compositional strategies that are carried out in different structure generators.\\ 
-Each generator synthesizes a specific idiom according to certain compositional algorithms that utilizes random operations, serial and stochastic procedures.\\ 
- 
-**Recording**\\ 
-Stereophonic reduction, excerpt from 0:00 to 7:06. 
-{{mp3play>{:lebel:hkb:lebel_maisplutotdetrouverlaoulesjustesrelations-stereo.mp3|}} 
- 
-**Info**\\ 
-Composed @IRCAM studio D (octophonic), Paris - FR, 2018.\\ 
-\\ 
------ 
-\\ 
-[[http://repmus.ircam.fr/lebel|See main page]] 
- 
-{{  :frqsc_0.jpg?200|}} 
-{{  :lebel:jim-2017:paris8.jpeg?125|}} 
-{{  http://repmus.ircam.fr/_media/logo_ircam.png?w=120&h=53}} 
 


lebel/lulea.1557850820.txt.gz · Dernière modification: 2019/05/14 18:20 par Frédéric Le Bel