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moreno:smir [2018/04/26 17:21]
Moreno Andreatta
moreno:smir [2024/03/14 10:21] (Version actuelle)
Moreno Andreatta
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-====== SMIR - Structural Music Information Research ======+====== SMIR - Structural Music Information Research (resp. Moreno Andreatta) ======
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 [[http://repmus.ircam.fr/moreno/smir|version française]] - [[http://repmus.ircam.fr/moreno/smir-en|english version]]  [[http://repmus.ircam.fr/moreno/smir|version française]] - [[http://repmus.ircam.fr/moreno/smir-en|english version]] 
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-**Moreno Andreatta** (Principal Investigator)+[[http://www.cnrs.fr/|CNRS]] Director of Research at [[http://irma.math.unistra.fr/|IRMA]] and member of the [[https://creaa.unistra.fr/le-creaa/projet-scientifique/theories-et-modeles/|CREAA]]  
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-[[http://www.cnrs.fr/|CNRS]] Director of Research and Vice-President of the [[http://www.smcm-net.info/|SMCM]]+University of Strasbourg
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-[[:|Music Representation Team]] +7 rue René-Descartes / F-67084 Strasbourg
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-[[http://www.ircam.fr/|IRCAM]] - [[http://www.ircam.fr/umr.html?&L=1|CNRS UMR 9912 (STMS)]] - [[http://www.upmc.fr/|UPMC]]+e-mail : [[andreatta@math.unistra.fr|andreatta[at]math.unistra.fr]]  
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-1, place I. Stravinsky 
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-F-75004 Paris+Former acting President of the [[http://www.smcm-net.info/|SMCM]] and head of the [[http://repmus.ircam.fr/moreno/smir|SMIR Project]] 
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-tel+33 (0)1 44781649+Associate researcher at the [[:|Music Representation Team]] 
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-e-mail : [[Moreno.Andreatta@ircam.fr|Moreno.Andreatta[at]ircam.fr]]+[[http://www.ircam.fr/|IRCAM]] - [[http://www.ircam.fr/umr.html?&L=1|CNRS UMR 9912 (STMS)]] - [[http://www.upmc.fr/|Sorbonne Université]]
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 +1, place I. Stravinsky / F-75004 Paris
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-Invited Researcher at the University of Strasbourg +tel:+33 (0)1 44781488
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-CNRS IRMA UMR 7501  +
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-7, rue René Descartes  +
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-F-67000 Strasbourg +
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-tel: ++33 (0)3 88 22 78 93 +
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-e-mail : [[andreatta@math.unistra.fr|andreatta[at]math.unistra.fr]]+
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 +e-mail : [[Moreno.Andreatta@ircam.fr|Moreno.Andreatta[at]ircam.fr]]
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 +**Scientific production:**   
 +    * [[http://repmus.ircam.fr/moreno/production|Publication track]] (with online versions of articles and conferences, including the list of supervised Master dissertations and PhD thesis)
 +    * Short curriculum vitae (2 pages) - {{Curriculum_Vitae_Moreno_ANDREATTA_2023.pdf|pdf}}
 +    * Detailed curriculum vitae (2019-2023) - {{Curriculum_Vitae_Moreno_ANDREATTA_2019-2023.pdf|pdf}}
  
