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moreno:smir [2018/07/27 10:50]
Moreno Andreatta
moreno:smir [2018/12/11 14:51] (Version actuelle)
Moreno Andreatta
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       * Moreno Andreatta (Principal Investigator), [[http://www.cnrs.fr/|CNRS]] Research Director at IRCAM, STMS Lab, UPMC       * Moreno Andreatta (Principal Investigator), [[http://www.cnrs.fr/|CNRS]] Research Director at IRCAM, STMS Lab, UPMC
       * [[http://www-irma.u-strasbg.fr/~guillot/|Pierre Guillot]] (Assistant Professor - UMR 7501 IRMA, Strasbourg)        * [[http://www-irma.u-strasbg.fr/~guillot/|Pierre Guillot]] (Assistant Professor - UMR 7501 IRMA, Strasbourg) 
-      * Sonia Cannas (PhD student, codirection with Ludovico Pernazza, University of Pavia and Athanase Papadopoulos, université de Strasbourg, cotutelle-agreement) +      * Sonia Cannas (PhD student in mathematicsco-supervision with Ludovico Pernazza, University of Pavia and Athanase Papadopoulos, université de Strasbourg, cotutelle-agreement)  
-      * Matteo Pennesi (Master 2 student, codirection with Massimo Ferri, University of Bologna +      * [[https://www.ircam.fr/person/alessandro-ratoci/|Alessandro Ratoci]] (PhD student in music researchco-supervision with Laurent CugnySorbonne University) 
       * Pierre M. Relaño,  mathematician and composer (composition and computer music classes by Daniel D’Adamo and Tom Mays, Conservatory of Strasbourg)       * Pierre M. Relaño,  mathematician and composer (composition and computer music classes by Daniel D’Adamo and Tom Mays, Conservatory of Strasbourg)
       * José-Luis Besada (post-doctoral researcher at the [[https://gream.unistra.fr/|GREAM Labex]] on "Mathematical formalisation and computer-aided modelling of the analytical and compositional act in contemporary and popular music")       * José-Luis Besada (post-doctoral researcher at the [[https://gream.unistra.fr/|GREAM Labex]] on "Mathematical formalisation and computer-aided modelling of the analytical and compositional act in contemporary and popular music")
       * Corentin Guichaoua (post-doctoral researcher)       * Corentin Guichaoua (post-doctoral researcher)
-      * Paul Lascabettes (Master 1 student, ENS-Saclay) 
  
  
     * Alumni:     * Alumni:
 +      * Paul Lascabettes (Master 1 student, ENS-Saclay, co-supervised with Corentin Guichaoua) - 2017-2018
 +      * Matteo Pennesi (Master 2 student, codirection with Massimo Ferri, University of Bologna) - 2017-2018
       * Corentin Bayette (Master 1 student at the University of Strasbourg, co-supervised with Corentin Guichaoua) - 2017-2018       * Corentin Bayette (Master 1 student at the University of Strasbourg, co-supervised with Corentin Guichaoua) - 2017-2018
       * Xavier Dambach (Master 2 student at the University of Strasbourg, supervised by Corentin Guichaoua) - 2017-2018       * Xavier Dambach (Master 2 student at the University of Strasbourg, supervised by Corentin Guichaoua) - 2017-2018
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       * [[https://webusers.imj-prg.fr/~gregory.ginot/|Grégory Ginot]] (Persistent homology and category theory) - UPMC, Paris       * [[https://webusers.imj-prg.fr/~gregory.ginot/|Grégory Ginot]] (Persistent homology and category theory) - UPMC, Paris
       * [[https://webusers.imj-prg.fr/~jean-paul.allouche/|Jean-Paul Allouche]] (Combinatorics and number theory) - UPMC/CNRS, Paris       * [[https://webusers.imj-prg.fr/~jean-paul.allouche/|Jean-Paul Allouche]] (Combinatorics and number theory) - UPMC/CNRS, Paris
-      * [[http://repmus.ircam.fr/|Grégoire Genuys]] (Homometry theory, PhD student) - UPMC/IRCAM, Paris 
       * [[http://www.lacl.fr/~lbigo/louis_bigo|Louis Bigo]] (Topology in computer-aided music analysis) - CRIStAL, University of Lille 3       * [[http://www.lacl.fr/~lbigo/louis_bigo|Louis Bigo]] (Topology in computer-aided music analysis) - CRIStAL, University of Lille 3
       * [[https://perso.telecom-paristech.fr/bloch/|Isabelle Bloch]] (Mathematical Morphology) - LTCI, Télécom ParisTech       * [[https://perso.telecom-paristech.fr/bloch/|Isabelle Bloch]] (Mathematical Morphology) - LTCI, Télécom ParisTech
