@article{Acotto08a,
  author = {Acotto, Edoardo and Andreatta, Moreno},
  title = {Représentations mentales musicales et représentations mathématiques de la musique},
  journal = {InCognito, Cahiers Romans de Sciences Cognitives},
  year = {2010}
}

@article{Acotto12a,
  author = {Acotto, Edoardo and Andreatta, Moreno},
  title = {Between Mind and Mathematics. : Different Kinds of Computational Representations of Music},
  journal = {Mathematics and Social Sciences},
  year = {2012},
  volume = {199},
  pages = {9-26},
  url = {http://articles.ircam.fr/textes/Acotto12a/}
}

@techreport{AcoustiqueInstrument95a,
  author = {[collectif],},
  title = {Compte-rendu des travaux accomplis par l'équipe Acoustique instrumentale de l'I.R.C.A.M. [Document interne NON-PUBLIÉ]},
  year = {1995}
}

@techreport{AcoustiqueSalles95a,
  author = {[collectif],},
  title = {Projet Spatialisateur [Document interne NON PUBLIÉ] : Rapports internes 1991/1995},
  year = {1995}
}

@inproceedings{Adhitya11b,
  author = {Adhitya, Sara and Kuuskankare, Mika},
  title = {The Sonified Urban Masterplan (SUM) Tool: Sonification for Urban Planning and Design},
  booktitle = {The Proceedings of the 17th Annual Conference on Auditory Display},
  year = {2011}
}

@inproceedings{Adhitya11d,
  author = {Adhitya, Sara},
  title = {Audio-assisted Visualization – Sonification of Complex Urban Systems with the SUM tool},
  booktitle = {International Meeting on Visualization in Complex Environments},
  year = {2011}
}

@inproceedings{Adhitya12a,
  author = {Adhitya, Sara and Kuuskankare, Mika},
  title = {SUM: de la sonification d’image à la composition graphique assistée par ordinateur},
  booktitle = {JIM},
  year = {2012}
}

@inproceedings{Adhitya12b,
  author = {Adhitya, Sara and Kuuskankare, Mika},
  title = {SUM: From Image-Based Sonification to Computer-Aided Composition},
  booktitle = {International Symposium on Computer Music Modelling and Retrieval (CMMR)},
  year = {2012}
}

@inproceedings{Adhitya12c,
  author = {Adhitya, Sara and Kuuskankare, Mika},
  title = {Composing Graphic Scores and Sonifying Visual Music with the SUM Tool},
  booktitle = {Sound and Music Computing Conference (SMC)},
  year = {2012}
}

@phdthesis{Adhitya13a,
  author = {Adhitya, Sara},
  title = {Sonifying Urban Rhythms / La Sonification de Rythmes Urbains : Towards the spatio-temporal composition of the urban environment / Vers la composition spatio-temporelle de l'environnement urban},
  school = {EHESS / University IUAV of Venice},
  year = {2013}
}

@inproceedings{Adhitya13b,
  author = {Adhitya, Sara and Kuuskankare, Mika},
  title = {From Musical Score to Graphic Plan : The Development of SUM as a Design Tool},
  booktitle = {International Conference for Computer Music (ICMC)},
  year = {2013}
}

@inproceedings{Agon00a,
  author = {Agon, Carlos and Stroppa, Marco and Assayag, Gérard},
  title = {High Level Musical Control of Sound Synthesis in OpenMusic},
  booktitle = {ICMC: International Computer Music Conference},
  year = {2000}
}

@inproceedings{Agon02a,
  author = {Agon, Carlos and Assayag, Gérard},
  title = {Programmation Visuelle et Editeurs Musicaux pour la Composition Assistée par Ordinateur.},
  booktitle = {Interface Homme Machine},
  year = {2002}
}

@inproceedings{Agon02b,
  author = {Agon, Carlos and Haddad, Karim and Assayag, Gérard},
  title = {Representation and Rendering of Rhythmic Structures},
  booktitle = {WedelMusic 2002},
  year = {2002}
}

@incollection{Agon02c,
  author = {Agon, Carlos and Assayag, Gérard},
  title = {Object-Oriented Programming in OpenMusic},
  booktitle = {Topos of Music},
  publisher = {Birkhäuser Verlag Ed},
  year = {2002}
}

@article{Agon03a,
  author = {Agon, Carlos and Andreatta, Moreno and Assayag, Gérard and Schaub, Stephan},
  title = {Formal aspects of Iannis Xenakis' Symbolic Music: a computer-aided exploration of some compositional processes},
  journal = {Journal of New Music Research},
  year = {2003}
}

@incollection{Agon03b,
  author = {Agon, Carlos},
  title = {Mixing Visual Programs and Music Notation},
  booktitle = {Perspectives of Mathematical Music},
  publisher = {Theory. G. Mazzola and T. Noll Ed},
  year = {2003}
}

@incollection{Agon03c,
  author = {Agon, Carlos and Assayag, Gérard},
  title = {Outils informatiques pour la composition musicale assistée par ordinateur : un état de l’art.},
  booktitle = {Book of articles and essays of PRISMA group},
  publisher = {Euresis Edizioni},
  year = {2003}
}

@inproceedings{Agon03d,
  author = {Agon, Carlos and Assayag, Gérard},
  title = {OM :A Graphical extension of CLOS using the MOP},
  booktitle = {ILC},
  year = {2003}
}

@misc{Agon04a,
  author = {Agon, Carlos},
  title = {Langages de programmation pour la composition musicale},
  school = {Université Pierre et Marie Curie (Paris VI)},
  year = {2004},
  url = {http://articles.ircam.fr/textes/Agon04a/}
}

@article{Agon04b,
  author = {Agon, Carlos and Andreatta, Moreno and Assayag, Gérard and Schaub, Stephan},
  title = {Formal Aspects of Iannis Xenakis' "Symbolic Music": A Computer-Aided Exploration of Compositional Processes},
  journal = {Journal of New Music Research},
  year = {2004},
  volume = {33-2},
  pages = {145-159}
}

@book{Agon06a,
  author = {Agon, Carlos and Assayag, Gérard and Bresson, Jean},
  title = {The OM Composer's Book : Volume 1},
  publisher = {Editions Delatour France / Ircam-Centre Pompidou},
  year = {2006}
}

@inproceedings{Agon07a,
  author = {Agon, Carlos and Bresson, Jean},
  title = {Mixing Time Representations in a Programmable Score Editor},
  booktitle = {Sound and Music Computing Conference},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Agon07a/}
}

@inproceedings{Agon07b,
  author = {Agon, Carlos and Andreatta, Moreno},
  title = {On some musical applications of Ircam’s “Mathematical School for Musicians and other Non-Mathematicians”},
  booktitle = {Mathematics and Computation in Music},
  year = {2007},
  pages = {31-36},
  url = {http://articles.ircam.fr/textes/Agon07b/}
}

@inproceedings{Agon07c,
  author = {Agon, Carlos and Andreatta, Moreno},
  title = {On some musical applications of Ircam’s “Mathematical School for Musicians and other Non-Mathematicians”},
  booktitle = {Proceedings of the First International Conference of the Society for Mathematics and Computation in Music},
  year = {2007},
  pages = {31-36}
}

@inproceedings{Agon08a,
  author = {Agon, Carlos and Bresson, Jean and Assayag, Gérard},
  title = {OpenMusic: Design and Implementation Aspects of a Visual Programming Language},
  booktitle = {1st European Lisp Symposium - ELS'08},
  year = {2008}
}

@article{Agon11a,
  author = {Agon, Carlos and Bresson, Jean and Stroppa, Marco},
  title = {OMChroma: Compositional Control of Sound Synthesis},
  journal = {Computer Music Journal},
  year = {2011},
  volume = {35-2},
  pages = {67-83}
}

@article{Agon11b,
  author = {Agon, Carlos and Andreatta, Moreno},
  title = {Modelling and Implementing Tiling Rhythmic Canons in OpenMusic Visual Programming Language},
  journal = {Perspectives of New Music},
  year = {2011},
  volume = {1-2-49},
  url = {http://articles.ircam.fr/textes/Agon11b/}
}

@book{Agon11c,
  author = {Agon, Carlos and Amiot, Emmanuel and Andreatta, Moreno and Assayag, Gérard and Bresson, Jean and Mandereau, John},
  title = {Mathematics and Computation in Music : Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings.},
  publisher = {Springer},
  year = {2011}
}

@inproceedings{Agon94a,
  author = {Agon, Carlos and Assayag, Gérard and Fineberg, Joshua and Rueda, Camilo},
  title = {KANT : A Critique of Pure Quantification},
  booktitle = {ICMC: International Computer Music Conference},
  year = {1994},
  pages = {52-59},
  url = {http://articles.ircam.fr/textes/Agon94a/}
}

@misc{Agon94b,
  author = {Agon, Carlos},
  title = {KANT : Une critique de la quantification pure},
  school = {Université Paris XI},
  year = {1994}
}

@inproceedings{Agon98a,
  author = {Agon, Carlos and Assayag, Gérard and Delerue, Olivier and Rueda, Camilo},
  title = {Objects, Time and Constraints in OpenMusic},
  booktitle = {ICMC: International Computer Music Conference},
  year = {1998}
}

@article{Agon99a,
  author = {Agon, Carlos and Assayag, Gérard and Laurson, Mikael and Rueda, Camilo},
  title = {Computer Assisted Composition at Ircam : PatchWork & OpenMusic},
  journal = {Computer Music Journal},
  year = {1999},
  volume = {23-5},
  pages = {59-72}
}

@techreport{Agostini11a,
  author = {Agostini, Andrea},
  title = {A system for Advanced Additive Synthesis in Max/MSP},
  school = {Médiation Recherche/Création},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Agostini11a/}
}

@article{Agostini13a,
  author = {Agostini, Andrea and Ghisi, Daniele},
  title = {Real-time Computer-Aided Composition with BACH},
  journal = {Contemporary Music Review},
  year = {2013},
  volume = {32-1},
  pages = {41-48},
  url = {http://articles.ircam.fr/textes/Agostini13a/}
}

@misc{AHN06b,
  author = {Ahn, Yun-Kang},
  title = {Aspects théoriques et computationnels de l'analyse transformationnelle : [Rapport de stage ATIAM]},
  school = {Paris 6 / IRCAM},
  year = {2006},
  url = {http://articles.ircam.fr/textes/AHN06b/}
}