-&lt;color red&gt;**NEWS** - [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Seminars]] (a new mathematics and music seminar at IRMA)</color>  +**Future events:**    
 +    * [[https://www.uc.pt/ceis20/mcm24/|Mathematics and Computation in Music 2024]] (Coimbra, Portugal, 18-21 June 2024) 
 +    * Will you be interested to host the [[https://www.mathnpop.com/|Math'n Pop show]] and related workshops? Please, do not hesitate to [[Moreno.Andreatta@ircam.fr|contact me!]]   
 + 
 +**Some recent presentations/performances:**  
 +    * A Maths/Music Concert in Singapore (Yong Siew Toh Conservatory of Music, 19 Feb - 23 Feb 2024) - [[https://youtu.be/KfhABrVoQ9U|video]] - {{Maths&amp;Music_Concert_MORENO_web.pdf|visual support}}. [[https://ims.nus.edu.sg/events/mathemusical/|Complete program]] of MES 2024 (Mathemusical Encounters in Singapore: A Diderot Legacy) 
 +    * [[https://www.les-dominicains.com/rencontres/rencontres-et/avant-propos-mathemusical|Maths &ampMusic at Guebwiller]] (12 March 2024). A short "avant-propos mathémusical" to Manu Houdart's [[https://www.les-dominicains.com/les-spectacles/very-math-trip|Very Math Trip]] show at the CCR Les Dominicains de Haute-Alsace.  
 +    [[https://www.jds.fr/spectacles/conferences/spectacle-conference-math-n-pop-organise-par-le-labo-maths-sudalsace-373581_A|Math'n Pop at Wittenheim]] (16 February 2024). Organized by the SudAlsace Labo Maths (contact: [[ezechiel.rencker@ac-strasbourg.fr|Ezéchiel Rencker]]) 
 +    Moreno Andreatta, "Presentation of the Theory and Models research program at CREAA" - [[https://www.youtube.com/watch?v=0RfWjWCzgPE&t=8s&ab_channel=ITICREAA-Universit%C3%A9deStrasbourg|video]] 
 +    Moreno Andreatta, "Analysis and music informatics", masterclass at the Licence on Popular Music, Jazz and Chanson of the University of Bordeaux, November 17, 2023 (org. [[https://www.vivaarte.fr/pascalpistone/|Pascal Pistone]] - {{Cours_Bordeaux_17_11_2023_Moreno_web.pdf|slides}} - {{Poesie_chanson_Moreno_Impromptu_17_11_2023.pdf|concert}} (at the Impromptu). 
 +    Moreno Andreatta, "A focus on some theoretical problems in contemporary 'mathemusical' research", Colloquium at the IMB, Bordeaux, November 16, 2023 (org. [[https://www.math.u-bordeaux.fr/imb/fiche-personnelle?uid=anfanelli|Andrea Fanelli]]) - {{Andreatta_Colloquium_Bordeaux_16_11_2023_web.pdf|slides}} 
 +    * Moreno Andreatta, "Les maths dans la musique… la musique des maths !", large public conference, [[https://ccn.unistra.fr/lactu-du-numerique/actualite/news/les-maths-dans-la-musique-la-musique-des-maths/|Centre de culture numérique]], University of Strasbourg, November 15, 2023 - {{Conf_CCN_15_11_2023_Moreno_web.pdf|slides}}. 
 +    * Moreno Andreatta, "Les maths dans la musique...la musique des maths !", concert-conference, IG--IA-IPR, Lycée Fustel de Coulanges, Strasbourg, September 28 - {{Conf-concert_IG_IA-IPR_28_9_2023_Moreno_ANDREATTA_web_LD.pdf|slides}} 
 +    * José Luis Besada, Moreno Andreatta, "Neo-Riemannian tools for compositional adventures and empirical research", Music Theory & Artistic Research. 23rd Annual Conference of the Gesellschaft für Musiktheorie (GMTH), Freiburg University of Music (September 22-24, 2023) - [[https://www.conftool.org/gmth2023/sessions.php|Program]] - {{GMTH_Besada_Andreatta_web_LD.pdf|slides}} 
 +    * Moreno Andreatta and Gilles Baroin, "Virtual Reality and 'mathemusical' research", [[https://creaa.unistra.fr/evenements/seminaires/seminaire-interdisciplinaire-maths-et-musique-creaa/|Maths&Music Seminar]], IRMA, Strasbourg, 23 June 2023. 
 +    * "Maths in song writing: a focus on some Oumupian experiences", a concert-conference by Moreno Andreatta within the [[https://w-k.sbg.ac.at/veranstaltung/wk-forum-symposion-musik-mathematik/|W&K-Forum: Symposium Musik & Mathematik]] (Salzburg, 2 June 2023. Organizers: Arne Bathke and Katarzyna Grebosz-Haring) - [[https://w-k.sbg.ac.at/wp-content/uploads/2023/04/Inhalt_Ablauf_Symposion_230602_V2.pdf|Programme]] - {{Salzburg_Moreno_web.pdf|slides}}  
 +    * Maths/Music at the Math.en.JEANS event (Mulhouse, 25 May 2023. Organizer: Nicolas Juillet) - [[https://www.mathenjeans.fr/Congres2023/Mulhouse/Programme|Programme]] 
 +    * Maths/Music at the Nuit des jeux mathématiques (Strasbourg, Le Vaisseau, 9 May 2023) - [[https://pedagogie.ac-strasbourg.fr/mathematiques/manifestations-dans-lacademie/nuit-des-jeux-mathematiques/|Interactive program]] 
 +    * Cognitive Inspections of the Tonnetz: multimodal approach. Conference by José Luis Besada (researcher at the Universidad Complutense of Madrid and invites researcher at IRMA) - Strasbourg, 9 May, 10am, MISHA (salle 140 Océanie) 
 +    * Poetry, music and...maths! A concert-conference by Moreno Andreatta within the "Printemps des poètes" (Strasbourg, 25 March 2023). Under the auspices of the "Académie Rhénane" - {{Flyer_25_3_2023.pdf|Flyer}}  
 +    * A Maths&Music Day at the Lycée Robert Schuman (10 March 2023, 9am-9pm), including a Concert-conference (with the students!) - {{Affiche_mathmusique_10_03_2023_A3.pdf|Poster}}  
 +    * A Maths&Music Webinar by Moreno Andreatta for Instant Science (9 March 2023, 8pm) - [[https://my.weezevent.com/decouvrade-8-mars-webinaire|Registration]] - {{Decouvrades_Moreno_9_3_2023_web.pdf|pdf}}    
 +    * Andy Milne (USIAS invited researcher within the SMIR Project) will give a talk at the new [[https://irma-web1.math.unistra.fr/math-musique/seminaire.html|IRMA-CREAA mathemusical seminar]] (Department of Mathematics, Strasbourg, 27 January 2022, 2pm) 
 +    * "Tiling Rhythmic Canons. When Music meets Maths", invited talk at the [[https://euro-acad.eu/events?id=140|Colloquium Series of the European Academy of Sciences and Arts]] (online, 13 January, 2023, 6pm) 
 +    * "Transformational Music Theory: from group theory to film music analysis, and beyond...", talk by Alexandre Popoff at the [[https://irma-web1.math.unistra.fr/math-musique/seminaire.html|IRMA-CREAA mathemusical seminar]] (Department of Mathematics, Strasbourg, 18 November 2022) - [[https://www.youtube.com/watch?v=6Q3HJNiD5bA&ab_channel=AlexandrePopoff|recording by the author]] (in French, with English subtitles).  
 +    * "Rhythmic Tiling Canons: theoretical aspects and compositional applications", invited talk at the Conservatory of Music of Trento, November 30, 2022 ({{Talk_Conservatorio_Trento_web.pdf|slides}} and [[https://seafile.unistra.fr/f/f93672ae01a64a1e8c5f/?dl=1|OM patches]]). 
 +    * "“Prima la musica!” Some thoughts on Iannis Xenakis’ table of correspondences between the development of music and mathematics" (VIIth MusMat International Conference, Day 4, 21 October 2022) - [[https://www.youtube.com/watch?v=zaa1XxWr-jg&t=10s&ab_channel=MusMat| Live streaming recording]] (39:30-1:01:30)  
 +    * "The Music of Maths", keynote talk at the [[https://ima.org.uk/18115/ima-maths-in-music-conference/|IMA Maths and Music Conference]] (London, Royal College of Music, 13-15 July 2022) - {{IMA_Maths-Music_Moreno_web.pdf|slides}} - {{IMA-Photo_Souvenirs.pdf|some photos souvenirs}} 
 +    * "An Interactive Tool for Composing (with) Automorphisms in the Colored Cube Dance" (joint paper co-authored with Alexandre Popoff and Corentin Guichaoua) presented at the [[http://mcm2022.org/|Mathematics and Computation in Music Conference 2022]] (Atlanta, USA, 21-24 June 2022) - {{TalkCubeDance_MCM2022_web.pdf|slides}} and {{Popoff_et_al_Proceedings_MCM2022.pdf|paper}}  
 +    * "Music and Math: the reason of a match", invited conference-concert, Italy Sounds Classic, Bologna, June 9-11 2022 - {{Bologna2022_ItalySoundsClassic_web.pdf|slides}}.  
 +    * "Mathématiques, dessinez-moi la musique", PAF, ENS-Lyon, May 19-20 2022 - {{Atelier_Maths-Musique_PAF_Lyon_web.pdf|slides}}. Talk on the LaLaLab Exhibition {{LaLaLab_Talk_Andreatta_Paf_Lyon_Mai2022_web.pdf|slides}} 
 +    * [[https://popsciences.universite-lyon.fr/agenda/mathsn-pop-conference-concert/|Math'n Pop @ Kantor]] (Lyon, France, 19 Mai 2022) 
 +    * [[https://lecurieuxfestival.com/|Le Curieux Festival]] (Strasbourg, 18-23 April 2022). Link to the teaser [[https://www.youtube.com/watch?v=iSx2LzitykQ&ab_channel=LeCurieuxFestival|The formula to write a hit]] (in French). 
 +    * "Maths in music...the music of maths!", International Day of Mathematics (14 March 2022, online) - [[https://www.youtube.com/watch?v=Chur4VMQKPU&t=2390s&ab_channel=InternationalDayofMathematics|video recording]] (30:46-40:10). 
 +    * "From music to maths and backwards: introducing algebra, topology and category theory into computational musicology" (Dpt of mathematics, University of Trento, 25 November 2021) - {{Andreatta_Talk_Trento_Seminar_Nov_2021.pdf|slides}}. 
 +    * A special PhiloMaths&Song session at the [[http://www.entretemps.asso.fr/2021-2022/index.html|mamuphi]] (mathematics, music & philosophy) seminar at IRCAM (Salle Stravinsky, Saturday, 13 November, 10am-6pm- {{Programme_complet_Chanson_13_11_2021.pdf|Schedule}} - [[https://medias.ircam.fr/x61f8d4|videos]] (morning sessions) and [[https://medias.ircam.fr/x323b7b|videos]] (afternoon sessions). 
 + 
 +\\ 
 +<color red>**NEWS**</color>  
 + 
 +    * The LaMaMu ("LaboMathémusique : transmettre les maths via la musique au collège et au lycée") Project has been selected for a financial support by the IdEx U2C of the University of Strasbourg. {{LaMaMu_Project_IdEx_U2C.pdf|Description of the project}} (in French. In collaboration with IRMA, IREM, ACCRA, CREAA and Labos Maths / Académie de Strasbourg). 
 +    * The "[[http://repmus.ircam.fr/_media/moreno/Prix_Sciences_2022.pdf|Science 2022 Award]]" of the Académie Rhénane goes to maths & music! See a [[https://www.youtube.com/watch?v=a2sa7ipkdr0&ab_channel=Acad%C3%A9mieRh%C3%A9nane|first video]] and a [[https://www.youtube.com/watch?v=9Jljmk4_95w&ab_channel=Acad%C3%A9mieRh%C3%A9nane|second one]].  
 +    * A new Hamiltonian Song, entitled "The Gunner's Hamiltonian Dream" and inspired by a hit by Pink-Floyd, is available through a visualisation produced by Gilles Baroin and based on Jack Douthett's et Peter Steinbach's "Cube-Dance" structure. Click [[https://www.youtube.com/watch?v=nz5TYob02B4|here]] to watch and listen the new piece. 
 +    * The two flyers that show the content of the high-school pedagogical maths/music ateliers that we conceived with the designer Marie Marty are released - {{Depliant_atelier_impression.pdf|pdf}} (Harmony) and {{Depliant rythme_IMPRESSION.pdf|pdf}} (Rhythm)   
 +    * The [[https://guichaoua.gitlab.io/web-hexachord/|Tonnetz]] environment is available online!\\ 
 +    * "[[https://www.mathnpop.com/|Math'n Pop]]" (the popular music and large audience component of the SMIR Project) has received the label of CNRS within the call entitled "[[http://80ans.cnrs.fr/le-tour-de-france-en-80-jours/|Tour du CNRS en 80 jours]]" as well as within the celebrations for the [[https://annee.math.cnrs.fr/|Year of Mathematics]]. Official launching at the Alsascience Festival (Bischwiller, Saturday 11 May 2019, 6.30pm) - [[http://repmus.ircam.fr/_media/moreno/Visuel_Math_n_Pop.pdf|Flyer]] - [[http://jardin-sciences.unistra.fr/fileadmin/upload/Jardin_des_sciences/Alsascience/Sciences_musique_programme.pdf|Schedule of the Festival]]. Link to the video of [[https://youtu.be/sxayV182TPk|"Math'n Pop at Sorbonne"]] (Amphi Richelieu, 3 October 2019, 7.45pm)\\ 
 +    * [[https://imaginary.org/event/la-la-lab-the-mathematics-of-music-at-mains-in-heidelberg|"La La Lab – the Mathematics of Music Exhibition"]](MAINS, Heidelberg, May 17 2019 to Dec. 20, 2020). An [[https://www.morgenweb.de/mannheimer-morgen_artikel,-heidelberg-dirigent-dank-technologie-_arid,1462931.html|article]] on the exhibition. The [[https://vimeo.com/348253308|Opening video]] (2 min), a [[https://vimeo.com/347620064|Walk-through and social media video]] (1 min) and a [[https://vimeo.com/347619305|second one]] (2 min); a link to the [[https://imaginary.org/sites/default/files/20190618-lala-booklet-v0.3-web.pdf|exhibition booklet]] (in pdf). 
 +    * [[https://rcf.fr/culture/mathemusique-les-liaisons-entre-mathematique-et-musique|Mathémusique, les liaisons entre mathématique et musique]], EUREKA, RCF Radio (in collaboration with the CNRS of Alsace), 12 November 2019. 
 +    * [[http://www.recherche.unistra.fr/index.php?id=27772|Le théorème des mathématiques musicales]] (L'actualité de la recherche, université de Strasbourg, 14/06/2018)  
 + 
  
 **Structure of the project:** **Structure of the project:**
  
-    * Financial support: [[http://www.usias.fr/|USIAS]] - University of Strasbourg Institute for Advanced Studies  +    * Initial financial support: [[http://www.usias.fr/|USIAS]] - University of Strasbourg Institute for Advanced Studies (2017-2019)  
-    * Hosting institution: [[http://irma.math.unistra.fr/|IRMA]] - Institut de Recherche Mathématique Avancée (UMR 7501), University of Strasbourg +    * Currently hosted by [[http://irma.math.unistra.fr/|IRMA]] - Institut de Recherche Mathématique Avancée (UMR 7501), University of Strasbourg (in collaboration with IRCAM, STMS Lab of CNRS and the CREAA Interdisciplinary Institute). The SMIR Project also includes two new research directions: 
 +      * Mathemusical Learning Processes. This investigation is carried on within the ProAppMaMu Project (=Processus et techniques d'apprentissages des savoirs 'mathémusicaux') supported by the MITI (Mission pour les initiatives transverses et interdisciplinaires) of CNRS. 
 +      * Mathemusical Outreach. A series of large public actions on maths & music are conceived and carried on within the SMIR2C Project (=Structural Music Information Research 2 CITE) supported by the Université&Cité IDEX Program of the University of Strasbourg  
 +  
  
