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moreno:smir [2018/05/17 15:30]
Moreno Andreatta
moreno:smir [2018/07/27 10:50] (Version actuelle)
Moreno Andreatta
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-<color red>**NEWS** [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Seminars]] (a new mathematics and music seminar at IRMA)&lt;/color&gt +<color red>**NEWS**</color>  
 + 
 +    * [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Seminars]] (a new mathematics and music seminar at IRMA)  
 +    * [[http://www.recherche.unistra.fr/index.php?id=27772|Le théorème des mathématiques musicales]] (L'actualité de la recherche, université de Strasbourg, 14/06/2018)  
 +    * [[http://www.premiolunezia.it/|Premio Lunezia 2018]] (Aulla, Italy, 19-21 July 2018) - Moreno Andreatta, winner of the category &quot;Musicare i poeti&quotwith the song "{{Premio_Lunezia_2018_Moreno.mp3|Inferno d'amore}}" (after an extract of the //Divina Commedia// by Dante Alighieri. See the [[http://repmus.ircam.fr/moreno/music|music webpage]] for more information. 
  
 **Structure of the project:** **Structure of the project:**
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       * [[http://www-irma.u-strasbg.fr/~guillot/|Pierre Guillot]] (Assistant Professor - UMR 7501 IRMA, Strasbourg)        * [[http://www-irma.u-strasbg.fr/~guillot/|Pierre Guillot]] (Assistant Professor - UMR 7501 IRMA, Strasbourg) 
       * Sonia Cannas (PhD student, codirection with Ludovico Pernazza, University of Pavia and Athanase Papadopoulos, université de Strasbourg, cotutelle-agreement)       * Sonia Cannas (PhD student, codirection with Ludovico Pernazza, University of Pavia and Athanase Papadopoulos, université de Strasbourg, cotutelle-agreement)
-      * Davide Stefani (PhD student, codirection with Grégogy Ginot, UPMC) 
       * Matteo Pennesi (Master 2 student, codirection with Massimo Ferri, University of Bologna)         * Matteo Pennesi (Master 2 student, codirection with Massimo Ferri, University of Bologna)  
       * Pierre M. Relaño,  mathematician and composer (composition and computer music classes by Daniel D’Adamo and Tom Mays, Conservatory of Strasbourg)       * Pierre M. Relaño,  mathematician and composer (composition and computer music classes by Daniel D’Adamo and Tom Mays, Conservatory of Strasbourg)
       * José-Luis Besada (post-doctoral researcher at the [[https://gream.unistra.fr/|GREAM Labex]] on "Mathematical formalisation and computer-aided modelling of the analytical and compositional act in contemporary and popular music")       * José-Luis Besada (post-doctoral researcher at the [[https://gream.unistra.fr/|GREAM Labex]] on "Mathematical formalisation and computer-aided modelling of the analytical and compositional act in contemporary and popular music")
       * Corentin Guichaoua (post-doctoral researcher)       * Corentin Guichaoua (post-doctoral researcher)
-      * <color red> __Open position__ </color> (one-year researcher) ({{Call_post-doc_research_position_SMIR.pdf|Description}} - [[Moreno.Andreatta@ircam.fr|Contact]])+      * Paul Lascabettes (Master 1 student, ENS-Saclay) 
  