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       * Sonia Cannas (Transformational theory, PhD student) - Univ. of Pavia /Univ. of Strasbourg       * Sonia Cannas (Transformational theory, PhD student) - Univ. of Pavia /Univ. of Strasbourg
       * [[http://www.dm.unibo.it/~ferri/e.htm|Massimo Ferri]] (Persistent homology) - University of Bologna       * [[http://www.dm.unibo.it/~ferri/e.htm|Massimo Ferri]] (Persistent homology) - University of Bologna
-      * Matteo Pennesi (Persistent homology, Master student) - University of Bologna / Univ. of Strasbourg 
       * [[http://www.eecs.qmul.ac.uk/~eniale/|Elaine Chew]] (Mathemusical research and performance) - Queen Mary University of London       * [[http://www.eecs.qmul.ac.uk/~eniale/|Elaine Chew]] (Mathemusical research and performance) - Queen Mary University of London
       * [[http://vbn.aau.dk/en/persons/david-meredith(a3485daf-44ea-4955-989a-4a921696f40a).html|David Meredith]] (Symbolic music information retrieval) -  Aalborg University       * [[http://vbn.aau.dk/en/persons/david-meredith(a3485daf-44ea-4955-989a-4a921696f40a).html|David Meredith]] (Symbolic music information retrieval) -  Aalborg University
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 **Main research axes:** **Main research axes:**
  
-    * Mathematical Morphology, Formal Concept Analysis and computational musicology (see [6], [8] and [12]) +    * Mathematical Morphology, Formal Concept Analysis and computational musicology (see [12], [8],[18], [20]) 
-    * Generalized Tonnetze, Persistent Homology and automatic classification of musical styles (see [2], [3], [4], [5], [7]) +    * Generalized Tonnetze, Persistent Homology and automatic classification of musical styles (see [16], [17], [11], [13], [9]) 
-    * Category theory and transformational (computer-aided) music analysis (see [0], [1], [9], [10], [11]) +    * Category theory and transformational (computer-aided) music analysis (see [15], [19], [23], [2], [24], [25]) 
-    * Music-theoretical problems and open conjectures in mathematics ([13], [14], [15], [16]) +    * Music-theoretical problems and open conjectures in mathematics ([10], [3], [4], [1]) 
-    * Epistemological and cognitive aspects of mathemusical research ([2], [17], [18], [19], [20], [21]) +    * Epistemological and cognitive aspects of mathemusical research ([16], [6], [5], [7], [14], [22]) 
  
  
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 **Some references:** **Some references:**
  
-    * [0Popoff A., MAndreattaAEhresmann, "Relational PK-Nets for Transformational Music Analysis(forthcoming in the //Journal of Mathematics and Music//. [[https://arxiv.org/abs/1611.02249|Online version]] posted in arXiv) +    * [1Lachaussée, G(2010) Théorie des ensembles homométriquesStage de troisième année de l'Ecole Polytechnique, Master 1 de Mathématiques. ([[http://recherche.ircam.fr/equipes/repmus/moreno/MasterLachaussee.pdf|pdf]]) 
-    * [1Popoff A., CAgonM. Andreatta, AEhresmann (2017), « From K-Nets to PK-NetsA Categorical Approach », //Perspectives of New Music//, 54(1) {{PK-Nets_PNM_draft_version.pdf|draft version}}). +    * [2] Fiore T., Noll Th(2011), "Commuting Groups and the Topos of Triads"in C. Agon et al. (eds), //Proceedings of the Third international conference on Mathematics and computation in music// (Paris, 15-17 June 2011), Springer LNCS/LNAI, p69-83 ([[https://pdfs.semanticscholar.org/7fab/427b5a53c2b3e5cda7983651b34b83e37263.pdf|draft version]]) 
-    * [2] Andreatta M., G. Baroin (2016), "Formal and Computational Models in Popular Music", ZKapoula (eds.), //AEsthetics &ampNeurosciences: Scientific and Artistic Perspectives//, Springer, p. 257-269 ([[http://repmus.ircam.fr/_media/moreno/Andreatta-Baroin_Springer_2016.pdf|pdf]]) +    * [3Mandereau J., Ghisi D., Amiot E.Andreatta M.Agon C.(2011a), "Z-relation and homometry in musical distributions", //Journal of Mathematics and Music//, vol. 5, n° 2, p. 83-98. ([[http://recherche.ircam.fr/equipes/repmus/moreno/AndreattaJMM2011.pdf|pdf]]). 
