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bresson [2019/07/13 13:53] Jean Bresson [Projects ] |
bresson [2020/01/12 01:36] (Version actuelle) Jean Bresson |
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| + | => //**My up-to-date information is now [[https://j-bresson.github.io/|here]] !**// | ||
| {{ :bresson:jb3.jpg?110}} | {{ :bresson:jb3.jpg?110}} | ||
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| ~~NOTOC~~ | ~~NOTOC~~ | ||
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| **Jean Bresson**\\ | **Jean Bresson**\\ | ||
| - | Chargé de recherche et développement HDR \\ | + | Directeur de Recherche IRCAM | //IRCAM Senior Researcher// \\ |
| /* Institut de Recherche et Coordination Acoustique / Musique, Paris\\ */ | /* Institut de Recherche et Coordination Acoustique / Musique, Paris\\ */ | ||
| UMR Science et Technologies de la Musique et du Son (STMS)\\ | UMR Science et Technologies de la Musique et du Son (STMS)\\ | ||
| - | IRCAM – CNRS – Sorbonne Université | + | IRCAM – CNRS – Sorbonne Université\\ |
| - | ;;# | + | |
| \\ | \\ | ||
| - | ====== ====== | + | [[https://www.stms-lab.fr/person/jean-bresson/|STMS-Lab]] | |
| + | [[https://cv.archives-ouvertes.fr/jean-bresson|HAL]] | | ||
| + | [[https://github.com/j-bresson|GitHub]] | | ||
| + | [[https://scholar.google.fr/citations?hl=fr&user=e7hfV1AAAAAJ|Google Scholar]] | | ||
| + | [[https://www.linkedin.com/in/jean-bresson/|LinkedIn]] | | ||
| + | [[http://ircam.academia.edu/JeanBresson/|Academia.edu]] | ||
| - | ------ | + | ;;# |
| - | === === | ||
| - | \\ | ||
| - | **Mémoire d'Habilitation à Diriger des Recherches / //Habilitation Thesis// (2017)**:\\ | ||
| - | Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale\\ | ||
| - | //Computer-assisted composition: visual programming techniques and tools for musical creation//.\\ | ||
| - | **[[https://hal.archives-ouvertes.fr/tel-01525998/|Thesis [in French]]]** | [[.:bresson:hdr|Support materials]]. | ||
| - | \\ | ||
| - | \\ | ||
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| - | ====== ====== | ||
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| === Projects === | === Projects === | ||
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| * **[[http://inedit.ircam.fr|INEDIT]]**: INteractivité dans l’Écriture De l’Interaction et du Temps (//Interactivity in the Writing of Time and Interaction//).\\ French National Research Agency (ANR), 2012--2015. | * **[[http://inedit.ircam.fr|INEDIT]]**: INteractivité dans l’Écriture De l’Interaction et du Temps (//Interactivity in the Writing of Time and Interaction//).\\ French National Research Agency (ANR), 2012--2015. | ||
| + | \\ | ||
| ====== ====== | ====== ====== | ||
| ------ | ------ | ||
| === Software === | === Software === | ||
| - | {{ :sdifedit:sdifedit.jpg?200|SDIF-Edit}} | + | {{ :sdifedit:sdifedit.jpg?240|SDIF-Edit}} |
| - | + | ||
| - | => https://github.com/j-bresson | + | |
| - | * **[[OpenMusic:|OpenMusic (OM)]]**: Visual programming language for music composition | + | * **[[https://cac-t-u-s.github.io/om-sharp|CACtus / oM#]]**: A new computer-assisted composition environment derived from OpenMusic |
| - | * **[[https://openmusic-project.github.io/om7/|OM7]]**: A new implementation of OpenMusic | + | * **[[https://openmusic-project.github.io/|OpenMusic (OM)]]**: Visual programming language for music composition |
| * **[[https://github.com/ramagottfried/symbolist|symbolist]]**: Vector graphics notation editor (with Rama Gottfried) | * **[[https://github.com/ramagottfried/symbolist|symbolist]]**: Vector graphics notation editor (with Rama Gottfried) | ||
| + | * **[[https://github.com/openmusic-project/OM-Chant/wiki|OM-Chant]]**: Control of continuous sound synthesis processes using Chant and OpenMusic | ||
| * **[[ml2|Musique Lab 2]]**: Music education software based on OpenMusic | * **[[ml2|Musique Lab 2]]**: Music education software based on OpenMusic | ||
| * **[[https://github.com/j-bresson/SDIF-Edit|SDIF-Edit]]**: Visualisation of SDIF sound description data | * **[[https://github.com/j-bresson/SDIF-Edit|SDIF-Edit]]**: Visualisation of SDIF sound description data | ||
| - | * **[[.:bresson:projects:spatialisation|Spatialisation Tools]]**: For streaming and visualization of source trajectories | + | * **[[https://github.com/j-bresson/Spat-SDIF-Player|Spatialisation Tools]]**: For streaming and visualization of source trajectories |
| + | \\ | ||
| ====== ====== | ====== ====== | ||
| ------ | ------ | ||
| === Publications === | === Publications === | ||
| - | * **[[.:bresson:publications:list|List of publications]]** | + | * **[[.:bresson:publications|List of publications]]** |
| + | |||
| + | \\ | ||
| + | **Mémoire d'Habilitation à Diriger des Recherches / //Habilitation Thesis// (2017)**:\\ | ||
| + | Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale\\ | ||
| + | //Computer-assisted composition: visual programming techniques and tools for musical creation//.\\ | ||