@inproceedings{AHN07a,
  author = {Ahn, Yun-Kang and Agon, Carlos and Andreatta, Moreno},
  title = {"Structures Ia pour deux pianos" by Boulez : towards creative analysis using OpenMusic and Rubato},
  booktitle = {Mathematics and Computation in Music},
  year = {2007},
  pages = {234-238},
  url = {http://articles.ircam.fr/textes/AHN07a/}
}

@phdthesis{Ahn09a,
  author = {Ahn, Yun-Kang},
  title = {L'analyse musicale computationnelle : Rapport avec la composition, la segmentation et la représentation à l'aide de graphes},
  school = {Université Pierre et Marie Curie Paris 6 / EDITE},
  year = {2009},
  url = {http://articles.ircam.fr/textes/Ahn09a/}
}

@inproceedings{Alexander13a,
  author = {Alexander, Sigman and Nicolas, Misdariis and Matthias, Megyeri},
  title = {alarm/will/sound: A Multidisciplinary Research/Installation Project},
  booktitle = {KEAMSAC},
  year = {2013},
  url = {http://articles.ircam.fr/textes/Alexander13a/}
}

@book{All11a,
  author = {All, authors},
  title = {Proceedings of the 14th Internation Conference on Digital Audio Effects : DAFx-11},
  publisher = {Geoffroy Peeters},
  year = {2011}
}

@article{Allombert05a,
  author = {Allombert, Antoine and Desainte-Catherine, Myriam},
  title = {Interactive scores: A model for specifying temporal relations between interactive and static events},
  journal = {Journal of New Music Research},
  year = {2005},
  volume = {34-4},
  pages = {361-374}
}

@inproceedings{Allombert06a,
  author = {Allombert, Antoine and Assayag, Gérard and Desainte-Catherine, Myriam and Rueda, Camilo},
  title = {CONCURRENT CONSTRAINTS MODELS FOR INTERACTIVE SCORES},
  booktitle = {Sound and Music Computing (SMC) 2006},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Allombert06a/}
}

@inproceedings{Allombert07a,
  author = {Allombert, Antoine and Assayag, Gérard and Desainte-Catherine, Myriam},
  title = {A system of Interactive Scores based on Petri Nets},
  booktitle = {SMC'07 - 4th Sound and Music Computing Conference},
  year = {2007},
  pages = {158-165},
  url = {http://articles.ircam.fr/textes/Allombert07a/}
}

@inproceedings{Allombert08a,
  author = {Allombert, Antoine and Desainte-Catherine, Myriam and Larralde, Joseph and Assayag, Gérard},
  title = {A system of Interactive Scores based on qualitative and quantitative temporal constraints},
  booktitle = {Proc. of the 4th International Conference on Digital Arts (Artech 2008)},
  year = {2008}
}

@inproceedings{Allombert08b,
  author = {Allombert, Antoine and Desainte-Catherine, Myriam and Assayag, Gérard},
  title = {Iscore : A system for writing interaction},
  booktitle = {Proc. of the 3rd Digital Interactive Media in Entertainment & Art (DIMEA 2008)},
  year = {2008}
}

@inproceedings{Allombert08c,
  author = {Allombert, Antoine and Desainte-Catherine, Myriam and Assayag, Gérard},
  title = {De Boxes à Iscore : vers une écriture de l'interaction},
  booktitle = {Actes des 13èmes Journées d'Informatique Musicale (JIM08)},
  year = {2008}
}

@article{Allombert08d,
  author = {Allombert, Antoine},
  title = {Un format de partitions interactives},
  journal = {Document Numérique. (Hermès - Lavoisier)},
  year = {2008},
  volume = {11-3},
  pages = {29-44}
}

@phdthesis{Allombert09a,
  author = {Allombert, Antoine},
  title = {Aspects temporels d’un système de partitions musicales interactives pour la composition et l’exécution},
  school = {Université Bordeaux 1},
  year = {2009},
  url = {http://articles.ircam.fr/textes/Allombert09a/}
}

@incollection{Allombert11a,
  author = {Allombert, Antoine and Desainte-Catherine, Myriam and Toro, Mauricio},
  title = {Modeling Temporal Constraints for a System ofInteractiveScores},
  booktitle = {Constraint Programming in Music},
  publisher = {Truchet, C. & Assayag, G. Eds - WILEY},
  year = {2011},
  pages = {1-24}
}

@article{Allombert12a,
  author = {Allombert, Antoine and Desainte-Catherine, Myriam and Assayag, Gérard},
  title = {Towards an Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation},
  journal = {Computer Music Journal},
  year = {2013},
  volume = {2-37},
  pages = {61-72}
}

@inproceedings{Almeida02a,
  author = {Almeida, André and Vergez, Christophe and Caussé, René and Rodet, Xavier},
  title = {Etude des écoulements dans les instruments à vent à anche double, pour application à la Synthèse par Modèle Physique.},
  booktitle = {CFA, Congrès Français d'Acoustique},
  year = {2002},
  url = {http://articles.ircam.fr/textes/Almeida02a}
}

@inproceedings{Almeida02b,
  author = {Almeida, André and Vergez, Christophe and Caussé, René and Rodet, Xavier},
  title = {Physical study of double-reed instruments for application to sound-synthesis},
  booktitle = {International Symposium in Musical Acoustics},
  year = {2002},
  url = {http://articles.ircam.fr/textes/Almeida02b}
}

@inproceedings{Almeida03a,
  author = {Almeida, André and Vergez, Christophe and Caussé, René and Rodet, Xavier},
  title = {Experimental research on double reed physical properties and its application to sound synthesis},
  booktitle = {Stockholm Musical Acoustics Conference},
  year = {2003},
  url = {http://articles.ircam.fr/textes/Almeida03a}
}

@inproceedings{Almeida04a,
  author = {Almeida, André and Vergez, Christophe and Caussé, René},
  title = {Experimental Investigations on Double Reed Quasi-Static Behavior},
  booktitle = {International Congress on acoustics},
  year = {2004},
  url = {http://articles.ircam.fr/textes/Almeida04a}
}

@inproceedings{Almeida04b,
  author = {Almeida, André and Vergez, Christophe and Caussé, René and Rodet, Xavier},
  title = {Physical model of an oboe: comparison with experiments},
  booktitle = {International Symposium on Musical Acoustics},
  year = {2004},
  url = {http://articles.ircam.fr/textes/Almeida04b}
}

@inproceedings{Almeida06a,
  author = {Almeida, André and Vergez, Christophe and Caussé, René},
  title = {Flow regimes at the output of oboe double-reeds},
  booktitle = {Fourth Joint Meeting: Acoustical Society of America and Acoustical Society of Japan},
  year = {2006},
  volume = {120(5)},
  pages = {3333-3333}
}

@article{Almeida07a,
  author = {Almeida, André and Vergez, Christophe and Caussé, René},
  title = {Quasistatic nonlinear characteristics of double-reed instruments},
  journal = {Journal of the Acoustical Society of America},
  year = {2007},
  volume = {121-1},
  pages = {536-546}
}

@article{Almeida07b,
  author = {Almeida, André and Vergez, Christophe and Caussé, René},
  title = {Experimental Investigation of Reed Instrument Functionning Through Image Analysis of Reed Opening},
  journal = {Acta acustica united with Acustica},
  year = {2007},
  volume = {93-4},
  pages = {645-658}
}

@inproceedings{Alvarez98a,
  author = {Alvarez, Gloria},
  title = {PICO : A calculus of Concurrent Constraint Objects for Musical Applications},
  booktitle = {E.C.A.I. 98},
  year = {1998}
}

@inproceedings{Alzina05a,
  author = {Alzina, Cécile},
  title = {Structure narrative temporelle de la musique.},
  booktitle = {Sémiologie, sociologie et psychologie de la communication musicale.},
  year = {2005}
}

@inproceedings{Alzina06a,
  author = {Alzina, Cécile},
  title = {How sound can make sense by being organized in time : Symposium : For an anthropology of musical language as a form of human communication},
  booktitle = {ICMPC 2006},
  year = {2006}
}

@incollection{Alzina07a,
  author = {Alzina, Cécile},
  title = {Structure narrative temporelle de la musique},
  booktitle = {Temps, geste et musicalité},
  publisher = {L’Harmattan},
  year = {2007}
}

@inproceedings{Amiot05a,
  author = {Amiot, Emmanuel and Andreatta, Moreno and Agon, Carlos},
  title = {Tiling the (musical) line with polynomials : Some theoretical and implementational aspects},
  booktitle = {ICMC 2005},
  year = {2005},
  pages = {227-230},
  url = {http://articles.ircam.fr/textes/Amiot05a/}
}

@inproceedings{Amiot06a,
  author = {Amiot, Emmanuel and Noll, Thomas and Andreatta, Moreno and Agon, Carlos},
  title = {Fourier Oracles for Computer-Aided Improvisation},
  booktitle = {ICMC 2006},
  year = {2006},
  url = {http://architexte.ircam.fr/textes/Amiot06a/}
}

@inproceedings{Amiot07a,
  author = {Amiot, Emmanuel and Agon, Carlos and Andreatta, Moreno},
  title = {Autosimilar melodies and their implementation in OpenMusic},
  booktitle = {Proceedings SMC07},
  year = {2007},
  url = {http://architexte.ircam.fr/textes/Amiot07a/}
}

@phdthesis{Amiot10a,
  author = {Amiot, Emmanuel},
  title = {Modèles algébriques et algorithmiques pour la formalisation mathématique des structures musicales},
  school = {UPMC},
  year = {2010}
}

@phdthesis{Anastas90a,
  author = {Anastas, Mounir},
  title = {L'organisation perceptive des patterns temporels},
  school = {Paris, Université Paris V},
  year = {1990}
}

@article{AndreaNovel10a,
  author = {Andréa-Novel, Brigitte and Coron, Jean-Michel and Hélie, Thomas},
  title = {Asymptotic state observers for a simplified brass instrument model},
  journal = {Acta Acustica},
  year = {2010},
  volume = {96-4},
  pages = {733-742},
  url = {http://articles.ircam.fr/textes/AndreaNovel10a/}
}

@article{Andreatta00a,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {Elementi di teoria matematica della musica e problema della classificazione di canoni regolari complementari di categoria massimale},
  journal = {Il Monocordo},
  year = {2000},
  volume = {7/8-10}
}