     * Alumni:     * Alumni:
 +      * Corentin Bayette (Master 1 student at the University of Strasbourg, co-supervised with Corentin Guichaoua) - 2017-2018
 +      * Xavier Dambach (Master 2 student at the University of Strasbourg, supervised by Corentin Guichaoua) - 2017-2018
       * Grégoire Genuys (PhD student, codirection with Jean-Paul Allouche, UPMC) - {{Dissertation_Gregoire.pdf|Dissertation}} and thesis {{Presentation_Gregoire.pdf|presentation}}       * Grégoire Genuys (PhD student, codirection with Jean-Paul Allouche, UPMC) - {{Dissertation_Gregoire.pdf|Dissertation}} and thesis {{Presentation_Gregoire.pdf|presentation}}
       * Killian Herraez (Master 2 student, codirection with Isabelle Bloch, Télécom ParisTech, Jamal Atif, université Paris Dauphine and Carlos Agon, UPMC/Ircam/CNRS) - {{Dissertation_Kilian.pdf|Dissertation}} and master thesis {{Dissertation_Kilian.pdf|presentation}}         * Killian Herraez (Master 2 student, codirection with Isabelle Bloch, Télécom ParisTech, Jamal Atif, université Paris Dauphine and Carlos Agon, UPMC/Ircam/CNRS) - {{Dissertation_Kilian.pdf|Dissertation}} and master thesis {{Dissertation_Kilian.pdf|presentation}}  
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     * Generalized Tonnetze, Persistent Homology and automatic classification of musical styles (see [2], [3], [4], [5], [7])     * Generalized Tonnetze, Persistent Homology and automatic classification of musical styles (see [2], [3], [4], [5], [7])
     * Category theory and transformational (computer-aided) music analysis (see [0], [1], [9], [10], [11])     * Category theory and transformational (computer-aided) music analysis (see [0], [1], [9], [10], [11])
-    * Music-theoretical problems and open conjectures in mathematics ([13], [14], [15], [16]) +    * Music-theoretical problems and open conjectures in mathematics ([13], [14], [15], [16]) 
 +    * Epistemological and cognitive aspects of mathemusical research ([2], [17], [18], [19], [20], [21])  
  
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     * [15] Lachaussée, G. (2010) Théorie des ensembles homométriques, Stage de troisième année de l'Ecole Polytechnique, Master 1 de Mathématiques. ([[http://recherche.ircam.fr/equipes/repmus/moreno/MasterLachaussee.pdf|pdf]])     * [15] Lachaussée, G. (2010) Théorie des ensembles homométriques, Stage de troisième année de l'Ecole Polytechnique, Master 1 de Mathématiques. ([[http://recherche.ircam.fr/equipes/repmus/moreno/MasterLachaussee.pdf|pdf]])
     * [16] Andreatta, M. (2015), « Tiling Canons as a key to approach open Mathematical Conjectures ? », in E. Chew et al. (eds.), //Mathemusical Conversations//, Wiley, p. 86-104.     * [16] Andreatta, M. (2015), « Tiling Canons as a key to approach open Mathematical Conjectures ? », in E. Chew et al. (eds.), //Mathemusical Conversations//, Wiley, p. 86-104.
 +    * [17] Andreatta M. (2012), « Mathématiques, Musique et Philosophie dans la tradition américaine : la filiation Babbitt/Lewin », in Andreatta M., F. Nicolas, Ch. Alunni dir. (2012), //A la lumière des mathématiques et à l'ombre de la philosophie. Dix ans de séminaire mamuphi//, Collection « Musique/Sciences », Ircam-Delatour France, Sampzon, p. 51-74. [[http://recherche.ircam.fr/equipes/repmus/moreno/09AndreattaRdS2009.pdf|Draft]].
 +    * [18] Acotto E., M. Andreatta (2012), « Between Mind and Mathematics. Different Kinds of Computational Representations of Music », //Mathematics and Social Sciences// (50e année, n° 199, 2012(3), p. 9-26. Special Issue devoted to the Conference of the EMPG 2011 (European Mathematical Psychology Group, Telecom ParisTech, 29-31 août 2011). {{:moreno:mss-2012-draft.pdf|draft}} 
 +    * [19] Andreatta, M., A. Ehresmann, R. Guitart, G. Mazzola, (2013), « Towards a categorical theory of creativity », //Proceedings of the Conference MCM 2013//, McGill University, Montreal, June 12-14, 2013. Lecture Notes in Computer Science / LNAI, Springer, p. 19-37 ([[http://repmus.ircam.fr/_media/moreno/Andreatta_Creativity_MCM2013.pdf|pdf]])
 +    * [20] Andreatta M. (2015), « Autour de la Set Theory et de l’analyse de la musique atonale : démarche structurale et approche phénoménologique à partir des écrits de Célestin Deliège », dans //Modernité musicale au XXe siècle et musicologie critique. Hommage à Célestin Deliège// (sous la direction de Valérie Dufour et Robert Wangermée), collection de l’Académie, Bruxelles, p. 93-110. ([[http://repmus.ircam.fr/_media/moreno/Andreatta_Deliege_2015_Draft.pdf|Draft]]). 
 +    * [21] Besada L. (2018), « Sharing and Enacting Cognitive Metaphors in Musical Distributed Contexts: A Case Study from IRCAM », to appear in the Proceedings of the 15th International Conference on Music Perception and Cognition (ICMPC) and 10th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Montreal, Sydney, La Plata, and Graz, July 23–28 2018  
  