| + | **[[https://hal.archives-ouvertes.fr/tel-01525998/|Thesis [in French]]]** | [[.:bresson:hdr|Support materials]]. | ||
| + | \\ | ||
| + | \\ | ||
| * **[[openmusic:ombook|The OM Composer's Books]]**, a series 3 books about OpenMusic and it's use by composers. => [[http://www.editions-delatour.com/fr/sciences-de-la-musique/3298-the-om-composer-s-book-3-9782752102836.html|Vol. 3]] (2016). | * **[[openmusic:ombook|The OM Composer's Books]]**, a series 3 books about OpenMusic and it's use by composers. => [[http://www.editions-delatour.com/fr/sciences-de-la-musique/3298-the-om-composer-s-book-3-9782752102836.html|Vol. 3]] (2016). | ||
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| * Special issue of [[https://tsi.revuesonline.com/resnum.jsp?editionId=1887&Submit2.x=18&Submit2.y=11|Technique et Science Informatique (TSI)]] (33-7/8): **Informatique Musicale**, co-edited with Dominique Fober, 2014. | * Special issue of [[https://tsi.revuesonline.com/resnum.jsp?editionId=1887&Submit2.x=18&Submit2.y=11|Technique et Science Informatique (TSI)]] (33-7/8): **Informatique Musicale**, co-edited with Dominique Fober, 2014. | ||
| + | \\ | ||
| ====== ====== | ====== ====== | ||
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| * **[[http://www.afim-asso.org|AFIM]]** (Association Française d'Infprmatique Musicale / //French Computer Music Association//)\\ //Member of the administrative board.// | * **[[http://www.afim-asso.org|AFIM]]** (Association Française d'Infprmatique Musicale / //French Computer Music Association//)\\ //Member of the administrative board.// | ||
| + | \\ | ||
| ====== ====== | ====== ====== | ||
| ------ | ------ | ||
| - | === Events and other recent activities === | + | === Recent Events === |
| + | |||
| + | {{ :efficace:events:cnmat-rama.jpg?direct&240|}} | ||
| - | * **[[.:bresson:hfmk|Programming / Computer-Aided Composition courses at the Hochschule für Musik Karlsruhe**. 2018-2019. | + | * **[[.:bresson:hfmk:|Programming / Computer-Aided Composition courses at the Hochschule für Musik Karlsruhe]]**. 2018-2019. |
| - | * ** Workshop @SMC'18: [[http://repmus.ircam.fr/paco/workshop-smc|Music Composition & Creative Interaction with Machine Learning]]**. [[http://smc2018.cut.ac.cy/|15th Sound and Music Computing conference]], July 4-7 2018, Limassol, Cyprus. | + | * **[[http://repmus.ircam.fr/paco/workshop-smc|Music Composition & Creative Interaction with Machine Learning]]**.\\ Invited workshop, [[http://smc2018.cut.ac.cy/|15th Sound and Music Computing conference]], Limassol, Cyprus, 06/07/2018. |
| - | * **[[http://tenor2018.tenor-conference.org/|TENOR'18]]**: 4th International Conference on Technologies for Music Notation and Representation. Montréal, Canada -- May 22-27, 2018. //[Program Chair]// | + | * **[[http://tenor2018.tenor-conference.org/|TENOR'18]]**: 4th International Conference on Technologies for Music Notation and Representation.\\ Montréal, Canada -- 22-27/05/2018. //[Program Chair]// |
| - | * Séminaire **[[http://www.iremus.cnrs.fr/fr/programme-de-recherche/seminaire-epistemologie-de-la-musicologie-numerique-le-statut-des-approches|Épistémologie de la musicologie numérique]]**. IReMus, Paris -- 13/04/2018. | + | * **[[http://repmus.ircam.fr/musical/|Models of time in computer music]]**. University of Bordeaux, 30/03/2018.\\ Workshop "MusICAL" (RNSC network: Interaction Calculus Algorithmics and Languages applied to Music). |
| - | * Workshop [[http://repmus.ircam.fr/musical/|MusICAL]] (RNSC network: Interaction Calculus Algorithmics and Languages applied to Music). **Models of time in computer music**. University of Bordeaux, 30/03/2018. | + | * **[[http://functional-art.org/2017/|FARM'17]]**: ACM SIGPLAN Workshop on Functional Art, Music, Modeling and Design.\\ Co-located with ICFP 2017 in Oxford, UK, 9/9/2017. //[Program Chair]// |
| - | * **[[http://functional-art.org/2017/|FARM'17]]**: ACM SIGPLAN Workshop on Functional Art, Music, Modeling and Design. Co-located with ICFP 2017 in Oxford, UK, 9/9/2017. //[Program Chair]// | + | * **[[http://repmus.ircam.fr/bresson/cnmat/spat-workshop-2016|Spatialization Workshop]]** -- CNMAT / UC Berkeley, 2016. |
| * **[[http://repmus.ircam.fr/efficace/events/workshop-berkeley|Human-Computer Inetraction in Music]]** -- Berkeley 2016. | * **[[http://repmus.ircam.fr/efficace/events/workshop-berkeley|Human-Computer Inetraction in Music]]** -- Berkeley 2016. | ||
| * **[[http://repmus.ircam.fr/efficace/events/workshop-cirmmt|Interactivity in Music Composition and Performance]]** -- Montreal 2015. | * **[[http://repmus.ircam.fr/efficace/events/workshop-cirmmt|Interactivity in Music Composition and Performance]]** -- Montreal 2015. | ||
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| - | [[.:bresson:private:projects:| [private pages] ]] | + | [[.:bresson:private:| [private pages] ]] |
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