     * Members of the research team:     * Members of the research team:
       * Moreno Andreatta (Principal Investigator), [[http://www.cnrs.fr/|CNRS]] Research Director at IRCAM, STMS Lab, UPMC       * Moreno Andreatta (Principal Investigator), [[http://www.cnrs.fr/|CNRS]] Research Director at IRCAM, STMS Lab, UPMC
-      * [[http://www-irma.u-strasbg.fr/~guillot/|Pierre Guillot]] (Assistant Professor - UMR 7501 IRMA, Strasbourg)  +      * [[http://irma.math.unistra.fr/~papadop/|Athanase Papadopoulos]] (Research Director at IRMA UMR 7501, Strasbourg) 
-      * Sonia Cannas (PhD student, codirection with Ludovico Pernazza, University of Pavia and Athanase Papadopoulosuniversité de Strasbourg, cotutelle-agreement+      * [[http://www-irma.u-strasbg.fr/~guillot/|Pierre Guillot]] (Assistant Professor in mathematics - UMR 7501 IRMA, Strasbourg) 
-      * Davide Stefani (PhD student, codirection with Grégogy GinotUPMC+      * [[https://juillet.perso.math.cnrs.fr/|Nicolas Juillet]] (Professor in mathematics - IRIMAS, University of Haute AlsaceMulhouse)  
-      * Matteo Pennesi (Master 2 student, codirection with Massimo Ferri, University of Bologna  +      * [[https://arts.unistra.fr/ea3402-accra/membres/xavier-hascher/|Xavier Hascher]] (Professor in musicology - EA 3402 ACCRA, University of Strasbourg)  
-      * Pierre M. Relaño,  mathematician and composer (composition and computer music classes by Daniel D’Adamo and Tom Mays, Conservatory of Strasbourg) +      * José-Luis Besada (post-doctoral researcherUniversidad Complutense de Madrid) 
-      * José-Luis Besada (post-doctoral researcher at the [[https://gream.unistra.fr/|GREAM Labex]] on "Mathematical formalisation and computer-aided modelling of the analytical and compositional act in contemporary and popular music") +      * Corentin Guichaoua (independent researcher) 
-      * Corentin Guichaoua (post-doctoral researcher+      * Erica Bisesi (post-doctoral researcher, Associate Professor at the University of Montréal
-      * <color red> __Open position__ </color> (one-year researcher) ({{Call_post-doc_research_position_SMIR.pdf|Description}} - [[Moreno.Andreatta@ircam.fr|Contact]])+      * Victoria Callet (PhD student in mathematicsUniversity of Strasbourgco-supervision with Pierre Guillot
 +      * Riccardo Gilblas (PhD student in mathematics, University of Padova/University of Strasburg, co-supervision with Luisa Fiorot
 +      * Matías Fernández Rosales (PhD student in composition, University of Strasbourg/HEAR-Conservatory of Strasbourg. Co-supervision with Xavier Hascher and Daniel D'Adamo
 +      * [[https://www.ircam.fr/person/alessandro-ratoci/|Alessandro Ratoci]] (PhD student in music research, co-supervision with Laurent Cugny, Sorbonne University)  
 +      * Marie Marty (freelance designer) 
  
     * Alumni:     * Alumni:
 +      * Maximilien Wang (Master 2 student in mathematics on persistent homology applied to music, University of Bordeaux, 2022-2023) - {{Memoire_Maximilien_WANG_2023.pdf|Dissertation}} 
 +      * Raphaël Schnoering (Master 1 student in mathematics on homometric musical structures, University of Strasbourg, 2022-2023)
 +      * Mathieu Lefèvre (Master 1 student in computer science on musical data analysis and machine learning, University of Strasbourg, 2022-2023. Co-supervision with Stella Marc-Zwecker) 
 +      * Greta Lanzarotto (PhD student in mathematics in cotutelle, University of Pavia/University of Strasbourg, co-supervision with Ludovico Pernazza). Thesis defended in 2021 - {{AbstractFR.pdf|abstract}} - {{LanzarottoGreta_ExtendedVuzaCanons.pdf|manuscript}} 
 +      * Christophe Weis (Master 2 student, codirection with Isabelle Bloch, Télécom ParisTech, and Carlos Agon, Sorbonne University/Ircam/CNRS, 2021-2022) - {{WEIS_Christophe_Memoire_Stage_ATIAM.pdf|Dissertation}}
 +      * Judith Gaetcher (Master 1 MEEF student, codirection with Grazia Giacco, University of Strasbourg, 2021-2022) - {{Judith_Gaechter_M1_MEEF_090622.pdf|Dissertation}} 
 +      * Térence Viaud (L3 student in mathematics, University of Orsay, 2021-2022) - [[https://www.youtube.com/watch?v=_E6TEU2sC6g&ab_channel=Acromat|vidéo]]
 +      * Guillaume Rousseau (Master 2 student in maths & computer science at the ENS of Lyon, 2020-2021) - {{Rapport_guillaume_rousseau_ENS-Lyon_2020-2021.pdf|pdf}}
 +      * Damien Di Napoli (Master 1 student in mathematics on Babbitt's Hexachord Theorem, University of Strasbourg, 2020-2021)
 +      * Manos Karistineos (Master 2 student in mathematics on mathematical morphology applied to music analysis, University Paris 7)
 +      * Paul Lanthier (PhD student in mathematics on cellular automata applied to music composition, University of Rouen)
 +      * Charlotte Vulliez (Master 1 student in mathematics, University of Strasbourg, 2018-2019)
 +      * Sonia Cannas (PhD student in mathematics, co-supervision with Ludovico Pernazza, University of Pavia and Athanase Papadopoulos, université de Strasbourg, cotutelle-agreement) - {{PhD_Sonia_CANNAS_2018_ED269.pdf|pdf}} 
 +      * Paul Lascabettes (Master 1 student, ENS-Saclay, co-supervised with Corentin Guichaoua, 2017-2018 and Master 2 student, ATIAM, co-supervised with Carlos Agon and Isabelle Bloch, 2018-2019) - {{Dissertation_Paul_LASCABETTES.pdf|M1 Dissertation}} and {{Rapport_M2_Paul_LASCABETTES.pdf|M2 Dissertation}}
 +      * Matteo Pennesi (Master 2 student, codirection with Massimo Ferri, University of Bologna) - 2017-2018
 +      * Corentin Bayette (Master 1 student at the University of Strasbourg, co-supervised with Corentin Guichaoua) - 2017-2018 - {{Memoire_M1MF_BAYETTECorentin.pdf|Dissertation}}
 +      * Xavier Dambach (Master 2 student at the University of Strasbourg, supervised by Corentin Guichaoua) - 2017-2018
       * Grégoire Genuys (PhD student, codirection with Jean-Paul Allouche, UPMC) - {{Dissertation_Gregoire.pdf|Dissertation}} and thesis {{Presentation_Gregoire.pdf|presentation}}       * Grégoire Genuys (PhD student, codirection with Jean-Paul Allouche, UPMC) - {{Dissertation_Gregoire.pdf|Dissertation}} and thesis {{Presentation_Gregoire.pdf|presentation}}
-      * Killian Herraez (Master 2 student, codirection with Isabelle Bloch, Télécom ParisTech, Jamal Atif, université Paris Dauphine and Carlos Agon, UPMC/Ircam/CNRS) - {{Dissertation_Kilian.pdf|Dissertation}} and master thesis {{Dissertation_Kilian.pdf|presentation}}  +      * Pierre M. Relaño,  mathematician and composer (composition and computer music classes by Daniel D’Adamo and Tom Mays, Conservatory of Strasbourg) 
 +      * Killian Herraez (Master 2 student, codirection with Isabelle Bloch, Télécom ParisTech, Jamal Atif, université Paris Dauphine and Carlos Agon, UPMC/Ircam/CNRS) - {{Dissertation_Kilian.pdf|Dissertation}} and master thesis {{Dissertation_Kilian.pdf|presentation}} 
    