-    * [3Bergomi M., FFabbri et M. Andreatta (2016), "Hey Maths ! Modèles formels et computationnels au service des Beatles", //Volume ! La revue des musiques populaires// (Grégoire Tosser and Olivier Julien editors)vol. 12n° 2, p. 161-179 ([[http://repmus.ircam.fr/_media/moreno/Hey_Maths_Andreatta_web.pdf|Slides]] of the invited presentation by Moreno Andreatta at the Beatles DayEvry6 November 2014+    * [4] Mandereau J., Ghisi D., Amiot E., Andreatta M., Agon C. (2011b), "Discrete phase retrieval in musical structures", //Journal of Mathematics and Music//, vol. 5, n° 2, p. 99-116 ([[http://articles.ircam.fr/textes/Mandereau11b/index.pdf|pdf]])
-    * [4Mattia Bergomi, //Dynamical and topological tools for (modern) music+    * [5] Acotto E., Andreatta M. (2012), "Between Mind and Mathematics. Different Kinds of Computational Representations of Music", //Mathematics and Social Sciences// (50e année, n° 199, 2012(3), p. 9-26. Special Issue devoted to the Conference of the EMPG 2011 (European Mathematical Psychology Group, Telecom ParisTech, 29-31 août 2011). {{:moreno:mss-2012-draft.pdf|draft}}  
 +    * [6] Andreatta M. (2012), "Mathématiques, Musique et Philosophie dans la tradition américaine : la filiation Babbitt/Lewin", in Andreatta M., F. Nicolas, Ch. Alunni dir. (2012), //A la lumière des mathématiques et à l'ombre de la philosophie. Dix ans de séminaire mamuphi//, Collection "Musique/Sciences", Ircam-Delatour France, Sampzon, p. 51-74. [[http://recherche.ircam.fr/equipes/repmus/moreno/09AndreattaRdS2009.pdf|Draft]]  
 +    * [7] AndreattaM., Ehresmann A., Guitart R., Mazzola G.(2013), "Towards a categorical theory of creativity", //Proceedings of the Conference MCM 2013//, McGill University, Montreal, June 12-14, 2013Lecture Notes in Computer Science / LNAI, Springer, p. 19-37 ([[http://repmus.ircam.fr/_media/moreno/Andreatta_Creativity_MCM2013.pdf|pdf]]) 
 +    * [8] Schlemmer T., Andreatta M. (2013), "Using Formal Concept Analysis to Represent Chroma Systems", //Proceedings of the Conference MCM 2013//, McGill University, Montreal, June 12-14, 2013.  Lecture Notes in Computer Science / LNAI, Springer, p. 189-200 ([[http://repmus.ircam.fr/_media/moreno/Andreatta_FCA_MCM2013.pdf|pdf]]). 