@incollection{Andreatta01a,
  author = {Andreatta, Moreno and Vuza, Dan Tudor},
  title = {On some properties of periodic sequences in Anatol Vieru's modal theory},
  booktitle = {Harmonic Analysis and Tone Systems},
  publisher = {Tatra Mountains Mathematical Publications},
  year = {2001},
  pages = {1-15},
  url = {http://architexte.ircam.fr/textes/Andreatta01a/}
}

@inproceedings{Andreatta01b,
  author = {Andreatta, Moreno and Noll, Thomas and Agon, Carlos and Assayag, Gérard},
  title = {The Geometrical Groove : rhythmic canons between Theory, Implementation and Musical Experiments},
  booktitle = {JIM},
  year = {2001},
  pages = {93-98},
  url = {http://articles.ircam.fr/textes/Andreatta01b}
}

@article{Andreatta01c,
  author = {Andreatta, Moreno},
  title = {Recensione del libro 'Organizzazione delle altezze nello spazio sonoro temperato' di Luigi Verdi (Ensemble 900, Treviso, 1998)},
  journal = {Analisi},
  year = {2001},
  volume = {34},
  pages = {28-31}
}

@article{Andreatta01d,
  author = {Andreatta, Moreno},
  title = {Review du livre 'Organizzazione delle altezze nello spazio sonoro temperato' (Ensemble 900, Treviso, 1998)},
  journal = {Musurgia},
  year = {2001},
  volume = {VIII-3},
  pages = {147-150}
}

@inproceedings{Andreatta02a,
  author = {Andreatta, Moreno and Agon, Carlos and Amiot, Emmanuel},
  title = {Tiling problems in music composition: Theory and Implementation},
  booktitle = {ICMC},
  year = {2002},
  url = {http://architexte.ircam.fr/textes/Andreatta02a/}
}

@inproceedings{Andreatta02b,
  author = {Andreatta, Moreno and Agon, Carlos and Vuza, Dan Tudor},
  title = {Analyse et implémentation de certaines techniques compositionnelles chez Anatol Vieru},
  booktitle = {JIM},
  year = {2002},
  url = {http://architexte.ircam.fr/textes/Andreatta02b/}
}

@article{Andreatta02c,
  author = {Andreatta, Moreno},
  title = {Recensione del libro 'The Poetics of simple mathematics in music ' di Pozzi Escot},
  journal = {Spectrum (Rivista di Analisi e Pedagogia musicale)},
  year = {2002},
  volume = {2/3},
  pages = {68-70}
}

@incollection{Andreatta03a,
  author = {Andreatta, Moreno},
  title = {Group-Theoretical Methods in Composition and Theory},
  booktitle = {The Topos of Music.: Geometric Logic of Concepts, Theory and Performance},
  publisher = {Birkäuser},
  year = {2003}
}

@inproceedings{Andreatta03c,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {Implementing algebraic methods in OpenMusic.},
  booktitle = {ICMC},
  year = {2003},
  url = {http://architexte.ircam.fr/textes/Andreatta03c/}
}

@phdthesis{Andreatta03d,
  author = {Andreatta, Moreno},
  title = {Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels},
  school = {EHESS},
  year = {2003}
}

@article{Andreatta03e,
  author = {Andreatta, Moreno and Schaub, Stephan},
  title = {Une introduction à la Set Theory: les concepts à la base des théories d’Allen Forte et de David Lewin},
  journal = {Musurgia},
  year = {2003},
  volume = {X-1},
  pages = {73-92},
  url = {http://architexte.ircam.fr/textes/Andreatta03e/}
}

@inproceedings{Andreatta03f,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {Formalisation algébrique des structures musicales à l’aide de la Set-Theory : aspects théoriques et analytiques},
  booktitle = {Actes des dixièmes Journées d’Informatique musicale},
  year = {2003},
  url = {http://articles.ircam.fr/textes/Andreatta03f}
}

@incollection{Andreatta03g,
  author = {Andreatta, Moreno},
  title = {Un regard théorique sur les modes à transposition limitée de Messiaen},
  booktitle = {Ion: Les programmes de l'Opéra national du Rhin},
  publisher = {Novello & Co.},
  year = {2003},
  pages = {17-22}
}

@article{Andreatta04a,
  author = {Andreatta, Moreno and Vuza, Dan Tudor and Agon, Carlos},
  title = {On some theoretical and computational aspects of Anatol Vieru’s periodic sequences},
  journal = {Soft Computing},
  year = {2004},
  volume = {8-9},
  pages = {588-596},
  url = {http://architexte.ircam.fr/textes/Andreatta04a/}
}

@inproceedings{Andreatta04b,
  author = {Andreatta, Moreno},
  title = {A computer-aided exploration of the transformational process Xenakis’Nomos Alpha},
  booktitle = {AMS/MAA Joint Mathematics Meeting},
  year = {2004},
  volume = {25n.1},
  pages = {588-58}
}

@incollection{Andreatta04c,
  author = {Andreatta, Moreno},
  title = {On group-theoretical methods applied to music: some compositional and implementational aspects},
  booktitle = {Perspectives in Mathematical and Computational Music Theory},
  publisher = {Electronic Publishing Osnabrück},
  year = {2004},
  pages = {169-193},
  url = {http://architexte.ircam.fr/textes/Andreatta04c/}
}

@incollection{Andreatta04d,
  author = {Andreatta, Moreno},
  title = {Note su alcune tendenze compositive contempooranee},
  booktitle = {L’arte innocente.: Le vie eccentriche della musica contemporanea italiana},
  publisher = {Rugginenti},
  year = {2004},
  pages = {249-264}
}

@inproceedings{Andreatta04e,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {A tutorial on algebraic-oriented paradigmatic music analysis and composition in OpenMusic visual programming language},
  booktitle = {Fourth MUSICNETWORK Open Workshop – Integration of Music in Multimedia Applications},
  year = {2004}
}

@inproceedings{Andreatta04f,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {Combining audio and symbolic representation in OpenMusic visual programming language : a multimedia model of Iannis Xenakis’ Nomos Alpha},
  booktitle = {Fourth MUSICNETWORK Open Workshop – Integration of Music in Multimedia Applications},
  year = {2004}
}

@article{Andreatta04g,
  author = {Andreatta, Moreno},
  title = {Arvo Pärt: un compositore in esilio},
  journal = {Venezia Musica},
  year = {2004},
  volume = {1-1},
  pages = {36-36}
}

@article{Andreatta05a,
  author = {Andreatta, Moreno},
  title = {Quelques aspects théoriques d'une approche algébrique en musique},
  journal = {L'Ouvert},
  year = {2005},
  url = {http://architexte.ircam.fr/textes/Andreatta05a/}
}

@article{Andreatta05b,
  author = {Andreatta, Moreno},
  title = {Verso la costruzione di uno spazio europeo per le discipline musicali e non solo},
  journal = {Venezia/Musica},
  year = {2005},
  volume = {3}
}

@inproceedings{Andreatta05c,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {Algebraic Models in Music Theory, Analysis and Compositio: Towards a Formalized Computational Musicology},
  booktitle = {UNDERSTANDING AND CREATING MUSIC},
  year = {2005}
}

@incollection{Andreatta05d,
  author = {Andreatta, Moreno},
  title = {La bellezza della struttura},
  booktitle = {Caleidocicli Musicali: Simmetrie infrante dei suoni},
  publisher = {Rugginenti},
  year = {2005}
}

@inproceedings{Andreatta06a,
  author = {Andreatta, Moreno and Agon, Carlos and Noll, Thomas and Amiot, Emmanuel},
  title = {Towards Pedagogability of Mathematical Music Theory : Algebraic Models and Tiling Problems in computer-aided composition},
  booktitle = {Bridges. Mathematical Connections in Art, Music and Science},
  year = {2006},
  pages = {277-284},
  url = {http://architexte.ircam.fr/textes/Andreatta06a/}
}

@article{Andreatta06b,
  author = {Andreatta, Moreno},
  title = {La géométrie d'un Prélude : Des nouvelles représentations géométriques des structures musicales éclairent une pièce de Chopin qui ne finit pas de séduire les mélomanes.},
  journal = {Pour la science},
  year = {2006},
  volume = {349}
}

@article{Andreatta06c,
  author = {Andreatta, Moreno},
  title = {La rivincita della melodia},
  journal = {Venezia Musica e dintorni},
  year = {2006},
  volume = {13},
  pages = {41-42}
}

@article{Andreatta06d,
  author = {Andreatta, Moreno},
  title = {L’Ircam a convegno sul concetto di melodia},
  journal = {Venezia Musica e dintorni},
  year = {2006},
  volume = {13},
  pages = {57-57}
}

@article{Andreatta07a,
  author = {Andreatta, Moreno},
  title = {De la conjecture de Minkowski aux canons rythmiques mosaïques},
  journal = {L'Ouvert},
  year = {2007},
  volume = {114},
  pages = {51-61},
  url = {http://architexte.ircam.fr/textes/Andreatta07a/}
}

@inproceedings{Andreatta07b,
  author = {Andreatta, Moreno and Chemillier, Marc},
  title = {Modèles mathématiques pour l’informatique musicale (MMIM) : Outils théoriques et strategies pédagogiques},
  booktitle = {Actes des Journées d’Informatique Musicale},
  year = {2007},
  pages = {113-123},
  url = {http://articles.ircam.fr/textes/Andreatta07b/}
}

@inproceedings{Andreatta07c,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {Structure and Symmetry in Iannis Xenakis Nomos Alpha for cello solo},
  booktitle = {Symmetry : Art and Science},
  year = {2007},
  volume = {2-4},
  url = {http://architexte.ircam.fr/textes/Andreatta07c/}
}

@book{Andreatta08a,
  author = {Andreatta, Moreno and Bardez, Jean-Michel and Rahn, John},
  title = {Autour de la Set Theory : Rencontre Musicologique franco-américain},
  publisher = {Ircam/Delatour France},
  year = {2008}
}

@book{Andreatta08b,
  author = {Andreatta, Moreno and Bardez, Jean-Michel and Rahn, John},
  title = {Around Set Theory : A French-American Musicological Meeting},
  publisher = {Ircam/Delatour France},
  year = {2008}
}

@incollection{Andreatta08c,
  author = {Andreatta, Moreno},
  title = {Calcul algébrique et calcul catégoriel en musique : aspects théoriques et informatiques},
  booktitle = {Le calcul de la musique},
  publisher = {Publications de l’université de Saint-Etienne},
  year = {2008},
  pages = {429-477},
  url = {http://architexte.ircam.fr/textes/Andreatta08c/}
}