     * Institutional collaborations:     * Institutional collaborations:
-      * [[https://gream.unistra.fr/|GREAM]] - Groupe de Recherches Expérimentales sur l'Acte Musical +      * [[https://creaa.unistra.fr/|CREA]] (Centre de Recherche et d'expérimentation sur l'acte artistique) (the new Interdisciplinary Institute that extends the previous activities of the [[https://gream.unistra.fr/|GREAM]] - Groupe de Recherches Expérimentales sur l'Acte Musical
       * [[http://www.conservatoire.strasbourg.eu/|Conservatoire de Strasbourg]] and [[http://www.hear.fr/academie/index.php|HEAR]] (Académie supérieure de musique)       * [[http://www.conservatoire.strasbourg.eu/|Conservatoire de Strasbourg]] and [[http://www.hear.fr/academie/index.php|HEAR]] (Académie supérieure de musique)
 +      * [[https://jardin-sciences.unistra.fr/|Jardin des Sciences]] of the University of Strasbourg
       * [[https://www.ircam.fr/|IRCAM]] - Institut de Recherche et Coordination Acoustique/Musique       * [[https://www.ircam.fr/|IRCAM]] - Institut de Recherche et Coordination Acoustique/Musique
 +      * [[https://www.iremus.cnrs.fr/|IReMUS]] (Institut de recherche en musicologie) - [[https://www.iremus.cnrs.fr/fr/membres-permanents/nathalie-herold|Nathalie Herold]] (Associate Professor)
 +      * [[https://www.pasteur.fr/en|Institut Pasteur]] ([[https://research.pasteur.fr/en/project/intermuse/|Intermuse team]] - [[https://research.pasteur.fr/en/member/pierre-legrain/|Pierre Legrain]] and Alain Letailleur)
       * [[https://perso.telecom-paristech.fr/bloch/|LTCI, Télécom ParisTech]]       * [[https://perso.telecom-paristech.fr/bloch/|LTCI, Télécom ParisTech]]
       * [[https://www.lamsade.dauphine.fr/?lang=fr|LAMSADE, université Paris Dauphine]]       * [[https://www.lamsade.dauphine.fr/?lang=fr|LAMSADE, université Paris Dauphine]]
Ligne 72: Ligne 148:
       * [[http://www-irma.u-strasbg.fr/~papadop/|Athanase Papadopoulos]] (Geometry and history of maths/music) - UMR 7501 IRMA, Strasbourg        * [[http://www-irma.u-strasbg.fr/~papadop/|Athanase Papadopoulos]] (Geometry and history of maths/music) - UMR 7501 IRMA, Strasbourg 
       * [[http://www-irma.u-strasbg.fr/~bugeaud/|Yann Bugeaud]] (Algebraic numbers and tilings) - UMR 7501 IRMA, Strasbourg          * [[http://www-irma.u-strasbg.fr/~bugeaud/|Yann Bugeaud]] (Algebraic numbers and tilings) - UMR 7501 IRMA, Strasbourg   
-      * [[https://gream.unistra.fr/membres-et-gouvernance/membres/enseignants-chercheurs/alessandro-arbo/|Alessandro Arbo]] (Musicology, musical aesthetics) - GREAM, Strasbourg +      * [[https://gream.unistra.fr/membres-et-gouvernance/membres/enseignants-chercheurs/alessandro-arbo/|Alessandro Arbo]] (Musicology, musical aesthetics) - CREAA, Strasbourg 
-      * [[https://gream.unistra.fr/membres-et-gouvernance/membres/chercheurs/xavier-hascher/|Xavier Hascher]] (Transformational music analysis) - GREAM, Strasbourg +      * [[https://gream.unistra.fr/membres-et-gouvernance/membres/chercheurs/xavier-hascher/|Xavier Hascher]] (Transformational music analysis) - CREAA, Strasbourg 
-      * [[https://gream.unistra.fr/membres-et-gouvernance/membres/chercheurs/pierre-michel/|Pierre Michel]] (Contemporary music and improvisation) - GREAM, Strasbourg +      * [[https://gream.unistra.fr/membres-et-gouvernance/membres/chercheurs/pierre-michel/|Pierre Michel]] (Contemporary music and improvisation) - CREAA, Strasbourg 
-      * [[https://gream.unistra.fr/membres-et-gouvernance/membres/chercheurs/nathalie-herold/|Nathalie Herold]] (Complex Systems & music, rhythm and form in XXth Century music) - GREAMStrasbourg+      * [[https://www.iremus.cnrs.fr/fr/membres-permanents/nathalie-herold|Nathalie Herold]] (Complex Systems & music, rhythm and form in XXth Century music) - IReMUSSorbonne University
       * [[http://tmays.free.fr/|Tom Mays]] (Composition and computer music) - GREAM/HEAR/Conservatory of Strasbourg       * [[http://tmays.free.fr/|Tom Mays]] (Composition and computer music) - GREAM/HEAR/Conservatory of Strasbourg
-      * [[http://www.philippemanoury.com/|Philippe Manoury]] (Composition and real-time systems) - HEAR/Collège de France 
       * [[http://www.danieldadamo.com/site/MAIN.html|Daniel D’Adamo]] (Composition) - HEAR/Conservatory of Strasbourg       * [[http://www.danieldadamo.com/site/MAIN.html|Daniel D’Adamo]] (Composition) - HEAR/Conservatory of Strasbourg
       * [[http://repmus.ircam.fr/bloch|Georges Bloch]] (Computer-aided composition/improvisation) - University of Strasbourg / IRCAM       * [[http://repmus.ircam.fr/bloch|Georges Bloch]] (Computer-aided composition/improvisation) - University of Strasbourg / IRCAM
Ligne 83: Ligne 158:
       * [[http://www.ihes.fr/~cartier/|Pierre Cartier]] (Category theory and music representations) - IHES, Bures-sur-Yvette, Paris-Saclay       * [[http://www.ihes.fr/~cartier/|Pierre Cartier]] (Category theory and music representations) - IHES, Bures-sur-Yvette, Paris-Saclay
       * [[http://www.alainconnes.org/fr/|Alain Connes]] (Spectral theory and music) - IHES, Bures-sur-Yvette, Paris-Saclay       * [[http://www.alainconnes.org/fr/|Alain Connes]] (Spectral theory and music) - IHES, Bures-sur-Yvette, Paris-Saclay
-      * [[http://repmus.ircam.fr/|Gérard Assayag]] (Computational musicology) - IRCAM/CNRS UMR 9912/UPMC, Paris  +      * [[http://repmus.ircam.fr/|Gérard Assayag]] (Computational musicology) - IRCAM/CNRS UMR 9912/Sorbonne University, Paris  
-      * [[http://repmus.ircam.fr/|Carlos Agon]] (Visual programming languages) - IRCAM/CNRS UMR 9912/UPMC, Paris +      * [[http://repmus.ircam.fr/|Carlos Agon]] (Visual programming languages) - IRCAM/CNRS UMR 9912/Sorbonne University, Paris 
-      * [[https://andreaagostini.wordpress.com/|Andrea Agostini]] (Computer-aided analysis and composition) - IRCAM/CNRS UMR 9912/UPMC, Paris +      * [[http://karim.haddad.free.fr/|Karim Haddad]] (computer-aided composition) - IRCAM/CNRS UMR 9912/Sorbonne University) 
-      * [[http://www.danieleghisi.com/|Daniele Ghisi]] (Computer-aided analysis and composition) - IRCAM/CNRS UMR 9912/UPMC, Paris +      * [[https://andreaagostini.wordpress.com/|Andrea Agostini]] (Computer-aided analysis and composition) - IRCAM/CNRS UMR 9912/Sorbonne University, Paris 
-      * [[http://repmus.ircam.fr/giavitto|Jean-Louis Giavitto]] (Programming languages and topology) - IRCAM/CNRS UMR 9912/UPMC, Paris +      * [[http://www.danieleghisi.com/|Daniele Ghisi]] (Computer-aided analysis and composition) - IRCAM/CNRS UMR 9912/Sorbonne University, Paris 
-      * [[http://repmus.ircam.fr/bresson|Jean Bresson]] (Visual programming languages) - IRCAM/CNRS UMR 9912/UPMC, Paris+      * [[http://repmus.ircam.fr/giavitto|Jean-Louis Giavitto]] (Programming languages and topology) - IRCAM/CNRS UMR 9912/Sorbonne University, Paris 
 +      * [[http://repmus.ircam.fr/bresson|Jean Bresson]] (Visual programming languages) - IRCAM/CNRS UMR 9912/Sorbonne University, Paris
       * Davide Stefani (Category theory (PhD student) - UPMC / ENS, Paris       * Davide Stefani (Category theory (PhD student) - UPMC / ENS, Paris
-      * [[https://webusers.imj-prg.fr/~gregory.ginot/|Grégory Ginot]] (Persistent homology and category theory) - UPMC, Paris +      * [[https://webusers.imj-prg.fr/~gregory.ginot/|Grégory Ginot]] (Persistent homology and category theory) - Sorbonne University, Paris 
-      * [[https://webusers.imj-prg.fr/~jean-paul.allouche/|Jean-Paul Allouche]] (Combinatorics and number theory) - UPMC/CNRS, Paris +      * [[https://webusers.imj-prg.fr/~jean-paul.allouche/|Jean-Paul Allouche]] (Combinatorics and number theory) - CNRS/Sorbonne University, Paris
-      * [[http://repmus.ircam.fr/|Grégoire Genuys]] (Homometry theory, PhD student) - UPMC/IRCAM, Paris+
       * [[http://www.lacl.fr/~lbigo/louis_bigo|Louis Bigo]] (Topology in computer-aided music analysis) - CRIStAL, University of Lille 3       * [[http://www.lacl.fr/~lbigo/louis_bigo|Louis Bigo]] (Topology in computer-aided music analysis) - CRIStAL, University of Lille 3
       * [[https://perso.telecom-paristech.fr/bloch/|Isabelle Bloch]] (Mathematical Morphology) - LTCI, Télécom ParisTech       * [[https://perso.telecom-paristech.fr/bloch/|Isabelle Bloch]] (Mathematical Morphology) - LTCI, Télécom ParisTech
Ligne 100: Ligne 175:
       * Sonia Cannas (Transformational theory, PhD student) - Univ. of Pavia /Univ. of Strasbourg       * Sonia Cannas (Transformational theory, PhD student) - Univ. of Pavia /Univ. of Strasbourg
       * [[http://www.dm.unibo.it/~ferri/e.htm|Massimo Ferri]] (Persistent homology) - University of Bologna       * [[http://www.dm.unibo.it/~ferri/e.htm|Massimo Ferri]] (Persistent homology) - University of Bologna
-      * Matteo Pennesi (Persistent homology, Master student) - University of Bologna / Univ. of Strasbourg 
       * [[http://www.eecs.qmul.ac.uk/~eniale/|Elaine Chew]] (Mathemusical research and performance) - Queen Mary University of London       * [[http://www.eecs.qmul.ac.uk/~eniale/|Elaine Chew]] (Mathemusical research and performance) - Queen Mary University of London
       * [[http://vbn.aau.dk/en/persons/david-meredith(a3485daf-44ea-4955-989a-4a921696f40a).html|David Meredith]] (Symbolic music information retrieval) -  Aalborg University       * [[http://vbn.aau.dk/en/persons/david-meredith(a3485daf-44ea-4955-989a-4a921696f40a).html|David Meredith]] (Symbolic music information retrieval) -  Aalborg University
Ligne 109: Ligne 183:
       * [[http://chuckydoo.pagesperso-orange.fr/|Emmanuel Amiot]] (Mathemusical research with focus on DFT) - Perpignan       * [[http://chuckydoo.pagesperso-orange.fr/|Emmanuel Amiot]] (Mathemusical research with focus on DFT) - Perpignan
       * [[http://planetes.info/|Gilles Baroin]] (Mathemusical research and visualisation) - Toulouse       * [[http://planetes.info/|Gilles Baroin]] (Mathemusical research and visualisation) - Toulouse
 +      * [[https://www.math.unipd.it/~tonolo/Dipartimento/Home%20page.html|Alberto Tonolo]] (Professor in mathematics, University of Padova)
 +      * [[https://www.math.unipd.it/~fiorot/|Luisa Fiorot]] (Associate Professor in mathematics, University of Padova)
    