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     * [[http://ehres.pagesperso-orange.fr/|Andrée Ehresmann]], Université de Picardie (26-27 July 2017)     * [[http://ehres.pagesperso-orange.fr/|Andrée Ehresmann]], Université de Picardie (26-27 July 2017)
     * [[https://alpof.wordpress.com/about/|Alexandre Popoff]], mathematical music theorist  (26 July 2017)     * [[https://alpof.wordpress.com/about/|Alexandre Popoff]], mathematical music theorist  (26 July 2017)
 +    * [[https://webusers.imj-prg.fr/~davide.stefani/|Davide Stefani]], PhD student working on infinite categories and persistent homology, UPMC (2017-2018)
  
  
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 **Future events:** **Future events:**
  
-    * Fifth session of the [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Research Seminar]]  (IRMA, salle des conférences, TBD) +    * International Conference "Chanter les poètes - Poésique 18", Université de Grenoble Alpes, 16-18 October 2018 (orgCaroline Bertonèche and Anne Cayuela) {{Programme_Chanter_les_poetes.pdf|Flyer with the schedule}}   
-    * "[[http://www.sbam.be/Seminaires.html|Représentations géométriques et modélisations informatiques]]", a concert-conference by Moreno Andreatta at the SBAM Music Analysis Seminar, Bruxelles, 31 May 2018 +    *"Sharing and Enacting Cognitive Metaphors in Musical Distributed Contexts: A Case Study from IRCAM", paper delivered by Luis Besada at the 2018 ICMPC-ESCOM joint ConferenceMontrealSydney, La Plata, and Graz, July 23–28 2018    
-    * "[[http://www.irem.univ-paris-diderot.fr/calendrier/approches_transformationnelles_et_raisonnements_diagrammatiques_en_musique_/|Approches transformationnelles et raisonnements diagrammatiques en musique : plaidoyer pour un structuralisme phénoménologique dans la recherche "mathémusicale" contemporaine]]", a talk by Moreno Andreatta at the  Epistemology Seminar, Institut Henri Poincaré, Paris, 30 Mai 2018 +    *Next Season (2018-2019) of the [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Research Seminar]]  (IRMAsalle des conférences). The schedule of the seminar is in progress. 
-    * "An Overview of ATIAM International Master Program", a presentation by Moreno Andreatta within the pedagogical round table at the [[http://www.algomus.fr/jim2018/programme.html|Journée d'informatique musicale]]Amiens16-18 Mai 2018      {{Overview_atiam_JIM2018.pdf|pdf}} + 
-    * "Learning geometry and music through computer-aided music analysis and composition: a pedagogical approach", a poster presentation by Sonia Cannas at the [[http://www.algomus.fr/jim2018/programme.html|Journée d'informatique musicale]], Amiens, 16-18 Mai 2018     +
  
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 **Past events:** **Past events:**
  