@article{Andreatta08d,
  author = {Andreatta, Moreno},
  title = {Une musique qui swingue de façon géométrique},
  journal = {Science Actualités},
  year = {2008}
}

@article{Andreatta08e,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {La musique mise en algèbre},
  journal = {Pour la Science},
  year = {2008},
  volume = {373}
}

@article{Andreatta09a,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {« Guest Editor’s Foreword », Special Issue : Tiling Problems in Music},
  journal = {Journal of Mathematics and Music},
  year = {2009},
  volume = {3-2},
  pages = {63-70}
}

@book{Andreatta09c,
  author = {Andreatta, Moreno and Agon, Carlos},
  title = {Special Issue on Tiling Problems in Music},
  journal = {Journal of Mathematics and Music},
  year = {2009},
  volume = {3-2},
  pages = {63-115}
}

@book{Andreatta10a,
  author = {Andreatta, Moreno and Deliège, Irène},
  title = {GTTM 25 years on},
  journal = {MUSICAE SCIENTIAE},
  year = {2010},
  volume = {5},
  pages = {1-267}
}

@article{Andreatta10b,
  author = {Andreatta, Moreno},
  title = {Foreword to the Special Issue GTTM 25 years on},
  journal = {MUSICAE SCIENTIAE},
  year = {2010},
  volume = {5},
  pages = {5-9}
}

@phdthesis{Andreatta10c,
  author = {Andreatta, Moreno},
  title = {Mathematica est exercitium musicae. : La recherche ‘mathémusicale’ et ses interactions avec les autres disciplines,},
  school = {IRMA},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Andreatta10c/}
}

@techreport{Andreatta10d,
  author = {Andreatta, Moreno},
  title = {Un parcours interactif dans les variations op. 27 d’Anton Webern : Compte rendu d'un CDRom},
  school = {Societé Française d'Analyse Musicale},
  year = {2010}
}

@article{Andreatta11a,
  author = {Andreatta, Moreno},
  title = {Constructing and Formalizing Tiling Rhythmic Canons : A Historical Survey of a "Mathemusical" Problem},
  journal = {Perspectives of New Music},
  year = {2011},
  volume = {1-2-49},
  url = {http://articles.ircam.fr/textes/Andreatta11a/}
}

@article{Andreatta12a,
  author = {Andreatta, Moreno and Acotto, Edoardo},
  title = {Mathematical and mental representations of music},
  journal = {Mathematics and Social Sciences},
  year = {2012}
}

@book{Andreatta12b,
  author = {Andreatta, Moreno and Nicolas, François and Alunni, Charles},
  title = {A la lumière des mathématiques et a l'ombre de la philosophie : Actes du séminaire mamuphi},
  publisher = {Ircam/Delatour France},
  year = {2012}
}

@incollection{Andreatta12c,
  author = {Andreatta, Moreno},
  title = {Mathématiques, Musique et Philosophie dans la tradition américaine : la filiation Babbitt/Lewin},
  booktitle = {A la lumière des mathématiques et à l'ombre de la philosophie: Actes du séminaire mamuphi},
  publisher = {Ircam/Delatour France},
  year = {2012}
}

@inproceedings{Andreatta13a,
  author = {Andreatta, Moreno and Ehresmann, Andrée and Guitart, René and Mazola, Guerino},
  title = {Towards a categorical theory of creativity},
  booktitle = {MCM 2013},
  year = {2013},
  pages = {19-37}
}

@incollection{Andreatta13b,
  author = {Andreatta, Moreno},
  title = {Musique algorithmique},
  booktitle = {Théorie de la composition musicale au XXe siècle},
  publisher = {Symétrie},
  year = {2013}
}

@incollection{Andreatta13c,
  author = {Andreatta, Moreno},
  title = {Modèles formels dans et pour la musique pop, le jazz et la chanson : introduction et perspectives futures},
  booktitle = {Esthétique & Complexité: Neurosciences, Philosophie et Art},
  publisher = {Editions du CNRS},
  year = {2013}
}

@article{Andreatta13d,
  author = {Andreatta, Moreno},
  title = {Une introduction musicologique à la recherche mathémusicale : quelques enjeux épistémologiques},
  journal = {Circuit},
  year = {2014}
}

@article{Andreatta14a,
  author = {Andreatta, Moreno},
  title = {Math’n pop : symétries et cycles hamiltoniens en chanson},
  journal = {Tangente},
  year = {2014},
  volume = {51},
  pages = {92-97}
}

@incollection{Andreatta15a,
  author = {Andreatta, Moreno},
  title = {Autour de la Set Theory et de l’analyse de la musique atonale : démarche structurale et approche phénoménologique à partir des écrits de Célestin Deliège},
  booktitle = {Modernité musicale et musicologie critique},
  publisher = {Académie des sciences de Bruxelles},
  year = {2015},
  pages = {159-175}
}

@article{Andreatta97a,
  author = {Andreatta, Moreno},
  title = {Nastri, Orologi e Ciambelle : spunti per riflessioni matemusicali},
  journal = {Il Monocordo},
  year = {1997},
  volume = {2},
  pages = {5-32}
}

@article{Andreatta97b,
  author = {Andreatta, Moreno},
  title = {Logica simbolica, teoria dei gruppi e crivelli musicali nel pensiero di Iannis Xenakis : un punto di vista (1ère partie)},
  journal = {Il Monocordo},
  year = {1997},
  volume = {3/4},
  pages = {3-14}
}

@article{Andreatta98a,
  author = {Andreatta, Moreno},
  title = {Logica simbolica, teoria dei gruppi e crivelli musicali nel pensiero di Iannis Xenakis : un punto di vista (2e partie)},
  journal = {Il Monocordo},
  year = {1998},
  volume = {5},
  pages = {3-30}
}

@inproceedings{Andreatta99a,
  author = {Andreatta, Moreno},
  title = {OpenMusic et le problème de la construction de canons musicaux rythmiques},
  booktitle = {JIM: Journées d'informatique musicale},
  year = {1999},
  url = {http://architexte.ircam.fr/textes/Andreatta99a/}
}

@inproceedings{Aranda09a,
  author = {Aranda, Jésus and Assayag, Gérard and Olarte, Carlos and Perez, Jorge A. and Rueda, Camilo and Toro-Bermúdez, Mauricio and Valencia, Frank},
  title = {An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems},
  booktitle = {Proc. 25th Conf. on Logic Prog.ICLP09},
  year = {2009}
}

@misc{Arberet03a,
  author = {Arberet, Simon},
  title = {Conception et développement d'une application de production de CD-ROM à partir d'une base de données d'échantillons sonores, et réalisation de navigateur de la Sound Palette},
  school = {Supelec},
  year = {2003}
}

@misc{Ardaillon13a,
  author = {Ardaillon, Luc},
  title = {Synthèse du chant},
  school = {UPMC},
  year = {2013},
  url = {http://architexte.ircam.fr/textes/Ardaillon13a/}
}

@inproceedings{Ardaillon14a,
  author = {Ardaillon, Luc and Roebel, Axel},
  title = {Synthèse concaténative de la voix chantée},
  booktitle = {JJCAAS (Lyon)},
  year = {2014},
  url = {http://architexte.ircam.fr/textes/Ardaillon14a/}
}

@incollection{Arom87a,
  author = {Arom, Simha},
  title = {Musique comme marqueur culturel},
  booktitle = {Inharmoniques n° 2: Musiques, identités},
  publisher = {Ircam - Centre Georges Pompidou},
  year = {1987},
  url = {http://articles.ircam.fr/textes/Arom87a/}
}

@misc{Arroabarren02a,
  author = {Arroabarren, Ixone},
  title = {On the instantaneous amplitude and instantaneous frequency of vibrato signals in singing voice},
  school = {Université publique de Navarre},
  year = {2002}
}

@inproceedings{Arroabarren03a,
  author = {Arroabarren, Ixone and Zivanovic, Miroslav and Rodet, Xavier and Carlosena, Alfonso},
  title = {Instantaneous frequency and amplitude of vibrato in singing voice},
  booktitle = {ICASSP},
  year = {2003}
}

@phdthesis{Arroabarren04a,
  author = {Arroabarren, Ixone},
  title = {Signal processing techniques for singing and virato modeling},
  school = {UNIVERSITÉ PUBLIQUE DE NAVARRE},
  year = {2004}
}

@misc{Arz02a,
  author = {Arz, J.P.},
  title = {Définition d'un critère psychoacoustique de claquement des moteurs diesels},
  school = {Le Mans, DEA d'Acoustique Appliquée de l'Université du Maine},
  year = {2002}
}

@incollection{Assayag00a,
  author = {Assayag, Gérard and Agon, Carlos},
  title = {OpenMusic : un langage de programmation visuelle pour la composition},
  booktitle = {Encyclopédie pour l'ingénieur informaticien},
  publisher = {(à paraître c/o Hermès)},
  year = {2000}
}

@article{Assayag00b,
  author = {Assayag, Gérard},
  title = {De la calculabilité à l'implémentation musicale},
  journal = {Cahiers de l'Ircam},
  year = {2000}
}

@inproceedings{Assayag01a,
  author = {Assayag, Gérard and Bejerano, Gill and Dubnov, Shlomo and Lartillot, Olivier},
  title = {Automatic modeling of musical style},
  booktitle = {8èmes Journées d'Informatique Musicale},
  year = {2001},
  pages = {113-119},
  url = {http://articles.ircam.fr/textes/Assayag01a}
}

@techreport{Assayag02a,
  author = {Assayag, Gérard and Rodet, Xavier},
  title = {Rapport sur les travaux du groupe Outils pour l'analyse musicale},
  year = {2002}
}

@article{Assayag04a,
  author = {Assayag, Gérard and Dubnov, Shlomo},
  title = {Using Factor Oracles for machine Improvisation},
  journal = {Soft Computing},
  year = {2004},
  volume = {8-9},
  pages = {604-610},
  url = {http://articles.ircam.fr/textes/Assayag04a/}
}

@article{Assayag04b,
  author = {Assayag, Gérard},
  title = {Computeur},
  journal = {Cahiers de médiologie},
  year = {2004},
  volume = {18},
  url = {http://articles.ircam.fr/textes/Assayag04b/}
}