  
Ligne 123: Ligne 199:
 **Main research axes:** **Main research axes:**
  
-    * Mathematical Morphology, Formal Concept Analysis and computational musicology (see [6], [8] and [12]) +    * Mathematical Morphology, Formal Concept Analysis and computational musicology (see [12], [8],[18], [20], [31]) 
-    * Generalized Tonnetze, Persistent Homology and automatic classification of musical styles (see [2], [3], [4], [5], [7]) +    * Generalized Tonnetze, Persistent Homology and automatic classification of musical styles (see [16], [17], [11], [13], [9], [26], [28], [29], [30], [32], [33], [35]) 
-    * Category theory and transformational (computer-aided) music analysis (see [0], [1], [9], [10], [11]) +    * Category theory and transformational (computer-aided) music analysis (see [15], [19], [23], [2], [24], [25], [27], [36]) 
-    * Music-theoretical problems and open conjectures in mathematics ([13], [14], [15], [16]) +    * Music-theoretical problems and open conjectures in mathematics ([10], [3], [4], [1], [34]) 
 +    * Epistemological and cognitive aspects of mathemusical research ([16], [6], [5], [7], [14], [22])  
  
 \\ \\
 **Some references:** **Some references:**
  
-    * [0Popoff A., MAndreattaAEhresmann, "Relational PK-Nets for Transformational Music Analysis(forthcoming in the //Journal of Mathematics and Music//. [[https://arxiv.org/abs/1611.02249|Online version]] posted in arXiv) +    * [1Lachaussée, G(2010) Théorie des ensembles homométriquesStage de troisième année de l'Ecole Polytechnique, Master 1 de Mathématiques. ([[http://recherche.ircam.fr/equipes/repmus/moreno/MasterLachaussee.pdf|pdf]]) 
-    * [1Popoff A., CAgonM. Andreatta, AEhresmann (2017), « From K-Nets to PK-NetsA Categorical Approach », //Perspectives of New Music//, 54(1) {{PK-Nets_PNM_draft_version.pdf|draft version}}). +    * [2] Fiore T., Noll Th(2011), "Commuting Groups and the Topos of Triads"in C. Agon et al. (eds), //Proceedings of the Third international conference on Mathematics and computation in music// (Paris, 15-17 June 2011), Springer LNCS/LNAI, p69-83 ([[https://pdfs.semanticscholar.org/7fab/427b5a53c2b3e5cda7983651b34b83e37263.pdf|draft version]]) 
-    * [2] Andreatta M., G. Baroin (2016), "Formal and Computational Models in Popular Music", ZKapoula (eds.), //AEsthetics &ampNeurosciences: Scientific and Artistic Perspectives//, Springer, p. 257-269 ([[http://repmus.ircam.fr/_media/moreno/Andreatta-Baroin_Springer_2016.pdf|pdf]]) +    * [3Mandereau J., Ghisi D., Amiot E.Andreatta M.Agon C.(2011a), "Z-relation and homometry in musical distributions", //Journal of Mathematics and Music//, vol. 5, n° 2, p. 83-98. ([[http://recherche.ircam.fr/equipes/repmus/moreno/AndreattaJMM2011.pdf|pdf]]). 
-    * [3Bergomi M., FFabbri et M. Andreatta (2016), "Hey Maths ! Modèles formels et computationnels au service des Beatles", //Volume ! La revue des musiques populaires// (Grégoire Tosser and Olivier Julien editors)vol. 12n° 2, p. 161-179 ([[http://repmus.ircam.fr/_media/moreno/Hey_Maths_Andreatta_web.pdf|Slides]] of the invited presentation by Moreno Andreatta at the Beatles DayEvry6 November 2014+    * [4] Mandereau J., Ghisi D., Amiot E., Andreatta M., Agon C. (2011b), "Discrete phase retrieval in musical structures", //Journal of Mathematics and Music//, vol. 5, n° 2, p. 99-116 ([[http://articles.ircam.fr/textes/Mandereau11b/index.pdf|pdf]])
-    * [4Mattia Bergomi, //Dynamical and topological tools for (modern) music+    * [5] Acotto E., Andreatta M. (2012), "Between Mind and Mathematics. Different Kinds of Computational Representations of Music", //Mathematics and Social Sciences// (50e année, n° 199, 2012(3), p. 9-26. Special Issue devoted to the Conference of the EMPG 2011 (European Mathematical Psychology Group, Telecom ParisTech, 29-31 août 2011). {{:moreno:mss-2012-draft.pdf|draft}}  
 +    * [6] Andreatta M. (2012), "Mathématiques, Musique et Philosophie dans la tradition américaine : la filiation Babbitt/Lewin", in Andreatta M., F. Nicolas, Ch. Alunni dir. (2012), //A la lumière des mathématiques et à l'ombre de la philosophie. Dix ans de séminaire mamuphi//, Collection "Musique/Sciences", Ircam-Delatour France, Sampzon, p. 51-74. [[http://recherche.ircam.fr/equipes/repmus/moreno/09AndreattaRdS2009.pdf|Draft]]  
 +    * [7] AndreattaM., Ehresmann A., Guitart R., Mazzola G.(2013), "Towards a categorical theory of creativity", //Proceedings of the Conference MCM 2013//, McGill University, Montreal, June 12-14, 2013Lecture Notes in Computer Science / LNAI, Springer, p. 19-37 ([[http://repmus.ircam.fr/_media/moreno/Andreatta_Creativity_MCM2013.pdf|pdf]]) 
 +    * [8] Schlemmer T., Andreatta M. (2013), &quot;Using Formal Concept Analysis to Represent Chroma Systems", //Proceedings of the Conference MCM 2013//, McGill University, Montreal, June 12-14, 2013.  Lecture Notes in Computer Science / LNAI, Springer, p. 189-200 ([[http://repmus.ircam.fr/_media/moreno/Andreatta_FCA_MCM2013.pdf|pdf]]). 
 +    * [9Bigo L., Ghisi D., Spicher A., Andreatta M. (2014), "Spatial Transformations in Simplicial Chord Spaces", in A. Georgaki and G. Kouroupetroglou (Eds.), //Proceedings ICMC|SMC|2014//, 14-20 September 2014Athens, Greece, p. 1112-1119. __Best paper award__. ([[http://repmus.ircam.fr/_media/moreno/Andreatta_ICMC_SMC_2014.pdf|pdf]]). 
 +    * [10] Andreatta, M. (2015)"Tiling Canons as a key to approach open Mathematical Conjectures ?", in E. Chew et al. (eds.), //Mathemusical Conversations//, Wiley, p. 86-104. 
 +    * [11] Bergomi, M., (2015), //Dynamical and topological tools for (modern) music
 analysis// (PhD in cotutelle UPMC/LIM Milan, co-supervised with Goffredo Haus, December 2015 ([[https://tel.archives-ouvertes.fr/tel-01293602/document|pdf]]) analysis// (PhD in cotutelle UPMC/LIM Milan, co-supervised with Goffredo Haus, December 2015 ([[https://tel.archives-ouvertes.fr/tel-01293602/document|pdf]])
-    * [5] Bigo L., M. Andreatta (2015), "Topological Structures in Computer-Aided Music Analysis", in D. Meredith (ed.), //Computational Music Analysis//, Springer, p. 57-80 -  ([[http://repmus.ircam.fr/_media/moreno/BigoAndreatta_Computational_Musicology.pdf|pdf]]).  +    * [12] Freund A., Andreatta M., Giavitto J.-L. (2015), "Lattice-based and Topological Representations of Binary Relations with an Application to Music", //Annals of Mathematics and Artificial Intelligence//, vol. 73, n° 3-4, p. 311-334. ([[http://repmus.ircam.fr/_media/moreno/Moreno_Andreatta_AMAI_2015.pdf|pdf]]). 
-    * [6Freund A., M. Andreatta, J.-L. Giavitto (2015), "Lattice-based and Topological Representations of Binary Relations with an Application to Music", //Annals of Mathematics and Artificial Intelligence//, vol73n° 3-4, p. 311-334. ([[http://repmus.ircam.fr/_media/moreno/Moreno_Andreatta_AMAI_2015.pdf|pdf]]). +    * [13] Bigo L., Andreatta M. (2015), "Topological Structures in Computer-Aided Music Analysis", in D. Meredith (ed.), //Computational Music Analysis//, Springer, p. 57-80 -  ([[http://repmus.ircam.fr/_media/moreno/BigoAndreatta_Computational_Musicology.pdf|pdf]]).  
-    * [7Bigo L., DGhisi, A. SpicherM. Andreatta (2014), "Spatial Transformations in Simplicial Chord Spaces", in AGeorgaki and G. Kouroupetroglou (Eds.), //Proceedings ICMC|SMC|2014//, 14-20 September 2014, Athens, Greece, p. 1112-1119. __Best paper award__. ([[http://repmus.ircam.fr/_media/moreno/Andreatta_ICMC_SMC_2014.pdf|pdf]]). +    * [14Andreatta M. (2015), "Autour de la Set Theory et de l’analyse de la musique atonale : démarche structurale et approche phénoménologique à partir des écrits de Célestin Deliège", in //Modernité musicale au XXe siècle et musicologie critique. Hommage à Célestin Deliège// (Valérie Dufour and Robert Wangermée eds.)collection de l’Académie, Bruxelles, p. 93-110. ([[http://repmus.ircam.fr/_media/moreno/Andreatta_Deliege_2015_Draft.pdf|Draft]]).  
-    * [8TSchlemmerM. Andreatta (2013), "Using Formal Concept Analysis to Represent Chroma Systems", //Proceedings of the Conference MCM 2013//, McGill University, Montreal, June 12-142013.  Lecture Notes in Computer Science / LNAI, Springer, p. 189-200 ([[http://repmus.ircam.fr/_media/moreno/Andreatta_FCA_MCM2013.pdf|pdf]]). +    * [15Popoff A., Andreatta M., Ehresmann A. (2015)"A Categorical Generalization of Klumpenhouwer Networks", Proceedings of the Conference MCM 2015, Queen Mary University, London, June 22-25, 2015Lecture Notes in Computer Science / LNAI, Springer, p. 303-314 [[http://repmus.ircam.fr/_media/moreno/Popoff_et_alii_MCM_2015.pdf|pdf]] 