 +    * [9Bigo L., Ghisi D., Spicher A., Andreatta M. (2014), "Spatial Transformations in Simplicial Chord Spaces", in A. Georgaki and G. Kouroupetroglou (Eds.), //Proceedings ICMC|SMC|2014//, 14-20 September 2014Athens, Greece, p. 1112-1119. __Best paper award__. ([[http://repmus.ircam.fr/_media/moreno/Andreatta_ICMC_SMC_2014.pdf|pdf]]). 
 +    * [10] Andreatta, M. (2015)"Tiling Canons as a key to approach open Mathematical Conjectures ?", in E. Chew et al. (eds.), //Mathemusical Conversations//, Wiley, p. 86-104. 
 +    * [11] Bergomi, M., (2015), //Dynamical and topological tools for (modern) music
 analysis// (PhD in cotutelle UPMC/LIM Milan, co-supervised with Goffredo Haus, December 2015 ([[https://tel.archives-ouvertes.fr/tel-01293602/document|pdf]]) analysis// (PhD in cotutelle UPMC/LIM Milan, co-supervised with Goffredo Haus, December 2015 ([[https://tel.archives-ouvertes.fr/tel-01293602/document|pdf]])
-    * [5] Bigo L., M. Andreatta (2015), "Topological Structures in Computer-Aided Music Analysis", in D. Meredith (ed.), //Computational Music Analysis//, Springer, p. 57-80 -  ([[http://repmus.ircam.fr/_media/moreno/BigoAndreatta_Computational_Musicology.pdf|pdf]]).  +    * [12] Freund A., Andreatta M., Giavitto J.-L. (2015), "Lattice-based and Topological Representations of Binary Relations with an Application to Music", //Annals of Mathematics and Artificial Intelligence//, vol. 73, n° 3-4, p. 311-334. ([[http://repmus.ircam.fr/_media/moreno/Moreno_Andreatta_AMAI_2015.pdf|pdf]]). 
-    * [6] Freund A., M. Andreatta, J.-L. Giavitto (2015), "Lattice-based and Topological Representations of Binary Relations with an Application to Music", //Annals of Mathematics and Artificial Intelligence//, vol. 73, n° 3-4, p. 311-334. ([[http://repmus.ircam.fr/_media/moreno/Moreno_Andreatta_AMAI_2015.pdf|pdf]]). +    * [13] Bigo L., Andreatta M. (2015), "Topological Structures in Computer-Aided Music Analysis", in DMeredith (ed.), //Computational Music Analysis//, Springer, p. 57-80 -  ([[http://repmus.ircam.fr/_media/moreno/BigoAndreatta_Computational_Musicology.pdf|pdf]]).  
-    * [7] Bigo L., D. Ghisi, A. Spicher, M. Andreatta (2014), "Spatial Transformations in Simplicial Chord Spaces", in AGeorgaki and G. Kouroupetroglou (Eds.), //Proceedings ICMC|SMC|2014//, 14-20 September 2014, Athens, Greece, p. 1112-1119. __Best paper award__. ([[http://repmus.ircam.fr/_media/moreno/Andreatta_ICMC_SMC_2014.pdf|pdf]]). +    * [14Andreatta M. (2015), "Autour de la Set Theory et de l’analyse de la musique atonale : démarche structurale et approche phénoménologique à partir des écrits de Célestin Deliège", in //Modernité musicale au XXe siècle et musicologie critique. Hommage à Célestin Deliège// (Valérie Dufour and Robert Wangermée eds.)collection de l’Académie, Bruxelles, p. 93-110. ([[http://repmus.ircam.fr/_media/moreno/Andreatta_Deliege_2015_Draft.pdf|Draft]]).  
