The OM Composer's Book .1
Table Of contents
- Preface
Miller Puckette
- Introduction
Carlos Agon
- Writing a Homage to Mersenne: Tombeau de Marin Mersenne for Theorbo and Synthesiser
Michel Amoric
- Electronics in Kaija Saariaho's Opera L'amour de loin
Marc Battier and Gilbert Nouno
- Vuza Canons into the Museum
Georges Bloch
- TimeSculpt in OpenMusic
Karim Haddad
- The Genesis of Mauro Lanza's Aschenblume and the Role of Computer-Aided Composition Software in the Formalisation of Musical Processes
Juan Camilo Hernández Sánchez
- Composing the Qualitative, on Encore Composition
Jean-Luc Hervé and Frédéric Voisin
- Navigation of Structured Material in Second Horizon for Piano and Orchestra
Johannes Kretz
- Generating Melodic, Harmonic and Rhythmic Processes in K…, an Opera by Philippe Manoury
Serge Lemouton
- When the Computer Enables Freedom from the Machine (On an Outline of the Work Hérédo-Ribotes)
Fabien Lévy
- Some Applications of OpenMusic in Connection with Modalys
Paola Livorsi
- Fractals and Writing, Six Fractal Contemplations
Mikhail Malt
- Algorithmic Strategies in A Collection of Caprices
Paul Nauert
- Sculpted Implosions: Some Algorithms in the Waterscape of Musique Concrète
Ketty Nez
- Strette
Hèctor Parra
- Klangspiegel
Luís Antunes Pena
- Kalejdoskop for Clarinet, Viola and Piano
Orjan Sandred
- Flexible Time Flow, Set Theory and Constraints
Killian Sprotte
- To Touch the Inner Sound, Before it Becomes Music; to Dream About Dreams, Before they Become Real
Elaine Thomazi-Freitas
- Appendix: OpenMusic