-    * [9] A. Popoff, "Towards A Categorical Approach of Transformational Music Theory", ([[https://arxiv.org/abs/1204.3216|unpublished manuscript]]+    * [16] Andreatta M., Baroin G. (2016), "Formal and Computational Models in Popular Music", ZKapoula (eds.), //AEsthetics & Neurosciences: Scientific and Artistic Perspectives//, Springer, p. 257-269 ([[http://repmus.ircam.fr/_media/moreno/Andreatta-Baroin_Springer_2016.pdf|pdf]]) 
-    * [10TFioreTNoll (2011), "Commuting Groups and the Topos of Triads", in CAgon et al. (eds), //Proceedings of the Third international conference on Mathematics and computation in music// (Paris15-17 June 2011), Springer LNCS/LNAIp69-83 ([[https://pdfs.semanticscholar.org/7fab/427b5a53c2b3e5cda7983651b34b83e37263.pdf|draft version]])  +    * [17Bergomi M., Fabbri F.Andreatta M. (2016), "Hey Maths ! Modèles formels et computationnels au service des Beatles", //Volume ! La revue des musiques populaires// (Grégoire Tosser and Olivier Julien editors)vol. 12, n° 2, p. 161-179 ([[http://repmus.ircam.fr/_media/moreno/Hey_Maths_Andreatta_web.pdf|Slides]] of the invited presentation by Moreno Andreatta at the Beatles Day, Evry, 6 November 2014) 
-    * [11] T. Fiore, T. Noll, "Voicing Transformations and a Linear Representation of Uniform Triadic Transformations" (submitted. [[https://arxiv.org/abs/1603.09636|Arxiv version]])  +    * [18] Relaño P(2017), //Morphologie mathématique, FCA et musicologie computationnelle//, Master 2 maths-info, ENS-Lyon / LTCI/Télécom ParisTech / LAMSADE, Université Paris Dauphine / IRCAM-CNRS-UPMC), March-July 2017 - {{Rapport_Stage_Pierre_Mascarade_ENS_M2_IF.pdf|Dissertation}} and master thesis {{Presentation_Stage_Pierre_Mascarade_ENS_M2_IF.pdf|presentation}}  
-    * [12Pierre M. Relaño//Morphologie mathématiqueFCA et musicologie computationnelle//, Master 2 maths-infoENS-Lyon LTCI/Télécom ParisTech LAMSADE, Université Paris Dauphine IRCAM-CNRS-UPMC)March-July 2017 - {{Rapport_Stage_Pierre_Mascarade_ENS_M2_IF.pdf|Dissertation}} and master thesis {{Presentation_Stage_Pierre_Mascarade_ENS_M2_IF.pdf|presentation}}  +    * [19Popoff A., Agon C., Andreatta M., Ehresmann A. (2017), "From K-Nets to PK-Nets: A Categorical Approach", //Perspectives of New Music//, 54(2), p5-63 {{PK-Nets_PNM_draft_version.pdf|draft version}}). 
-    * [13Mandereau J., DGhisiEAmiot, M. Andreatta, CAgon, (2011a), « Z-relation and homometry in musical distributions »//Journal of Mathematics and Music//vol5n° 2, p83-98. ([[http://recherche.ircam.fr/equipes/repmus/moreno/AndreattaJMM2011.pdf|pdf]]). +    * [20Agon C., Andreatta M., Atif J., Bloch I., Mascarade P. (2018), "Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology", in PChapman et al. (eds), Graph-Based Representation and Reasoning, Proceedings of the 23rd International Conference on Conceptual Structures, ICCS 2018, p. 105-119 {{Agon_et_al_ICCS2018.pdf|pdf}}. 
-    * [14Mandereau JDGhisi, E. Amiot, M. Andreatta, CAgon (2011b), « Discrete phase retrieval in musical structures », //Journal of Mathematics and Music//vol. 5n° 2p. 99-116 ([[http://articles.ircam.fr/textes/Mandereau11b/index.pdf|pdf]]). +    * [21] Andreatta, M. (2018), "From music to mathematics and backwards: introducing algebra, topology and category theory into computational musicology". In Michele Emmer and Marco Abate (eds.)Imagine Math 6 Mathematics and Culture, XXth Anniversary, Springer, 2018, pp77-88. 
-    * [15LachausséeG. (2010Théorie des ensembles homométriquesStage de troisième année de l'Ecole Polytechnique, Master 1 de Mathématiques. ([[http://recherche.ircam.fr/equipes/repmus/moreno/MasterLachaussee.pdf|pdf]]) +    * [22] Besada L. (2018), "Sharing and Enacting Cognitive Metaphors in Musical Distributed Contexts: A Case Study from IRCAM", to appear in the Proceedings of the 15th International Conference on Music Perception and Cognition (ICMPC) and 10th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Montreal, Sydney, La Plata, and Graz, July 23–28 2018  
-    * [16] Andreatta, M. (2015), « Tiling Canons as a key to approach open Mathematical Conjectures ? »in E. Chew et al. (eds.), //Mathemusical Conversations//Wileyp. 86-104.+    * [23] A. Popoff, "Towards A Categorical Approach of Transformational Music Theory", ([[https://arxiv.org/abs/1204.3216|unpublished manuscript]])  
 +    * [24Fiore T., T. Noll, "Voicing Transformations and a Linear Representation of Uniform Triadic Transformations" (submitted. [[https://arxiv.org/abs/1603.09636|Arxiv version]])  
 +    * [25Popoff A., M. AndreattaA. Ehresmann (2018)"Relational PK-Nets for Transformational Music Analysis", //Journal of Mathematics and Music//, vol. 12, n° 1, p. 35-55 {{Popoff_et_al_Vol12Nr1.pdf|pdf}}
 +    * [26] Lascabettes P. (2018), Homologie Persistante Appliquée à la Reconnaissance de Genres Musicaux, Master 1 mathématiques, ENS Paris Saclay / Université de Strasbourg (Cosupervised by C. Guichaoua and M. Andreatta) - {{Dissertation_Paul_LASCABETTES.pdf|pdf}} 
 +    * [27Popoff A., MAndreattaA. Ehresmann (2019), "Groupoids and Wreath Products of Musical Transformations: A Categorical Approach from poly-Klumpenhouwer Networks", in M. Montiel et al. (eds), Proceedings MCM 2019, Springer, pp. 33-45 {{Popoff_Andreatta_Ehresmann_MCM2019.pdf|pdf}}. 
 +    * [28] Bigo L., M. Andreatta (2019)"Filtration of Pitch-Class Sets Complexes", in MMontiel et al. (eds)Proceedings MCM 2019, Springer, pp. 213-226 {{Bigo_Andreatta_MCM2019.pdf|pdf}}. 
 +    * [29] Callet V. (2020), "Suites spctrales et homologie persistante", Master 2 Dissertation, Université de Strasbourg (under the supervision of Pierre Guillot) {{Memoire_Callet_M2MF.pdf|pdf}} 
 +    * [30] Bergomi M. (2020), "Homological persistence in time series: an application to music classification", Journal of Mathematics and Music, Vol14Nr. 2, pp204-221) ([[https://www.tandfonline.com/toc/tmam20/14/2?nav=tocList|Special Issue on Geometry and Topology in Music]]; Guest Editors: Moreno Andreatta, Emmanuel Amiot, and Jason Yust). 
 +    * [31LascabettesP., I. Bloch, C. Agon (2020), "Analyse de représentations spatiales de la musique par des opérateurs simples de morphologie mathématique", Journées d'Informatique Musicale, Strasbourg, 26-28 October 2020 - {{Lascabettes_JIM2020.pdf|pdf}}  
 +    * [32] Karystinaios E., C. Guichaoua, M. Andreatta, LBigo, I. Bloch (2020), "Music Genre Descriptor for Classification based on Tonnetz Trajectories"Journées d'Informatique MusicaleStrasbourg26-28 October 2020 - [[https://creaa.unistra.fr/websites/gream/Activites/Colloque_JIM_2020_-_Pre-actes_-_KARYSTINAIOS_Emmanouil_-_GUICHAOUA_Corentin_-_ANDREATTA_Moreno_-_BIGO_Louis_-_BLOCH_Isabelle.pdf|draft]] 
 +    * [33] Guillaume Rousseau (2021), "Persistent Homology and Topological Data Analysis Applied to Music", Master 2 Dissertation, ENS-Lyon and University of Strasbourg (under the supervision of Moreno Andreatta) - {{Rapport_guillaume_rousseau_ENS-Lyon_2020-2021.pdf|pdf}} 
 +    * [34Luisa FiorotAlberto Tonolo, and Riccardo Gilblas (2022), "The Mystery of Anatol Vieru's Periodic Sequences Unveiled", Proceedings MCM 2022, p. 376-382 {{Fiorot_et_al_MCM2022.pdf|pdf}}. 
 +    * [35] Maximilien Wang (2023), "Homologie persistante appliquée à la classification automatique des styles musicaux", Master 2 Dissertation, University of Bordeaux and University of Strasbourg (under the supervision of Moreno Andreatta) - {{Memoire_Maximilien_WANG_2023.pdf|pdf}} 
 +    * [36] Alexandre Popoff and Moreno Andreatta, "Hidden Categories: a new perspective on Lewin's Generalized Interval Systems and Klumpenhouwer Networks" ([[https://arxiv.org/abs/2311.18371|draft]])  
 +  
 + 
 + 
 +**Some useful conference presentations:** 
 + 
 +    * Alexandre Popoff has given a talk within the new [[https://irma-web1.math.unistra.fr/math-musique/seminaire.html|IRMA-CREAA mathemusical seminar]] (Department of Mathematics, Strasbourg, 18 November 2022, 4pm) 
 +    * Moreno  Andreatta, Andréee Ehresmann, Alexandre Popoff, "Analyse musicale transformationnelle et théorie des catégories", mamuphi Seminar, ENS Paris, 7 February 2015 ([[http://repmus.ircam.fr/_media/moreno/K-nets_MamuphiAEAPMA_web.pdf|pdf]] and  [[https://www.youtube.com/watch?v=ufiAYnl4hik|video]]) 
 +    * Moreno  Andreatta, Andréee Ehresmann, Alexandre Popoff, "Théories des catégories en Analyse Musicale", SIC (Séminaire Itinérant des catégories), Lille23 March 2016 ({{SIC-Lille-Maths-Musique-mars2016_web.pdf|pdf}}) 
 +    * Andréee Ehresmann and Alexandre Popoff"Andrée Ehresmann et Alexandre Popoff: "Approche Catégorielle en Analyse musicale", IRMA/USIAS Mathemusical SeminarIRMAStrasbourg, 23 February 2018 ({{Presentation_2018_02_22_Final.pdf|pdf}})  
 + 
  