@incollection{Assayag04c,
  author = {Assayag, Gérard and McAdams, Stephen and Ayari, Mondher and Lartillot, Olivier},
  title = {Segmentation et reconnaissance de patterns dans la musique},
  booktitle = {Actes des journées (SCO/0039) : Action Concertée Incitative (ACI) « Systèmes complexes en Sciences sociales »},
  publisher = {Centre Universitaire de Vaugirard 1, Université Paris 2},
  year = {2004},
  pages = {76-83}
}

@inproceedings{Assayag05a,
  author = {Assayag, Gérard and Dubnov, Shlomo},
  title = {Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience},
  booktitle = {Sound and Music Computing 2005},
  year = {2005},
  url = {http://articles.ircam.fr/textes/Assayag05a/}
}

@book{Assayag05b,
  author = {Assayag, Gérard},
  title = {Journal of New Music Research, Special Issue on Sound and Music Computing,},
  journal = {Journal of New Music research},
  year = {2005},
  volume = {4-34}
}

@incollection{Assayag05c,
  author = {Assayag, Gérard and Ayari, Mondher},
  title = {Présentation de l'ouvrage (avant-propos)},
  booktitle = {De la théorie musicale à l'art de l'improvisation: Analyse des performances et modelisation musicale},
  publisher = {DELATOUR-France},
  year = {2005}
}

@inproceedings{Assayag06b,
  author = {Assayag, Gérard and Bloch, Georges and Chemillier, Marc},
  title = {OMax-Ofon},
  booktitle = {Sound and Music Computing (SMC) 2006},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Assayag06b/}
}

@inproceedings{Assayag06c,
  author = {Assayag, Gérard and Bloch, Georges and Chemillier, Marc},
  title = {Improvisation et réinjection stylistiques},
  booktitle = {Le feed-back dans la création musicale contemporaine - Rencontres musicales pluri-disciplinaires},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Assayag06c/}
}

@inproceedings{Assayag06d,
  author = {Assayag, Gérard and Bloch, Georges and Chemillier, Marc and Cont, Arshia and Dubnov, Shlomo},
  title = {Omax Brothers : a Dynamic Topology of Agents for Improvization Learning},
  booktitle = {Workshop on Audio and Music Computing for Multimedia, ACM Multimedia 2006},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Assayag06d/}
}

@article{Assayag06e,
  author = {Assayag, Gérard and Bresson, Jean},
  title = {OpenMusic : de la composition à l'enseignement},
  journal = {L'Inouï},
  year = {2006},
  volume = {2}
}

@book{Assayag06f,
  author = {Assayag, Gérard and Mazzola, Guerino and Nicolas, François},
  title = {Penser la musique avec les mathématiques},
  publisher = {Collection Musique / Science, Ircam / Delatour},
  year = {2006}
}

@incollection{Assayag06g,
  author = {Assayag, Gérard},
  title = {De la calculabilité à l'implémentation musicale},
  booktitle = {Penser la musique avec les mathématiques},
  publisher = {Collection Musique Sciences Ircam / Delatour},
  year = {2006}
}

@inproceedings{Assayag07a,
  author = {Assayag, Gérard and Bloch, Georges},
  title = {NAVIGATING THE ORACLE: A HEURISTIC APPROACH},
  booktitle = {International Computer Music Conference '07},
  year = {2007},
  pages = {405-412},
  url = {http://articles.ircam.fr/textes/Assayag07a/}
}

@phdthesis{Assayag09a,
  author = {Assayag, Gérard},
  title = {Habilitation à diriger les recherches - Algorithmes, langages, modèles pour la recherche musicale : de la composition à l'interaction},
  school = {Université Bordeaux I},
  year = {2009},
  url = {http://articles.ircam.fr/textes/Assayag09a/}
}

@book{Assayag09b,
  author = {Assayag, Gérard and Gerzso, Andrew},
  title = {New Computational Paradigms for Computer Music},
  publisher = {Ircam/Delatour},
  year = {2009}
}

@book{Assayag11a,
  author = {Assayag, Gérard and Truchet, Charlotte},
  title = {Constraint Programming in Music},
  publisher = {ISTE/WILEY},
  year = {2011}
}

@inproceedings{Assayag93a,
  author = {Assayag, Gérard and Rueda, Camilo},
  title = {The Music Representation Project at IRCAM},
  booktitle = {ICMC: International Computer Music Conference},
  year = {1993},
  url = {http://articles.ircam.fr/textes/Assayag93a}
}

@incollection{Assayag93b,
  author = {Assayag, Gérard},
  title = {CAO : vers la partition potentielle},
  booktitle = {Cahiers de l'Ircam n° 3: Recherche musicale : La composition assistée par ordinateur},
  publisher = {Ircam - Centre Georges Pompidou},
  year = {1993},
  url = {http://articles.ircam.fr/textes/Assayag93b/}
}

@article{Assayag94a,
  author = {Assayag, Gérard and Cholleton, Jean-Pierre},
  title = {L'appareil musical},
  journal = {Résonance},
  year = {1994},
  volume = {7},
  url = {http://articles.ircam.fr/textes/Assayag94a/}
}

@inproceedings{Assayag95a,
  author = {Assayag, Gérard},
  title = {Visual Programming in Music},
  booktitle = {ICMC: International Computer Music Conference},
  year = {1995},
  pages = {73-76},
  url = {http://articles.ircam.fr/textes/Assayag95a}
}

@inproceedings{Assayag97a,
  author = {Assayag, Gérard and Agon, Carlos and Fineberg, Joshua and Hanappe, Peter},
  title = {An Object Oriented Visual Environment for Musical Composition},
  booktitle = {ICMC: International Computer Music Conference},
  year = {1997},
  pages = {364-367},
  url = {http://articles.ircam.fr/textes/Assayag97a}
}

@inproceedings{Assayag97b,
  author = {Assayag, Gérard},
  title = {Problèmes de notation dans la composition assistée par ordinateur,},
  booktitle = {Rencontres Musicales Pluridisciplinaires. Musique et Notation GRAME},
  year = {1997}
}

@inproceedings{Assayag98a,
  author = {Assayag, Gérard},
  title = {Computer Assisted Composition Today},
  booktitle = {1st Symposium on Music and Computers 1998 Corfu (Greece)},
  year = {1998}
}

@inproceedings{Assayag99a,
  author = {Assayag, Gérard and Dubnov, Shlomo and Delerue, Olivier},
  title = {Guessing the Composer's Mind : Applying Universal Prediction to Musical Style},
  booktitle = {ICMC: International Computer Music Conference},
  year = {1999},
  url = {http://articles.ircam.fr/textes/Assayag99a/}
}

@article{Assayag99b,
  author = {Assayag, Gérard},
  title = {A matematica, o numero e o computador},
  journal = {Revista de Cultura Cientifica, Fundacao Calouste Gulbenkian},
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  volume = {24}
}

@incollection{Assayag99c,
  author = {Assayag, Gérard},
  title = {Du calcul secret au calcul visuel},
  booktitle = {Interfaces homme-machine et création musicale},
  publisher = {Hermès},
  year = {1999}
}

@inproceedings{Aucouturier12b,
  author = {Aucouturier, Jean-Julien and Bigand, Emmanuel},
  title = {Mel Cepstrum & Ann Ova: the difficult dialogue between MIR and cognition},
  booktitle = {International Conference on Music Information Retrieval},
  year = {2012},
  url = {http://architexte.ircam.fr/textes/Aucouturier12b/}
}

@article{Aucouturier13a,
  author = {Aucouturier, Jean-Julien and Emmanuel, Bigand},
  title = {Seven problems that keep MIR from attracting the interest of cognition and neuroscience},
  journal = {Journal of Intelligent Information Systems},
  year = {2013},
  volume = {3-41}
}

@article{Aucouturier13b,
  author = {Aucouturier, Jean-Julien},
  title = {All class communication, public: Using Twitter in lieu of LMS},
  journal = {International Journal on Learning and Media},
  year = {2013},
  volume = {1-4},
  url = {http://architexte.ircam.fr/textes/Aucouturier13b/}
}

@article{Aucouturier13c,
  author = {Aucouturier, Jean-Julien and Fujita, Marketa and Sumikura, Hiroko},
  title = {Experiential response and intention to purchase in the co−creative consumption of music: the Nine Inch Nails experiment},
  journal = {Journal of Consumer Behaviour},
  year = {2014},
  url = {http://architexte.ircam.fr/textes/Aucouturier13c/}
}

@article{Aucouturier14a,
  author = {Aucouturier, Jean-Julien},
  title = {Acteur de la science, dés la première année d'université},
  journal = {Eduquer},
  year = {2014},
  volume = {108},
  pages = {23-25},
  url = {http://architexte.ircam.fr/textes/Aucouturier14a/}
}

@inproceedings{Aura08a,
  author = {Aura, Karine and Lemaitre, Guillaume and Susini, Patrick},
  title = {Verbal imitations of sound events enable recognition of the imitated sound events},
  booktitle = {Acoustics 08},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Aura08a/}
}

@misc{Aussal09a,
  author = {Aussal, Matthieu},
  title = {Utilisation de la méthode des éléments finis de frontière ou méthodes intégrales en synthèse sonore : Application au calcul des fréquences propres et du rayonnement acoustique de structures complexes},
  school = {Université d'Orsay, Paris XI},
  year = {2009},
  url = {http://architexte.ircam.fr/textes/Aussal09a/}
}

@inproceedings{Avanzi09a,
  author = {Avanzi, Mathieu and Obin, Nicolas and Lacheret-Dujour, Anne},
  title = {Vers une modélisation continue de la structure prosodique du français : le cas des proéminences accentuelles},
  booktitle = {Conscila},
  year = {2009}
}

@article{Avanzi11a,
  author = {Avanzi, Mathieu and Obin, Nicolas and Lacheret, Anne and Victorri, Bernard},
  title = {Vers une modélisation continue de la structure prosodique. Le cas des proéminences accentuelles.},
  journal = {Journal of French Languages Studies},
  year = {2011},
  volume = {1-21},
  url = {http://articles.ircam.fr/textes/Avanzi11a/}
}

@inproceedings{Avanzi11b,
  author = {Avanzi, Mathieu and Bordal, Guri and Obin, Nicolas},
  title = {Typological Variations in the realization of French Accentual Phrase},
  booktitle = {ICPhS},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Avanzi11b/}
}