-    * [8T. Schlemmer, M. Andreatta (2013), "Using Formal Concept Analysis to Represent Chroma Systems", //Proceedings of the Conference MCM 2013//, McGill University, Montreal, June 12-14, 2013 Lecture Notes in Computer Science / LNAISpringer, p. 189-200 ([[http://repmus.ircam.fr/_media/moreno/Andreatta_FCA_MCM2013.pdf|pdf]]). +    * [15Popoff A., Andreatta M., Ehresmann A. (2015), "A Categorical Generalization of Klumpenhouwer Networks", Proceedings of the Conference MCM 2015, Queen Mary University, London, June 22-25, 2015. Lecture Notes in Computer Science / LNAI, Springer, p. 303-314 [[http://repmus.ircam.fr/_media/moreno/Popoff_et_alii_MCM_2015.pdf|pdf]] 
-    * [9] A. Popoff, "Towards A Categorical Approach of Transformational Music Theory", ([[https://arxiv.org/abs/1204.3216|unpublished manuscript]]) +    * [16Andreatta M., Baroin G. (2016), "Formal and Computational Models in Popular Music", ZKapoula (eds.), //AEsthetics & Neurosciences: Scientific and Artistic Perspectives//, Springer, p. 257-269 ([[http://repmus.ircam.fr/_media/moreno/Andreatta-Baroin_Springer_2016.pdf|pdf]]) 
-    * [10TFioreTNoll (2011), "Commuting Groups and the Topos of Triads", in C. Agon et al. (eds), //Proceedings of the Third international conference on Mathematics and computation in music// (Paris, 15-17 June 2011), Springer LNCS/LNAI, p. 69-83 ([[https://pdfs.semanticscholar.org/7fab/427b5a53c2b3e5cda7983651b34b83e37263.pdf|draft version]])  +    * [17Bergomi M., Fabbri F., Andreatta M. (2016), "Hey Maths ! Modèles formels et computationnels au service des Beatles", //Volume ! La revue des musiques populaires// (Grégoire Tosser and Olivier Julien editors), vol12, n° 2, p. 161-179 ([[http://repmus.ircam.fr/_media/moreno/Hey_Maths_Andreatta_web.pdf|Slides]] of the invited presentation by Moreno Andreatta at the Beatles Day, Evry, 6 November 2014
-    * [11TFioreTNoll, "Voicing Transformations and a Linear Representation of Uniform Triadic Transformations" (submitted. [[https://arxiv.org/abs/1603.09636|Arxiv version]])  +    * [18] Relaño P. (2017), //Morphologie mathématique, FCA et musicologie computationnelle//, Master 2 maths-info, ENS-Lyon / LTCI/Télécom ParisTech / LAMSADE, Université Paris Dauphine / IRCAM-CNRS-UPMC), March-July 2017 - {{Rapport_Stage_Pierre_Mascarade_ENS_M2_IF.pdf|Dissertation}} and master thesis {{Presentation_Stage_Pierre_Mascarade_ENS_M2_IF.pdf|presentation}}  
-    * [12Pierre M. Relaño, //Morphologie mathématique, FCA et musicologie computationnelle//, Master 2 maths-info, ENS-Lyon / LTCI/Télécom ParisTech / LAMSADE, Université Paris Dauphine / IRCAM-CNRS-UPMC), March-July 2017 - {{Rapport_Stage_Pierre_Mascarade_ENS_M2_IF.pdf|Dissertation}} and master thesis {{Presentation_Stage_Pierre_Mascarade_ENS_M2_IF.pdf|presentation}}  +    * [19Popoff A., Agon C., Andreatta M., Ehresmann A. (2017), "From K-Nets to PK-Nets: A Categorical Approach", //Perspectives of New Music//, 54(2), p. 5-63 {{PK-Nets_PNM_draft_version.pdf|draft version}}). 