 \\ \\
 **Visitors:** **Visitors:**
  
 +    * [[https://www.westernsydney.edu.au/staff_profiles/WSU/doctor_andrew_milne|Andrew Milne]], Western Sydney University, Australia (November 2022 - February 2023)
     * [[http://www-personal.umd.umich.edu/~tmfiore/|Thomas M. Fiore]], University of Michigan–Dearborn, USA (17-28 July 2017)     * [[http://www-personal.umd.umich.edu/~tmfiore/|Thomas M. Fiore]], University of Michigan–Dearborn, USA (17-28 July 2017)
     * [[https://www.researchgate.net/profile/Thomas_Noll2|Thomas Noll]], ESMuC, Barcelona (17-28 July 2017)     * [[https://www.researchgate.net/profile/Thomas_Noll2|Thomas Noll]], ESMuC, Barcelona (17-28 July 2017)
     * [[http://ehres.pagesperso-orange.fr/|Andrée Ehresmann]], Université de Picardie (26-27 July 2017)     * [[http://ehres.pagesperso-orange.fr/|Andrée Ehresmann]], Université de Picardie (26-27 July 2017)
     * [[https://alpof.wordpress.com/about/|Alexandre Popoff]], mathematical music theorist  (26 July 2017)     * [[https://alpof.wordpress.com/about/|Alexandre Popoff]], mathematical music theorist  (26 July 2017)
 +    * [[https://webusers.imj-prg.fr/~davide.stefani/|Davide Stefani]], PhD student working on infinite categories and persistent homology, UPMC (2017-2018)
 +    * [[https://lmrs.univ-rouen.fr/fr/persopage/paul-lanthier|Paul Lanthier]], PhD student working on cellular automata and music, university of Rouan-Normandie (27 August - 8 September) - {{article_Vieru_automata_MCM2019.pdf|Article on Vieru's theory and automata}} - {{score_Lanthier_Duality.pdf|score}} and {{audio_Lanthier_Duality.mp3|audio}}
  
- 
-\\ 
-**Future events:** 
- 
-    * Fifth session of the [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Research Seminar]]  (IRMA, salle des conférences, TBD) 
-    * "[[http://www.sbam.be/Seminaires.html|Représentations géométriques et modélisations informatiques]]", a concert-conference by Moreno Andreatta at the SBAM Music Analysis Seminar, Bruxelles, 31 May 2018 
-    * "[[http://www.irem.univ-paris-diderot.fr/calendrier/approches_transformationnelles_et_raisonnements_diagrammatiques_en_musique_/|Approches transformationnelles et raisonnements diagrammatiques en musique : plaidoyer pour un structuralisme phénoménologique dans la recherche "mathémusicale" contemporaine]]", a talk by Moreno Andreatta at the  Epistemology Seminar, Institut Henri Poincaré, Paris, 30 Mai 2018 
-    * "Learning geometry and music through computer-aided music analysis and composition: a pedagogical approach", a poster presentation by Sonia Cannas at the [[http://www.algomus.fr/jim2018/programme.html|Journée d'informatique musicale]], Amiens, 16-18 Mai 2018      
  