@inproceedings{Avanzi11c,
  author = {Avanzi, Mathieu and Obin, Nicolas and Lacheret-Dujour, Anne and Victorri, Bernard},
  title = {Toward a Continuous Modeling of French Prosodic Structure: Using Acoustic Features to Predict Prominence Location and Prominence Degree : prominence, automatic detection, degree of prominence, prosodic structure, French},
  booktitle = {Interspeech},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Avanzi11c/}
}

@inproceedings{Avanzi12a,
  author = {Avanzi, Mathieu and Obin, Nicolas and Bordal, Guri and Bardiaux, Alice},
  title = {Speech Prosody of French Regional Varieties},
  booktitle = {Speech Prosody},
  year = {2012},
  url = {http://articles.ircam.fr/textes/Avanzi12a/}
}

@inproceedings{Avanzi12b,
  author = {Avanzi, Mathieu and Obin, Nicolas and Bordal, Guri and Bardiaux, Alice},
  title = {La Variation Prosodique Dialectale en Français. Données et Hypothèses},
  booktitle = {JEP},
  year = {2012},
  url = {http://articles.ircam.fr/textes/Avanzi12b/}
}

@inproceedings{Avanzi12c,
  author = {Avanzi, Mathieu and Dubosson, Pauline and Schwab, Sandra and Obin, Nicolas},
  title = {Accentual Transfer from Swiss-German to French A Study of “Français Fédéral”},
  booktitle = {Interspeech},
  year = {2012},
  url = {http://articles.ircam.fr/textes/Avanzi12c/}
}

@inproceedings{Avanzi12d,
  author = {Avanzi, Mathieu and Lacheret, Anne and Obin, Nicolas},
  title = {Transcription of Prosody in continuous speech: Prosodic encoding the Spoken French corpus Rhapsodie},
  booktitle = {Advancing Prosodic Transcription for Spoken Language Science and Technology, LabPhon 2012},
  year = {2012},
  url = {http://articles.ircam.fr/textes/Avanzi12d/}
}

@article{Ayari01c,
  author = {Ayari, Mondher},
  title = {Contraintes perceptives et analyse musicale},
  journal = {Revue Tunisienne de Musicologie},
  year = {2001},
  volume = {2},
  pages = {27-33}
}

@article{Ayari01d,
  author = {Ayari, Mondher},
  title = {Réflexions générales sur les musiques arabes modernes},
  journal = {Revue de recherches en sciences Culturelles, Artistiques et Musicologique},
  year = {2001},
  volume = {1},
  pages = {29-47}
}

@incollection{Ayari02c,
  author = {Ayari, Mondher and McAdams, Stephen},
  title = {Le schéma cognitif culturel de l’improvisation : forme musicale et analyse perceptive (Psychologie expérimentale et problème d’universalisation de données)},
  booktitle = {Observation, analyse, modèle: Peut-on parler d'art avec les outils de la science ?},
  publisher = {Harmattan-IRCAM},
  year = {2002},
  pages = {395-418}
}

@article{Ayari03k,
  author = {Ayari, Mondher and McAdams, Stephen},
  title = {Aural Analysis of Arabic Improvised Instrumental Music (Taqsîm)},
  journal = {Music Perception},
  year = {2003},
  volume = {21-2},
  pages = {159-216}
}

@book{Ayari03l,
  author = {Ayari, Mondher},
  title = {L’écoute des musiques arabes improvisées : essai de psychologie cognitive},
  publisher = {Harmattan},
  year = {2003}
}

@incollection{Ayari05h,
  author = {Ayari, Mondher},
  title = {Quelles catégories et quels filtres culturels sont à l’œuvre dans nos écoutes ?},
  booktitle = {De la théorie musicale à l'art de l'improvisation: Analyse des performances et modelisation musicale},
  publisher = {DELATOUR},
  year = {2005}
}

@incollection{Ayari05i,
  author = {Ayari, Mondher and McAdams, Stephen},
  title = {L’influence du savoir culturel sur la perception et la compréhension musicales},
  booktitle = {Les pratiques d'écoute individuelles (2005).: Série “Conférences et séminaires”},
  publisher = {Université Paris Sorbonne, Paris IV},
  year = {2005},
  pages = {63-83}
}

@book{Ayari05j,
  author = {Ayari, Mondher and Assayag, Gérard and McAdams, Stephen and Chouvel, Jean-Marc and Rousseaux, Francis and Laliberté, Martin and Chabrier, Jean-Claude},
  title = {De la théorie musicale à l'art de l'improvisation : Analyse des performances et modélisation musicale},
  publisher = {DELATOUR-France},
  year = {2005}
}

@inproceedings{Ayari06a,
  author = {Ayari, Mondher},
  title = {Musique et représentations sociales},
  booktitle = {Congrès International Environnement et Identités en Méditerranée},
  year = {2006}
}

@inproceedings{Ayari06b,
  author = {Ayari, Mondher},
  title = {Performance and musical perception analysis},
  booktitle = {9th Internatinal Conference on Music Perception and Cognition (ICMPC)},
  year = {2006}
}

@inproceedings{Ayari06d,
  author = {Ayari, Mondher},
  title = {L'écoute comme phénomène culturel},
  booktitle = {9th Internatinal Conference on Music Perception and Cognition (ICMPC)},
  year = {2006}
}

@article{Ayari08a,
  author = {Ayari, Mondher},
  title = {Détermination de pertinences et expérimentation humaine},
  year = {2008},
  volume = {1},
  pages = {37-50}
}

@article{Ayari08b,
  author = {Ayari, Mondher},
  title = {Performance and musical perception analysis},
  journal = {Revue Intellectica},
  year = {2008},
  volume = {48}
}

@incollection{Ayari10a,
  author = {Ayari, Mondher},
  title = {Can one speak of meaning in music?},
  booktitle = {Musique, Signification et Émotion, Collection : Culture et Cognition Musicales. N°2},
  publisher = {DELATOUR-France},
  year = {2010}
}

@incollection{Ayari10b,
  author = {Ayari, Mondher and Lartillot, Olivier},
  title = {Comparer réactions d’auditeurs et prédictions informatiques},
  booktitle = {Esthétique et Cognition : Les théories de l'art et le problème de la cognition},
  publisher = {J-M. Chouvel et X. Hascher},
  year = {2010}
}

@book{Ayari10c,
  author = {Ayari, Mondher and Makhlouf, H},
  title = {Musique, Signification et Émotion},
  publisher = {DELATOUR-France},
  year = {2010}
}

@inproceedings{Ayari10d,
  author = {Ayari, Mondher},
  title = {Peut-on parler de signification en musique ?},
  booktitle = {11ème International Congress on Musical Signification},
  year = {2010}
}

@inproceedings{Ayari10e,
  author = {Ayari, Mondher},
  title = {Essai de modélisation cognitive de la musique improvisée : Détermination de pertinences et expérimentation humaine},
  booktitle = {7ème rencontres de l'OMF},
  year = {2010}
}

@inproceedings{Ayari10f,
  author = {Ayari, Mondher and Lartillot, Olivier},
  title = {Universalité cognitive versus spécificité culturelle : une modélisation cognitive de l’écoute structurelle de musique modale improvisée},
  booktitle = {1ère Rencontre Internationale : Actualité des Universaux en Musique},
  year = {2010}
}

@inproceedings{Ayari11b,
  author = {Ayari, Mondher and Lartillot, Olivier},
  title = {Analysis of performances and computational modelling of maqam improvisations},
  booktitle = {7th Symposium of the International Council for Traditional Music},
  year = {2011}
}

@article{Ayari13a,
  author = {Ayari, Mondher},
  title = {Formal convergence between melodic composition and Arabic prosody},
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  year = {2013}
}

@incollection{Ayari13b,
  author = {Ayari, Mondher and Lartillot, Olivier},
  title = {Comparer réactions d’auditeurs et prédictions informatiques},
  booktitle = {0},
  publisher = {Publication de la Sorbonne},
  year = {2013},
  pages = {403-419}
}

@incollection{Ayari13c,
  author = {Ayari, Mondher},
  title = {L’acte créateur entre culture de l’oralité et cognition musicale},
  booktitle = {Les corpus de l’oralité},
  publisher = {DELATOUR-France},
  year = {2014}
}

@incollection{Ayari13d,
  author = {Ayari, Mondher},
  title = {L’art de l’improvisation dans les musiques du maqâm},
  booktitle = {Penser l'improvisation},
  publisher = {DELATOUR-France},
  year = {2014}
}

@incollection{Ayari13e,
  author = {Ayari, Mondher},
  title = {Modélisation cognitive des musiques de tradition orale},
  booktitle = {L'analyse musical aujourd'hui},
  publisher = {DELATOUR-France},
  year = {2014}
}

@book{Ayari13f,
  author = {Ayari, Mondher},
  title = {Penser l’improvisation},
  publisher = {Delatour-France},
  year = {2014}
}

@book{Ayari13g,
  author = {Ayari, Mondher and Antonio, Lai},
  title = {Les corpus de l’oralité},
  publisher = {Delatour-France},
  year = {2014},
  url = {http://architexte.ircam.fr/textes/Ayari13g/}
}

@book{Ayari13h,
  author = {Ayari, Mondher and Xavier, Hascher and Jean-Michel, Bardez},
  title = {L’analyse musical aujourd’hui},
  publisher = {Delatour-France},
  year = {2014},
  url = {http://architexte.ircam.fr/textes/Ayari13h/}
}

@article{Ayari14a,
  author = {Ayari, Mondher},
  title = {FORMAL CONVERGENCE BETWEEN MELODIC COMPOSITION AND ARABIC PROSODY},
  journal = {SONUS},
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  pages = {49-64}
}

@misc{BAHU13a,
  author = {BAHU, Hélène},
  title = {Synthèse binaurale en champ proche, étude théorique et expérimentale},
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}

@misc{Bailleul01a,
  author = {Bailleul, Sébastien},
  title = {Modélisation physique de guides d'ondes à symétrie de révolution},
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  year = {2001}
}

@misc{Ballany00a,
  author = {Ballany, Ross},
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@book{Ballet97a,
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@techreport{Ballet97b,
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@techreport{Ballet98a,
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@book{Ballet98b,
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@incollection{Bancquart08a,
  author = {Bancquart, Alain and Agon, Carlos and Andreatta, Moreno},
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  publisher = {Ircam/Delatour France},
  year = {2008}
}

@incollection{Bancquart08b,
  author = {Bancquart, Alain and Andreatta, Moreno and Agon, Carlos},
  title = {Microtonal Composition},
  booktitle = {The OM Composer's Book 2},
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  year = {2008},
  pages = {279-302}
}