-    * [13Mandereau J., DGhisi, E. Amiot, M. AndreattaCAgon, (2011a), « Z-relation and homometry in musical distributions », //Journal of Mathematics and Music//, vol. 5, n° 2, p. 83-98. ([[http://recherche.ircam.fr/equipes/repmus/moreno/AndreattaJMM2011.pdf|pdf]]). +    * [20Agon C.Andreatta M., Atif J., Bloch I., Mascarade P. (2018), "Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology", in P. Chapman et al. (eds)Graph-Based Representation and ReasoningProceedings of the 23rd International Conference on Conceptual StructuresICCS 2018, p. 105-119 {{Agon_et_al_ICCS2018.pdf|pdf}}
-    * [14Mandereau JDGhisiEAmiotMAndreattaCAgon (2011b), « Discrete phase retrieval in musical structures »//Journal of Mathematics and Music//vol. 5n° 2, p. 99-116 ([[http://articles.ircam.fr/textes/Mandereau11b/index.pdf|pdf]])+    * [21AndreattaM. (2018), "From music to mathematics and backwards: introducing algebratopology and category theory into computational musicology"In Michele Emmer and Marco Abate (eds.), Imagine Math 6 - Mathematics and Culture, XXth Anniversary, Springer, 2018, pp77-88
-    * [15LachausséeG. (2010Théorie des ensembles homométriquesStage de troisième année de l'Ecole PolytechniqueMaster 1 de Mathématiques. ([[http://recherche.ircam.fr/equipes/repmus/moreno/MasterLachaussee.pdf|pdf]]) +    * [22Besada L. (2018), "Sharing and Enacting Cognitive Metaphors in Musical Distributed Contexts: A Case Study from IRCAM"to appear in the Proceedings of the 15th International Conference on Music Perception and Cognition (ICMPC) and 10th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), MontrealSydneyLa Plata, and Graz, July 23–28 2018  
-    * [16Andreatta, M. (2015), « Tiling Canons as a key to approach open Mathematical Conjectures ? », in E. Chew et al. (eds.), //Mathemusical Conversations//Wileyp. 86-104. +    * [23APopoff"Towards A Categorical Approach of Transformational Music Theory"([[https://arxiv.org/abs/1204.3216|unpublished manuscript]] 
-    * [17Andreatta M(2012)« MathématiquesMusique et Philosophie dans la tradition américaine la filiation Babbitt/Lewin », in Andreatta M., F. Nicolas, Ch. Alunni dir(2012), //A la lumière des mathématiques et à l'ombre de la philosophieDix ans de séminaire mamuphi//Collection « Musique/Sciences », Ircam-Delatour France, Sampzon, p. 51-74. [[http://recherche.ircam.fr/equipes/repmus/moreno/09AndreattaRdS2009.pdf|Draft]]. +    * [24] Fiore T.TNoll"Voicing Transformations and a Linear Representation of Uniform Triadic Transformations" (submitted. [[https://arxiv.org/abs/1603.09636|Arxiv version]] 
-    * [18Acotto E., M. Andreatta (2012), « Between Mind and Mathematics. Different Kinds of Computational Representations of Music », //Mathematics and Social Sciences// (50e année, n° 199, 2012(3), p. 9-26. Special Issue devoted to the Conference of the EMPG 2011 (European Mathematical Psychology Group, Telecom ParisTech, 29-31 août 2011). {{:moreno:mss-2012-draft.pdf|draft}}  +    * [25Popoff A., M. Andreatta, A. Ehresmann (2018), "Relational PK-Nets for Transformational Music Analysis", //Journal of Mathematics and Music//, vol. 12, n° 1, p. 35-55 {{Popoff_et_al_Vol12Nr1.pdf|pdf}}
-    * [19] Andreatta, M., A. Ehresmann, R. GuitartG. Mazzola(2013)« Towards a categorical theory of creativity »//Proceedings of the Conference MCM 2013//, McGill University, Montreal, June 12-14, 2013. Lecture Notes in Computer Science / LNAI, Springer, p. 19-37 ([[http://repmus.ircam.fr/_media/moreno/Andreatta_Creativity_MCM2013.pdf|pdf]]+  