 \\ \\
 **Past events:** **Past events:**
  
 +    * [[https://jim2020.sciencesconf.org/|Journées d'Informatique Musicale 2020]] (Strasbourg, 26-28 October 2020).
 +    * "Mathématiques, dessinez-moi la musique" (maths&music atelier lead in collaboration with Marie Marty at the Lycée Le Corbusier, Illkirch-Graffenstaden, October 9, 2020) - {{Atelier_Lycee_LeCorbusier_Illkirch_LD.pdf|slides}} (in low definition)
 +    * "Mathématiques, dessinez-moi la musique" (maths&music atelier lead in collaboration with Marie Marty at the Lycée Albert Schweitzer, Mulhouse, October 6, 2020) - {{Atelier_Mulhouse_LD.pdf|slides}} (in low definition)
 +    * "Et si on faisait des maths à partir de la musique ?", PAF (Plan Académique de Formation) Maths/Music, IRMA, January 16, 2020 - {{PAF_maths-musique_IRMA_16_1_20_web_LD.pdf|slides}} 
 +    * "La musique, art du temps ou de l'espace ?", TimeWorld2019, Cité des Sciences, November 23, 2019 - {{Conf_maths-musique_TimeWorld2010_web.pdf|slides}} - [[https://www.youtube.com/watch?v=IBT-jphFeEs|Video]] 
 +    * "Math’n Pop : algèbre et géométrie au service de la chanson", concert-conference at the Festival "Jeux, fête, maths", Eaubonne, November 23, 2019 {{Conf_maths-musique_Eaubonne_Nov_2019_web.pdf|slides}}. Workshop with the students of the Conservatory of Music - {{Atelier_maths-musique_Eaubonne_web.pdf|slides of the workshop}} 
 +    * "Représentations transformationnelles au service des musiques actuelles", Biennale de la SBAM, Liège, November 18, 2019 - {{Andreatta_Biennale_SBAM_18-Nov-2019_web.pdf|slides}} 
 +    * "Les maths dans la musique…la musique des maths !", Talk delivered within the cycle of conferences organized by the Jardin des Sciences, Amphithéâtre Cavaillès, Strasbourg, November 7, 2019 - {{Conf_maths-musique_JdS_7_11_19_web.pdf|slides}} 
 +    * "Computer-Aided Music Analysis and Composition between scientific research and artistic practice", Talk at the European Doctoral College, Strasbourg, October 24, 2019 - {{Andreatta_PDI_Strasbourg_24-10-2019_web.pdf|slides}} 
 +    * [[https://www.mathnpop.com/l-actualite-de-math-n-pop/les-couleurs-de-la-sciences|Math'n Pop]] au Festival "Les couleurs de la science", Villejuif, 13-15 septembre 2019. [[https://www.dr1.cnrs.fr/IMG/pdf/programme_festival-livret2coul.pdf|Programme complet]].
 +    * "Structural (Popular) Music Information Research. Some Theoretical, Analytical and Compositional Aspects", Plenary Talk at the [[http://artes.porto.ucp.pt/pt/Musica-Analitica-2019?msite=7|Symposium "Musica Analitica"]], Porto, March 21-23, 2019 - {{Andreatta_Porto_March-2019_web.pdf|slides}} ([[http://artes.porto.ucp.pt/sites/default/files/files/artes/eventos/MA2019_Program_FINAL.pdf|Program]] of the Symposium)
 +    *  Alain Connes on the music of motives at the [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Seminar]] (IRMA, 25 January 2019 at 4pm, salle des conférences) - {{Locandina_connes.pdf|Flyer}} 
 +    * [[https://sites.google.com/view/symposium2019/r%C3%A9sum%C3%A9s/autres-interventions/andreatta|"Quelques réflexions autour de la transmission des savoirs mathémusicaux"]], a short overview of the SMIR Project by Moreno Andreatta, focusing on science and music outreach at the [[https://sites.google.com/view/symposium2019/accueil|Symposium "Les sciences de la musique. De nouveaux défis dans une société en mutation"]] (18-19 January 2019, Maison des Sciences de l’Homme Paris Nord) - {{SFAM_Andreatta-Jan-2019_web.pdf|pdf}} - [[https://www.youtube.com/watch?v=8u2CPT3TLMU|Video]]
 +    * [[http://www.usias.fr/actualites-agenda/agenda/evenement/article/seminaire-fellows-usias-la-musique-des-maths/|La musique des mathématiques]]. A USIAS concert-conference by Moreno Andreatta at the European Doctoral College of Strasbourg (16 January 2019, 3pm-5pm) - {{Andreatta_USIAS_Jan-2019_web.pdf|pdf}}
 +    * A PhiloMath&Pop session at the mamuphi Seminar at IRCAM, Paris (12 January 2019, 10am-6pm, salle Shannon) - {{PhiloMathPop_12_01_2019_draft.pdf|Schedule}} - {{Programme_complet_PhiloMath&Pop_12_01_2019.pdf|Full programme with abstracts}} - [[https://medias.ircam.fr/x0d21b3|Videos]]
 +    * "Mathematics, Music and Cognition: A Popular Musical Perspective" (in collaboration with Laurent Mandeix), [[https://eitnconf-221018.sciencesconf.org/|Fall School Art & Science]] (Transdisciplinarity - increasing scientific and artistic creativity), 22-27 Oct 2018 Paris {{Moreno-Laurent_GDR_ESARS_24-10-2018_web_small.pdf|slides}} 
 +    * International Conference "Chanter les poètes - Poésique 18", Université de Grenoble Alpes, 16-18 October 2018 (org. Caroline Bertonèche and Anne Cayuela) - {{Programme_Chanter_les_poetes.pdf|Flyer with the schedule}} - {{Andreatta_Grenoble_Oct2018_web_small.pdf|slides}}
 +    * "The interplay between algebra and geometry in computational musicology", Master ATIAM, "Computational Musicology" Teaching Unit, 2018-2019 ({{FpA_18-19_Andreatta_1_web.pdf|part I}} and {{FpA_18-19_Andreatta_2_web.pdf|part II}}) - ({{Circular_representation_Tonnetz_Cube-Dance_ATIAM.pdf|Handout}}) - {{ExamFpaMusicologieAnalyse_2018-2019.pdf|Examination}} - {{ExamFpaMusicologieAnalyse_2018-2019_Solutions.pdf|Solutions}}
 +    * "Mathematical Music Theory: an overview and some pedagogical experiences", poster presented by Sonia Cannas at the [[https://sites.google.com/site/ewmgm18/mini-symposia|European Women in Mathematics Symposium]], Karl-Franzens-Universität Graz, Austria, 3-7 September 2018 ({{Poster_EWM_2018_Cannas.pdf|pdf}}). **Best poster award**.
 +    * [[http://www.premiolunezia.it/|Premio Lunezia 2018]] (Aulla, Italy, 19-21 July 2018) - Moreno Andreatta, winner of the category "Musicare i poeti" with the song "{{Premio_Lunezia_2018_Moreno.mp3|Inferno d'amore}}" (after an extract of the //Divina Commedia// by Dante Alighieri. See the [[http://repmus.ircam.fr/moreno/music|music webpage]] for more information.
 +    * "Sharing and Enacting Cognitive Metaphors in Musical Distributed Contexts: A Case Study from IRCAM", paper delivered by Luis Besada at the 2018 ICMPC-ESCOM joint Conference, Montreal, Sydney, La Plata, and Graz, July 23–28 2018 
 +    * "[[http://repmus.ircam.fr/_media/moreno/Agon_et_al_ICCS2018.pdf|Musical Descriptions based on Formal Concept Analysis and Mathematical Morphology]]", paper delivered by Carlos Agon, Moreno Andreatta, Jamal Atif, Isabelle Bloch, and Pierre Mascarade at the [[http://blogs.napier.ac.uk/iccs/|23rd International Conference on Conceptual Structures]], Edinburgh, June 20th-22nd 2018 ({{Talk_ICCS2018_web.pdf|slides}})
 +    * "Diagrammatic approaches in computational musicology: some theoretical and philosophical aspects", paper delivered by Moreno Andreatta, Carlos Agon, Alexandre Popoff and Andrée Ehresmann at the [[http://www.diagrams-conference.org/2018/|10th International Conference on the Theory and Application of Diagrams]], Edinburgh, June 18th-22nd 2018 ({{Talk_Diagrams2018_web.pdf|slides}})
 +    * "[[http://irma.math.unistra.fr/article286.html|Graph-theoretical and algebraic strategies for representing musical structures: an overview and some pedagogical approaches]]", a Doctoral Seminar by Sonia Cannas, IRMA (salle des séminaires), 7 June 2018 at 4pm
 +    * "[[https://www.ircam.fr/agenda/coder-la-musique-avec-les-maths-conference-concert-mathemusicale/detail/|Coding Music with Maths]]", a concert-conference by Moreno Andreatta at Musicora, Grande Halle de la Villette, [[https://www.francemusique.fr/evenements/france-musique-en-direct-de-musicora|France Musique stand]], 3 June 2018 ([[https://www.youtube.com/watch?v=GRzDBPaj4SE|Vidéo]])
 +    * "[[http://www.sbam.be/Seminaires.html|Représentations géométriques et modélisations informatiques]]", a concert-conference by Moreno Andreatta at the SBAM Music Analysis Seminar, Bruxelles, 31 May 2018 ({{Bruxelles_Andreatta-Mai-2018_web.pdf|slides}})
 +    * "[[http://www.irem.univ-paris-diderot.fr/calendrier/approches_transformationnelles_et_raisonnements_diagrammatiques_en_musique_/|Approches transformationnelles et raisonnements diagrammatiques en musique : plaidoyer pour un structuralisme phénoménologique dans la recherche "mathémusicale" contemporaine]]", a talk by Moreno Andreatta at the  Epistemology Seminar, Institut Henri Poincaré, Paris, 30 Mai 2018 ({{IHP_Andreatta-Mai-2018_web.pdf|slides}} - {{Handout_Andreatta_IHP_30_Mai_2018.pdf|handout}})  
 +    * "An Overview of ATIAM International Master Program", a presentation by Moreno Andreatta within the pedagogical round table at the [[http://www.algomus.fr/jim2018/programme.html|Journée d'informatique musicale]], Amiens, 16-18 Mai 2018      {{Overview_atiam_JIM2018.pdf|pdf}}
 +    * "Learning geometry and music through computer-aided music analysis and composition: a pedagogical approach", a poster presentation by Sonia Cannas at the [[http://www.algomus.fr/jim2018/programme.html|Journée d'informatique musicale]], Amiens, 16-18 Mai 2018  
     * [[http://www.math.unipd.it/it/news/?id=2239|Nastri, orologi e ciambelle: un viaggio nella ricerca "matemusicale" contemporanea]] (Padova, Italy, 19 April 2018) - {{poster-talk-Padova.pdf|poster}} - {{Andreatta_Padova_19-04-2018_web.pdf|slides}}     * [[http://www.math.unipd.it/it/news/?id=2239|Nastri, orologi e ciambelle: un viaggio nella ricerca "matemusicale" contemporanea]] (Padova, Italy, 19 April 2018) - {{poster-talk-Padova.pdf|poster}} - {{Andreatta_Padova_19-04-2018_web.pdf|slides}}
     * [[http://matematica.unipv.it/mathmusic/|Workshop "Mathematical and Computational models in Music"]] (Pavia, Italy, 18 April 2018)      * [[http://matematica.unipv.it/mathmusic/|Workshop "Mathematical and Computational models in Music"]] (Pavia, Italy, 18 April 2018) 
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moreno/smir.txt · Dernière modification: 2024/03/14 10:21 par Moreno Andreatta