• PACO: Processus d'Apprentissage en Composition assistée par Ordinateur (Machine Learning Processes in Computer-Assisted Composition).
  Coordinator and lead researcher. CNRS PEPS I3A (Intelligence Artificielle et Apprentissage Automatique), 2018-2019.
• Fulbright scholarship. UC Berkeley / Center for New Music and Audio Technologies.
  Research, teachning and activities at CNMAT, 2016.
• EFFICAC(e): Extended Frameworks for "In-time" Computer-Aided Composition.
  Coordinator and lead researcher. French National Research Agency (ANR), Programme JCJC 2013–2017.
• DYCI2: Creative Dynamics of Improvised Interaction.
  French National Research Agency (ANR), 2015–2018.
• INEDIT: INteractivité dans l’Écriture De l’Interaction et du Temps (Interactivity in the Writing of Time and Interaction).
  French National Research Agency (ANR), 2012–2015.

• CACtus / oM#: A new computer-assisted composition environment derived from OpenMusic
• OpenMusic (OM): Visual programming language for music composition
• symbolist: Vector graphics notation editor (with Rama Gottfried)
• OM-Chant: Control of continuous sound synthesis processes using Chant and OpenMusic
• Musique Lab 2: Music education software based on OpenMusic
• SDIF-Edit: Visualisation of SDIF sound description data
• Spatialisation Tools: For streaming and visualization of source trajectories

• List of publications

Mémoire d'Habilitation à Diriger des Recherches / Habilitation Thesis (2017):
Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale
Computer-assisted composition: visual programming techniques and tools for musical creation.
Thesis [in French] | Support materials.

• The OM Composer's Books, a series 3 books about OpenMusic and it's use by composers. ⇒ Vol. 3 (2016).
• Special issue of Journal of New Music Research (46-1): Interactive Composition, co-edited with Joel Chadabe, 2017.
• Special issue of Technique et Science Informatique (TSI) (33-7/8): Informatique Musicale, co-edited with Dominique Fober, 2014.

• TENOR: International Conference on Technologies for Music Notation and Representation.
  Co-founder (2015) and General Chair of the steering committee.
• FARM: ACM SIGPLAN Workshop on Functional Art, Music, Modeling and Design.
  Member of the steering committee.
• MusICAL: Interaction Calcul Algorithmique et Langages appliqués à la Musique.
  Coordinator of the thematic network of RNSC, the French National Network on Complex Systems, 2015.
• MaMuX: Mathématiques, Musique et relation aux autres disciplines.
  Coordinator of the seminar and of the network of RNSC, the French National Network on Complex Systems, 2011–2014.
• Nouveaux espaces de la notation / New spaces of music notation.
  A work group of AFIM, the French Computer Music Association. Co-founder and coordinator, 2013–2015.
• Work-group IRCAM • Music Notation. Coordinator, 2018.
• AFIM (Association Française d'Infprmatique Musicale / French Computer Music Association)
  Member of the administrative board.

• Programming / Computer-Aided Composition courses at the Hochschule für Musik Karlsruhe. 2018-2019.
• Music Composition & Creative Interaction with Machine Learning.
  Invited workshop, 15th Sound and Music Computing conference, Limassol, Cyprus, 06/07/2018.
• TENOR'18: 4th International Conference on Technologies for Music Notation and Representation.
  Montréal, Canada – 22-27/05/2018. [Program Chair]
• Models of time in computer music. University of Bordeaux, 30/03/2018.
  Workshop "MusICAL" (RNSC network: Interaction Calculus Algorithmics and Languages applied to Music).
• FARM'17: ACM SIGPLAN Workshop on Functional Art, Music, Modeling and Design.
  Co-located with ICFP 2017 in Oxford, UK, 9/9/2017. [Program Chair]
• Spatialization Workshop – CNMAT / UC Berkeley, 2016.
• Human-Computer Inetraction in Music – Berkeley 2016.
• Interactivity in Music Composition and Performance – Montreal 2015.