 +    * "Musical Descriptions based on Formal Concept Analysis and Mathematical Morphology", paper delivered by Carlos Agon, Moreno Andreatta, Jamal Atif, Isabelle Bloch, and Pierre Mascarade at the [[http://blogs.napier.ac.uk/iccs/|23rd International Conference on Conceptual Structures]], Edinburgh, June 20th-22nd 2018 ({{Talk_ICCS2018_web.pdf|slides}})
 +    * "Diagrammatic approaches in computational musicology: some theoretical and philosophical aspects", paper delivered by Moreno Andreatta, Carlos Agon, Alexandre Popoff and Andrée Ehresmann at the [[http://www.diagrams-conference.org/2018/|10th International Conference on the Theory and Application of Diagrams]], Edinburgh, June 18th-22nd 2018 ({{Talk_Diagrams2018_web.pdf|slides}})
 +    * "[[http://irma.math.unistra.fr/article286.html|Graph-theoretical and algebraic strategies for representing musical structures: an overview and some pedagogical approaches]]", a Doctoral Seminar by Sonia Cannas, IRMA (salle des séminaires), 7 June 2018 at 4pm
 +    * "[[https://www.ircam.fr/agenda/coder-la-musique-avec-les-maths-conference-concert-mathemusicale/detail/|Coding the music world with maths]]", a concert-conference by Moreno Andreatta at Musicora, Grande Halle de la Villette, [[https://www.francemusique.fr/evenements/france-musique-en-direct-de-musicora|France Musique stand]], 3 June 2018   
 +    * "[[http://www.sbam.be/Seminaires.html|Représentations géométriques et modélisations informatiques]]", a concert-conference by Moreno Andreatta at the SBAM Music Analysis Seminar, Bruxelles, 31 May 2018 ({{Bruxelles_Andreatta-Mai-2018_web.pdf|slides}})
 +    * "[[http://www.irem.univ-paris-diderot.fr/calendrier/approches_transformationnelles_et_raisonnements_diagrammatiques_en_musique_/|Approches transformationnelles et raisonnements diagrammatiques en musique : plaidoyer pour un structuralisme phénoménologique dans la recherche "mathémusicale" contemporaine]]", a talk by Moreno Andreatta at the  Epistemology Seminar, Institut Henri Poincaré, Paris, 30 Mai 2018 ({{IHP_Andreatta-Mai-2018_web.pdf|slides}} - {{Handout_Andreatta_IHP_30_Mai_2018.pdf|handout}})  
 +    * "An Overview of ATIAM International Master Program", a presentation by Moreno Andreatta within the pedagogical round table at the [[http://www.algomus.fr/jim2018/programme.html|Journée d'informatique musicale]], Amiens, 16-18 Mai 2018      {{Overview_atiam_JIM2018.pdf|pdf}}
 +    * "Learning geometry and music through computer-aided music analysis and composition: a pedagogical approach", a poster presentation by Sonia Cannas at the [[http://www.algomus.fr/jim2018/programme.html|Journée d'informatique musicale]], Amiens, 16-18 Mai 2018  
     * [[http://www.math.unipd.it/it/news/?id=2239|Nastri, orologi e ciambelle: un viaggio nella ricerca "matemusicale" contemporanea]] (Padova, Italy, 19 April 2018) - {{poster-talk-Padova.pdf|poster}} - {{Andreatta_Padova_19-04-2018_web.pdf|slides}}     * [[http://www.math.unipd.it/it/news/?id=2239|Nastri, orologi e ciambelle: un viaggio nella ricerca "matemusicale" contemporanea]] (Padova, Italy, 19 April 2018) - {{poster-talk-Padova.pdf|poster}} - {{Andreatta_Padova_19-04-2018_web.pdf|slides}}
     * [[http://matematica.unipv.it/mathmusic/|Workshop "Mathematical and Computational models in Music"]] (Pavia, Italy, 18 April 2018)      * [[http://matematica.unipv.it/mathmusic/|Workshop "Mathematical and Computational models in Music"]] (Pavia, Italy, 18 April 2018) 
 


moreno/smir.1526563830.txt.gz · Dernière modification: 2018/05/17 15:30 par Moreno Andreatta