-    * [20] Andreatta M. (2015), « Autour de la Set Theory et de l’analyse de la musique atonale : démarche structurale et approche phénoménologique à partir des écrits de Célestin Deliège », dans //Modernité musicale au XXe siècle et musicologie critique. Hommage à Célestin Deliège// (sous la direction de Valérie Dufour et Robert Wangermée), collection de l’Académie, Bruxelles, p. 93-110. ([[http://repmus.ircam.fr/_media/moreno/Andreatta_Deliege_2015_Draft.pdf|Draft]]) + 
-    * [21] Besada L. (2018), « Sharing and Enacting Cognitive Metaphors in Musical Distributed Contexts: A Case Study from IRCAM »to appear in the Proceedings of the 15th International Conference on Music Perception and Cognition (ICMPC) and 10th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM)MontrealSydneyLa Plataand GrazJuly 23–28 2018  + 
 +**Some useful conference presentations:** 
 + 
 +    * Moreno  Andreatta, Andréee Ehresmann, Alexandre Popoff"Analyse musicale transformationnelle et théorie des catégories"mamuphi SeminarENS Paris7 February 2015 ([[http://repmus.ircam.fr/_media/moreno/K-nets_MamuphiAEAPMA_web.pdf|pdf]] and  [[https://www.youtube.com/watch?v=ufiAYnl4hik|video]]) 
 +    * Moreno  Andreatta, Andréee Ehresmann, Alexandre Popoff, "Théories des catégories en Analyse Musicale", SIC (Séminaire Itinérant des catégories), Lille23 March 2016 ({{SIC-Lille-Maths-Musique-mars2016_web.pdf|pdf}}) 
 +    * Andréee Ehresmann and Alexandre Popoff"Andrée Ehresmann et Alexandre Popoff: "Approche Catégorielle en Analyse musicale"IRMA/USIAS Mathemusical SeminarIRMAStrasbourg, 23 February 2018 ({{Presentation_2018_02_22_Final.pdf|pdf}})  
 + 
  
 \\ \\
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     * [[https://alpof.wordpress.com/about/|Alexandre Popoff]], mathematical music theorist  (26 July 2017)     * [[https://alpof.wordpress.com/about/|Alexandre Popoff]], mathematical music theorist  (26 July 2017)
     * [[https://webusers.imj-prg.fr/~davide.stefani/|Davide Stefani]], PhD student working on infinite categories and persistent homology, UPMC (2017-2018)     * [[https://webusers.imj-prg.fr/~davide.stefani/|Davide Stefani]], PhD student working on infinite categories and persistent homology, UPMC (2017-2018)
 +    * [[https://lmrs.univ-rouen.fr/fr/persopage/paul-lanthier|Paul Lanthier]], PhD student working on cellular automata and music, university of Rouan-Normandie (27 August - 8 September)
  
  
 \\ \\
-**Future events:** +**Future events:**    
- +    * Next season (2018-2019) of the [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Research Seminar]]  (IRMA, salle des conférences). The schedule of the seminar is in progress. 
-    * International Conference "Chanter les poètes - Poésique 18", Université de Grenoble Alpes, 16-18 October 2018 (org. Caroline Bertonèche and Anne Cayuela) - {{Programme_Chanter_les_poetes.pdf|Flyer with the schedule}}   +    * Next season (2018-2019) of the [[http://www.entretemps.asso.fr/2018-2019/index.html|mamuphi]] (mathematics, music & philosophy) seminar at IRCAM (with a special session on "Mathematics, Philosophy and Popular Music", January 12, 2019) 
-    *"Sharing and Enacting Cognitive Metaphors in Musical Distributed Contexts: A Case Study from IRCAM", paper delivered by Luis Besada at the 2018 ICMPC-ESCOM joint Conference, Montreal, Sydney, La Plata, and Graz, July 23–28 2018    +
-    *Next Season (2018-2019) of the [[http://repmus.ircam.fr/moreno/smir/seminars|IRMA/USIAS Mathemusical Research Seminar]]  (IRMA, salle des conférences). The schedule of the seminar is in progress.+
    
  
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 **Past events:** **Past events:**
  