@inproceedings{Bargar00a,
  author = {Bargar, Robin and Déchelle, François and Choi, Insook and Betts, Alex and Goudeseune, Camille and Schnell, Norbert and Warusfel, Olivier},
  title = {Coney Island : Combining JMax, Spat and VSS for Acoustic Integration of spatial and temporal models in a virtual reality installation},
  booktitle = {International Computer Music Conference},
  year = {2000}
}

@article{Barguno13a,
  author = {Barguno, Luis and Creus, Carlos and Godoy, Guillem and Jacquemard, Florent and Vacher, Camille},
  title = {Decidable Classes of Tree Automata Mixing Local and Global Constraints Modulo Flat Theories},
  journal = {Logical Methods in Computer Science},
  year = {2013},
  volume = {2-9}
}

@inproceedings{Barkati12a,
  author = {Barkati, Karim and Bonardi, Alain and VINCENT, Antoine and Rousseaux, Francis},
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  year = {2012},
  pages = {79-84}
}

@inproceedings{Barkati13a,
  author = {Barkati, Karim and Rousseaux, Francis},
  title = {It is time to face the Achilles' heel of computer music regarding digital works preservation and maintenance},
  booktitle = {10th International Symposium on Computer Music Multidisciplinary Research},
  year = {2013}
}

@inproceedings{Barkati13b,
  author = {Barkati, Karim and Rousseaux, Francis},
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}

@article{Barkati14a,
  author = {Barkati, Karim and Rousseaux, Francis},
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  volume = {422},
  pages = {151-169}
}

@book{Barraque09a,
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@techreport{Barrett12a,
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  url = {http://articles.ircam.fr/textes/Barrett12a/}
}

@incollection{Barriere86a,
  author = {Barrière, Jean-Baptiste},
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@article{Barriere94a,
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@book{BarthelCalvet13a,
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  volume = {98-1}
}

@article{BarthelCalvet13b,
  author = {Barthel-Calvet, Anne-Sylvie},
  title = {Archéologie d’un œuvre : analyse et présentation des carnets de jeunesse de Xenakis},
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  year = {2013},
  volume = {98-1},
  pages = {43-84}
}

@incollection{BarthelCalvet13c,
  author = {Barthel-Calvet, Anne-Sylvie},
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  booktitle = {Messiaen Perspectives 2: Techniques, Influences and Reception},
  publisher = {Ashgate},
  year = {2013},
  pages = {175-200}
}

@incollection{BarthelCalvet13d,
  author = {Barthel-Calvet, Anne-Sylvie},
  title = {Le regard de Xenakis sur Debussy},
  booktitle = {Regards sur Debussy},
  publisher = {Fayard},
  year = {2013},
  pages = {517-531}
}

@incollection{BarthelCalvet13e,
  author = {Barthel-Calvet, Anne-Sylvie},
  title = {La fin d’œuvre chez Xenakis : enjeux narratifs},
  booktitle = {La fin d’œuvre en musique – Sens et signification entre création et réception},
  publisher = {Delatour},
  year = {2013}
}

@inproceedings{Barthelemy07b,
  author = {Barthélemy, Jérôme},
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  url = {http://architexte.ircam.fr/textes/Barthelemy07b/}
}

@inproceedings{Barthelemy08a,
  author = {Barthélemy, Jérôme and Bonardi, Alain and Ciavarella, Raffaele and Boutard, Guillaume},
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  booktitle = {ICMC'08},
  year = {2008},
  url = {http://architexte.ircam.fr/textes/Barthelemy08a/}
}

@inproceedings{Barthelemy09a,
  author = {Barthélemy, Jérôme and Bonardi, Alain and Ciavarella, Raffaele and Boutard, Guillaume},
  title = {Virtualization of real time audio processes : towards a musical notation of contemporary music.},
  booktitle = {CULTURAL HERITAGE on line},
  year = {2009},
  url = {http://architexte.ircam.fr/textes/Barthelemy09a/}
}

@inproceedings{Barthelemy10b,
  author = {Barthélemy, Jérôme and Bonardi, Alain and Orlarey, Yann and Lemouton, Serge and Ciavarella, Raffaele and Barkati, Karim},
  title = {Toward An Organology Of Virtual Instruments In Computer Music},
  booktitle = {ICMC 2010},
  year = {2010},
  pages = {369-372},
  url = {http://architexte.ircam.fr/textes/Barthelemy10b/}
}

@inproceedings{Barton10a,
  author = {Barton, Stanislav and Gouet-Brunet, Valérie and Rukoz, Marta and Charbuillet, Christophe and Peeters, Geoffroy},
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  booktitle = {RIAO 2010},
  year = {2010}
}

@inproceedings{Barton10b,
  author = {Barton, Stanislav and Gouet-Brunet, Valérie and Rukoz, Marta and Charbuillet, Christophe and Peeters, Geoffroy},
  title = {Qualitative comparison of audio and visual descriptors distributions},
  booktitle = {Multimedia Computing and Information Technology (MCIT), 2010 International Conference on},
  year = {2010}
}

@article{Baschet13a,
  author = {Baschet, Florence},
  title = {Instrumental Gesture in StreicherKreis},
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  year = {2013},
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  url = {http://articles.ircam.fr/textes/Baschet13a/}
}

@inproceedings{Baschet80a,
  author = {Baschet, Bernard},
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}

@inproceedings{Baskind00a,
  author = {Baskind, Alexis and Polack, Jean-Dominique},
  title = {Etude des paramètres de la réverbération en champ diffus : comparaison de trois représentations temps-fréquence},
  booktitle = {5e Congrès Francais d'Acoustique},
  year = {2000}
}

@inproceedings{Baskind00b,
  author = {Baskind, Alexis and Polack, Jean-Dominique},
  title = {Sound Power Radiated by Sources in Diffuse Field},
  booktitle = {AES 108th convention},
  year = {2000}
}

@inproceedings{Baskind01a,
  author = {Baskind, Alexis and Warusfel, Olivier},
  title = {Monaural and binaural processing for automatic estimation of room acoustics perceptual attributes},
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  year = {2001}
}

@inproceedings{Baskind02a,
  author = {Baskind, Alexis and Warusfel, Olivier},
  title = {Methods for blind computational estimation of perceptual attributes of room acoustics},
  booktitle = {AES 22nd international conference on virtual, synthetic and entertainment audio},
  year = {2002}
}

@inproceedings{Baskind03a,
  author = {Baskind, Alexis and De Cheveigné, Alain},
  title = {Pitch-Tracking of Reverberant Sounds, Application to Spatial Description of Sound Scenes},
  booktitle = {AES 24th conference "Multichannel Audio - The New Reality"},
  year = {2003}
}

@phdthesis{Baskind03b,
  author = {Baskind, Alexis},
  title = {Modèles et méthodes de description spatiale de scènes sonores : Application aux enregistrements binauraux},
  school = {Université Paris 6 (Pierre et Marie Curie)},
  year = {2003}
}

@inproceedings{Baskind09a,
  author = {Baskind, Alexis and Bertet, Stéphanie and Bonfils, Pierre and Londero, Alain and Viaud-Delmon, Isabelle and Warusfel, Olivier},
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  booktitle = {3rd Tinnitus Research Initiative Meeting},
  year = {2009},
  pages = {25-25}
}

@inproceedings{Baskind12a,
  author = {Baskind, Alexis and Carpentier, Thibaut and Lyzwa, Jean-Marc and Warusfel, Olivier and Noisternig, Markus},
  title = {Use of binaural and transaural spatialization techniques in multichannel 5.1 production},
  booktitle = {Tonmeistertagung},
  year = {2012}
}

@misc{Baskind99a,
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  title = {Etude de la puissance acoustique rayonnée en champ diffus},
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  year = {1999}
}

@misc{Bastien95a,
  author = {Bastien, Patrick},
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}

@inproceedings{Bathellier14a,
  author = {Bathellier, Brice and Deneux, Thomas and François, Louise and Sikiric, Suncana and Ponsot, Emmanuel},
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}

@inproceedings{Battier81a,
  author = {Battier, Marc},
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}

@article{Battier95a,
  author = {Battier, Marc},
  title = {Europe, avis de recherche},
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}

@misc{Baudart12a,
  author = {Baudart, Guillaume},
  title = {Antescofo : Vers une programmation synchrone},
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}

@inproceedings{Baudart13a,
  author = {Baudart, Guillaume and Mandel, Louis and Jacquemard, Florent and Pouzet, Marc},
  title = {A Synchronous Embedding of Antescofo, a Domain-Specific Language for Interactive Mixed Music},
  booktitle = {13th International Conference on Embedded Software (EMSOFT)},
  year = {2013}
}

@misc{Bauge11a,
  author = {Baugé, Florie-Anne},
  title = {Géométrie différentielle, groupes de Lie et transformations},
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  url = {http://articles.ircam.fr/textes/Bauge11a/}
}

@misc{Bauge12a,
  author = {Baugé, Carlo},
  title = {Etude des similarités acoustiques entre sons environnementaux},
  school = {UPMC / Ircam},
  year = {2012},
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}

@inproceedings{BAUGnn13a,
  author = {BAUGÉ, Florie-Anne and Bensoam, Joël},
  title = {Vers une généralisation multidimensionnelle de la notion de géodésique sur les groupes de Lie (1ère partie).},
  booktitle = {Congrès Français de Mécanique},
  year = {2013},
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}

@incollection{Bayle91a,
  author = {Bayle, Laurent},
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}

@article{Bayle93a,
  author = {Bayle, Laurent},
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}

@article{Bayle99a,
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}

@inproceedings{Beauchamp95a,
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  pages = {8-9}
}

@article{Beauchamp97a,
  author = {Beauchamp, James and McAdams, Stephen and Meneguzzi, Suzanne},
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  year = {1997},
  volume = {101}
}

@misc{Beauguitte11a,
  author = {Beauguitte, Pierre},
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  year = {2011},
  url = {http://articles.ircam.fr/textes/Beauguitte11a/}
}

@article{Beauvois98a,
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  pages = {852-861}
}

@misc{Begnis98a,
  author = {Begnis, Camille},
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  year = {1998}
}

@article{Belin02a,
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}

@inproceedings{Belin97a,
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  year = {1997}
}

