The OM Composer's Book .2
Table Of contents
- Preface
David Cope
- Introduction
Jean Bresson
- Some Considerations on Brian Ferneyhough's Musical Language Through His Use of CAC: Part I - Time and Rhythmic Structures
Mikhaïl Malt
- Livre Premier de Motets: The Concept of TimeBlocks in OpenMusic
Karim Haddad
- Creation of Polyphonic Sequences in the Form of Rhythmic and Melodic Canons
Eric Daubresse and Philippe Hurel
- Knitting and Weaving: Using OpenMusic to Generate Canonic Musical Material
Serge Lemouton and Asbjørn Schaathun
- Six Metal Fugue
Christopher Melen
- Starbog: the Garden Virtuoso and the Turing Machine
Simon Mawhinney
- CAC as Maieutics: OM-Virtuoso and Concerto
Elvio Cipollone
- Memex and Composer Duets: Computer-Aided Composition Using Style Mixing
Shlomo Dubnov and Gérard Assayag (with afterword by Richard Moore)
- Architecture as Virtual Music (Re-Actualizing Zonnestraal)
Christian Jaksjø
- The Model of the Model in VOI(REX)
Philippe Leroux
- Two Examples of a Free Transposition of Audio Processing Techniques into the Domain of Notes: "Dói-me o luar" and Ressonâncias - Memórias
António de Sousa Dias
- Locus: rien n'aura eu lieu que le lieu
Claudy Malherbe
- About TreeTorika: Rhetoric, CAAC and Mao
PerMagnus Lindborg
- Langage de l'ombre: An Example of Computer-Aided Composition
Grégoire Lorieux
- The Control of Microsound Synthesis - Transiciones de fase by Manuel Rocha Iturbide
Laurent Pottier
- The Use of OpenMusic for Sound Composition
Hans Tutschku
- Some Considerations on Brian Ferneyhough's Musical Language Through His Use of CAC: Part II - Spatialization As a Musical Parameter
Gilbert Nouno
- Maquette as Data Structure and Synthesis Agent in Metathesis
Tolga Tüzün
- Microtonal Composition
Alain Bancquart, Moreno Andreatta and Carlos Agon
- Appendix
- OpenMusic
- About the authors