-    * "Musical Descriptions based on Formal Concept Analysis and Mathematical Morphology", paper delivered by Carlos Agon, Moreno Andreatta, Jamal Atif, Isabelle Bloch, and Pierre Mascarade at the [[http://blogs.napier.ac.uk/iccs/|23rd International Conference on Conceptual Structures]], Edinburgh, June 20th-22nd 2018 ({{Talk_ICCS2018_web.pdf|slides}})+    * "Mathematics, Music and Cognition: A Popular Musical Perspective" (in collaboration with Laurent Mandeix), [[https://eitnconf-221018.sciencesconf.org/|Fall School Art & Science]] (Transdisciplinarity - increasing scientific and artistic creativity), 22-27 Oct 2018 Paris {{Moreno-Laurent_GDR_ESARS_24-10-2018_web_small.pdf|slides}}  
 +    * International Conference "Chanter les poètes - Poésique 18", Université de Grenoble Alpes, 16-18 October 2018 (org. Caroline Bertonèche and Anne Cayuela) - {{Programme_Chanter_les_poetes.pdf|Flyer with the schedule}} - {{Andreatta_Grenoble_Oct2018_web_small.pdf|slides}} 
 +    * "The interplay between algebra and geometry in computational musicology", Master ATIAM, "Computational Musicology" Teaching Unit, 2018-2019 ({{FpA_18-19_Andreatta_1_web.pdf|part I}} and {{FpA_18-19_Andreatta_2_web.pdf|part II}}) - ({{Circular_representation_Tonnetz_Cube-Dance_ATIAM.pdf|Handout}}) - {{ExamFpaMusicologieAnalyse_2018-2019.pdf|Examination}} - {{ExamFpaMusicologieAnalyse_2018-2019_Solutions.pdf|Solutions}} 
 +    * "Mathematical Music Theory: an overview and some pedagogical experiences", poster presented by Sonia Cannas at the [[https://sites.google.com/site/ewmgm18/mini-symposia|European Women in Mathematics Symposium]], Karl-Franzens-Universität Graz, Austria, 3-7 September 2018 ({{Poster_EWM_2018_Cannas.pdf|pdf}}). **Best poster award**. 
 +    * "Sharing and Enacting Cognitive Metaphors in Musical Distributed Contexts: A Case Study from IRCAM", paper delivered by Luis Besada at the 2018 ICMPC-ESCOM joint Conference, Montreal, Sydney, La Plata, and Graz, July 23–28 2018  
 +    * "[[http://repmus.ircam.fr/_media/moreno/Agon_et_al_ICCS2018.pdf|Musical Descriptions based on Formal Concept Analysis and Mathematical Morphology]]", paper delivered by Carlos Agon, Moreno Andreatta, Jamal Atif, Isabelle Bloch, and Pierre Mascarade at the [[http://blogs.napier.ac.uk/iccs/|23rd International Conference on Conceptual Structures]], Edinburgh, June 20th-22nd 2018 ({{Talk_ICCS2018_web.pdf|slides}})
     * "Diagrammatic approaches in computational musicology: some theoretical and philosophical aspects", paper delivered by Moreno Andreatta, Carlos Agon, Alexandre Popoff and Andrée Ehresmann at the [[http://www.diagrams-conference.org/2018/|10th International Conference on the Theory and Application of Diagrams]], Edinburgh, June 18th-22nd 2018 ({{Talk_Diagrams2018_web.pdf|slides}})     * "Diagrammatic approaches in computational musicology: some theoretical and philosophical aspects", paper delivered by Moreno Andreatta, Carlos Agon, Alexandre Popoff and Andrée Ehresmann at the [[http://www.diagrams-conference.org/2018/|10th International Conference on the Theory and Application of Diagrams]], Edinburgh, June 18th-22nd 2018 ({{Talk_Diagrams2018_web.pdf|slides}})
     * "[[http://irma.math.unistra.fr/article286.html|Graph-theoretical and algebraic strategies for representing musical structures: an overview and some pedagogical approaches]]", a Doctoral Seminar by Sonia Cannas, IRMA (salle des séminaires), 7 June 2018 at 4pm     * "[[http://irma.math.unistra.fr/article286.html|Graph-theoretical and algebraic strategies for representing musical structures: an overview and some pedagogical approaches]]", a Doctoral Seminar by Sonia Cannas, IRMA (salle des séminaires), 7 June 2018 at 4pm
 


moreno/smir.1532681451.txt.gz · Dernière modification: 2018/07/27 10:50 par Moreno Andreatta