Différences
Cette page vous donne les différences entre la révision choisie et la version actuelle de la page.
impro [2015/11/05 08:34] Jérôme Nika |
impro [2023/09/16 02:56] (Version actuelle) Gérard Assayag |
||
---|---|---|---|
Ligne 1: | Ligne 1: | ||
- | ====== Improvisation ====== | + | ====== Modeling co-creativity : Interaction, Improvisation, Instruments ====== |
- | == Current research projects == | + | == Research projects == |
- | **[[http://repmus.ircam.fr/dyci2/home|DYCI2 (Dynamics of Creative Improvised Interaction)]]** | ||
- | [[http://repmus.ircam.fr/nika/improtek|ImproteK]] | + | 2021 - 2025 [[:reach:|ERC REACH]] (Raising co-creativity in cyber-human Musicianship) |
+ | 2020 - 2022 [[:merci:|MERCI]] (Mixed Musical Reality with Creative Instruments) | ||
- | == RepMus Improvisation Softwares == | + | 2015 - 2018 [[http://repmus.ircam.fr/dyci2/home|ANR DYCI2]] (Dynamics of Creative Improvised Interaction) |
- | [[:omax:|OMax]] | + | 2010-2013 [[http://ehess.modelisationsavoirs.fr/improtech/ |ANR ImproTech ]] |
- | [[http://recherche.ircam.fr/equipes/repmus/WoMax/|WoMax]] | ||
- | == RepMus Improvisation Collaborative Projects == | + | == Improvisation Softwares == |
- | [[http://ehess.modelisationsavoirs.fr/improtech/ | ImproTech (ANR 2010-2013) ]] | + | [[:somax2:|SoMax]] co-creative agents based on fast cognitive listening / matching / reacting paradigm |
+ | [[https://github.com/DYCI2/Dyci2Lib/releases|DICY2]] agents for improvised or composed interaction with micro-scenarios | ||
+ | |||
+ | [[:omax:|OMax]] the mother of repmus impro software (and its companions) : free improvisation and stylistic reinjection | ||
+ | |||
+ | |||
+ | == Readings and Multimedia== | ||
+ | |||
+ | * G. Assayag [[https://www.ircam.fr/article/detail/the-human-machine-co-creativity-will-change-radically-our-musical-experience/|on co-creativity]], [[https://moocdigital.paris/cours/recherche-musicale-intelligence-digitale/recherche-musicale-intelligence-digitale|Music Research MOOC]] | ||
+ | * J. Nika [[https://jeromenika.com| research and creations]] | ||
+ | * M. Chemillier, the seminar [[http://ehess.modelisationsavoirs.fr/index.html|Modélisation des savoirs musicaux relevant de l'oralité]] | ||
+ | * [[http://repmus.ircam.fr/omax/examples|Videos cyber-human impro]] | ||
+ | * [[http://ikparisathina.ircam.fr|Workshop-Festival Improtech]] | ||
+ | * [[http://repmus.ircam.fr/impro|Other RepMus Projects on improvised interaction]] | ||
+ | |||
+ | == Archive - Legacy == | ||
[[http://recherche.ircam.fr/equipes/repmus/lubat/| Médiation scientifique sur Internet (2004-2005)]] | [[http://recherche.ircam.fr/equipes/repmus/lubat/| Médiation scientifique sur Internet (2004-2005)]] | ||
+ | |||
+ | [[https://github.com/DYCI2/om-dyci2/releases|OM-DYCI2]] framework for interactive generation of musical sequences combining generative agents and computer-assisted composition tools (openmusic) | ||
+ | |||
+ |