@article{Belin98a,
  author = {Belin, Pascal and McAdams, Stephen and Smith, Bennett K. and Savel, Sophie and Thivard, Lionel and Samson, Séverine and Samson, Yves},
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  year = {1998},
  volume = {18},
  pages = {6388-6394}
}

@misc{Beller04a,
  author = {Beller, Grégory},
  title = {Synthèse concaténative de la parole par sélection d'unités},
  school = {Ircam - Université Paris 8},
  year = {2004},
  url = {http://articles.ircam.fr/textes/Beller04a/}
}

@misc{Beller05a,
  author = {Beller, Grégory},
  title = {La musicalité de la voix parlée},
  school = {Paris 8},
  year = {2005},
  url = {http://articles.ircam.fr/textes/Beller05a/}
}

@misc{Beller05d,
  author = {Beller, Grégory},
  title = {Etude et modèle génératif de l'expressivité dans la parole},
  school = {Paris 6, IRCAM},
  year = {2005},
  url = {http://articles.ircam.fr/textes/Beller05d/}
}

@inproceedings{Beller05e,
  author = {Beller, Grégory and Schwarz, Diemo and Hueber, Thomas and Rodet, Xavier},
  title = {Hybrid Concatenative Synthesis In The Intersection of Speech and Music},
  booktitle = {JIM},
  year = {2005},
  volume = {12},
  pages = {41-45},
  url = {http://articles.ircam.fr/textes/Beller05e/}
}

@techreport{Beller05f,
  author = {Beller, Grégory},
  title = {Le débit de parole en français},
  school = {projet VIVOS},
  year = {2005},
  url = {http://articles.ircam.fr/textes/Beller05f/}
}

@inproceedings{Beller06a,
  author = {Beller, Grégory and Hueber, Thomas and Schwarz, Diemo and Rodet, Xavier},
  title = {Speech Rates in French Expressive Speech},
  booktitle = {Speech Prosody 2006},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Beller06a/}
}

@inproceedings{Beller06b,
  author = {Beller, Grégory and Marty, Aurélien},
  title = {Talkapillar: outil d'analyse de corpus oraux},
  booktitle = {Rencontres Jeunes Chercheurs de l'Ecole Doctorale 268},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Beller06b/}
}

@inproceedings{Beller06c,
  author = {Beller, Grégory},
  title = {Analyse et Synthèse de l'Expressivité dans la Voix Parlée},
  booktitle = {JJCAAS},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Beller06c/}
}

@techreport{Beller06d,
  author = {Beller, Grégory},
  title = {Présentation générale du processus de transformation de l'expressivité dans la parole pour le projet VIVOS},
  school = {projet VIVOS},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Beller06d/}
}

@inproceedings{Beller07a,
  author = {Beller, Grégory and Rodet, Xavier},
  title = {Content-based transformation of the expressivity in speech},
  booktitle = {ICPhS},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Beller07a/}
}

@inproceedings{Beller07b,
  author = {Beller, Grégory},
  title = {Context Dependent Transformation of Expressivity in Speech Using a Bayesian Network},
  booktitle = {ParaLing},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Beller07b/}
}

@inproceedings{Beller07c,
  author = {Beller, Grégory},
  title = {Influence de l'expressivité sur le degré d'articulation},
  booktitle = {RJCP},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Beller07c/}
}

@inproceedings{Beller07d,
  author = {Beller, Grégory},
  title = {Transformation de la parole dépendante de l'expressivité et du texte},
  booktitle = {JSP},
  year = {2007}
}

@techreport{Beller07e,
  author = {Beller, Grégory},
  title = {Modèle statistique de l'expressivité dans la parole pour le projet VIVOS},
  school = {projet VIVOS},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Beller07e/}
}

@inproceedings{Beller08a,
  author = {Beller, Grégory and Obin, Nicolas and Rodet, Xavier},
  title = {Articulation Degree as a Prosodic Dimension of Expressive Speech},
  booktitle = {Speech Prosody 2008},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Beller08a/}
}

@article{Beller08b,
  author = {Beller, Grégory},
  title = {Semi-Parametric Synthesis of Speaker-Like Laughter},
  journal = {Technical paper},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Beller08b/}
}

@inproceedings{Beller08c,
  author = {Beller, Grégory and Veaux, Christophe and Rodet, Xavier},
  title = {IrcamCorpusExpressivity: Nonverbal Words and Restructurings},
  booktitle = {LREC workshop on emotions},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Beller08c/}
}

@phdthesis{Beller09a,
  author = {Beller, Grégory},
  title = {Analyse et Modèle Génératif de l'Expressivité : application à la parole et à l'interprétation musicale},
  school = {Paris 6 - IRCAM},
  year = {2009},
  url = {http://articles.ircam.fr/textes/Beller09a/}
}

@article{Beller09b,
  author = {Beller, Grégory and Veaux, Christophe and Degottex, Gilles and Obin, Nicolas and Lanchantin, Pierre and Rodet, Xavier},
  title = {IRCAM Corpus Tools: Système de Gestion de Corpus de Parole},
  journal = {TAL},
  year = {2009},
  url = {http://articles.ircam.fr/textes/Beller09b/}
}

@incollection{Beller09c,
  author = {Beller, Grégory},
  title = {Transformation of Expressivity in Speech},
  booktitle = {The Role of Prosody in the Expression of Emotions in English and in French},
  publisher = {Peter Lang},
  year = {2009},
  url = {http://articles.ircam.fr/textes/Beller09c/}
}

@inproceedings{Beller10b,
  author = {Beller, Grégory},
  title = {Expresso: Transformation of Expressivity in Speech},
  booktitle = {Speech Prosody},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Beller10b/}
}

@techreport{Beller11a,
  author = {Beller, Grégory and Aperghis, Georges},
  title = {Contrôle gestuel de la synthèse concaténative en temps réel dans Luna Park : Rapport compositeur en recherche 2010},
  school = {Médiation Recherche/Création},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Beller11a/}
}

@inproceedings{Beller11b,
  author = {Beller, Grégory and Aperghis, Georges},
  title = {Gestural Control of Real-Time Concatenative Synthesis in Luna Park},
  booktitle = {P3S, International Workshop on Performative Speech and Singing Synthesis},
  year = {2011},
  pages = {23-28},
  url = {http://articles.ircam.fr/textes/Beller11b/}
}

@inproceedings{Beller11c,
  author = {Beller, Grégory},
  title = {Gestural Control Of Real Time Concatenative Synthesis},
  booktitle = {ICPhS},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Beller11c/}
}

@inproceedings{Beller11d,
  author = {Beller, Grégory},
  title = {Gestural Control of Real-Time Speech Synthesis in Luna Park},
  booktitle = {SMC},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Beller11d/}
}

@article{Beller11e,
  author = {Beller, Grégory},
  title = {Arcane d’"Un mage en été"},
  journal = {Théâtre Publique},
  year = {2011},
  volume = {200},
  url = {http://articles.ircam.fr/textes/Beller11e/}
}

@inproceedings{Beller12a,
  author = {Beller, Grégory},
  title = {In-vivo : laboratoire de recherche et d’expérimentation autour du son pour le théâtre},
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  year = {2012}
}

@inproceedings{Beller14a,
  author = {Beller, Grégory},
  title = {The Synekine Project},
  booktitle = {MOCO},
  year = {2014},
  pages = {66-69},
  url = {http://architexte.ircam.fr/textes/Beller14a/}
}

@inproceedings{Benacchio11a,
  author = {Benacchio, Simon and Mamou-Mani, Adrien and Chomette, Baptiste and Caussé, René},
  title = {Modal active control applied to string instruments},
  booktitle = {JJCAAS},
  year = {2011}
}

@inproceedings{Benacchio12a,
  author = {Benacchio, Simon and Mamou-Mani, Adrien and Chomette, Baptiste and Caussé, René},
  title = {Active control applied to string instruments},
  booktitle = {ACOUSTICS 2012},
  year = {2012}
}

@inproceedings{Benacchio13a,
  author = {Benacchio, Simon and Chomette, Baptiste and Mamou-Mani, Adrien and Ollivier, François},
  title = {Simulated Effects of Combined Control of an Experimentally Identified Soundboard},
  booktitle = {SMAC},
  year = {2013}
}

@inproceedings{Benacchio13b,
  author = {Benacchio, Simon and Piéchaud, Robert and Mamou-Mani, Adrien and Chomette, Baptiste and Finel, Victor},
  title = {Active Control of String Instruments using Xenomai},
  booktitle = {Real Time Linux Workshop},
  year = {2013}
}

@inproceedings{Benacchio13c,
  author = {Benacchio, Simon and Mamou-Mani, Adrien and Chomette, Baptiste and Ollivier, François},
  title = {Combined State and State Derivative Control Applied to Musical String Instruments},
  booktitle = {ICA},
  year = {2013}
}

@article{Benacchio15a,
  author = {Benacchio, Simon and Chomette, Baptiste and Mamou-Mani, Adrien and Finel, Victor},
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  year = {2015},
  volume = {334},
  pages = {178-189}
}

@article{Benacchio15b,
  author = {Benacchio, Simon and Chomette, Baptiste and Mamou-Mani, Adrien and Ollivier, François},
  title = {Modal PD state active control applied to a simplified string instrument},
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  year = {2015}
}

@inproceedings{Benaroya13a,
  author = {Benaroya, Laurent and Peeters, Geoffroy},
  title = {A generic classification system for multi-channel audio indexing: application to speech and music detection},
  booktitle = {IEEE WIAMIS},
  year = {2013}
}

@inproceedings{Benetos13a,
  author = {Benetos, Emmanouil and Lagrange, Mathieu and Dixon, Simon},
  title = {Characterisation of acoustic scenes using a temporally-constrained shift-invariant model},
  booktitle = {International Conference on Digital Audio Effects},
  year = {2013},
  url = {http://articles.ircam.fr/textes/Benetos13a/}
}

@book{Bennett78a,
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@book{Bennett79a,
  author = {Bennett, Gerald},
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@inproceedings{Bensoam01a,
  author = {Bensoam, Joël and Misdariis, Nicolas and Vergez, Christophe and Caussé, René},
  title = {Finite element method for sound and structural vibration : musical application with Modalys sound synthesis program based in modal representation},
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  year = {2001}
}

@inproceedings{Bensoam01b,
  author = {Bensoam, Joël and Misdariis, Nicolas and Vergez, Christophe and Caussé, René},
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  booktitle = {CFM : Congrès Français de Mécanique},
  year = {2001}
}

@inproceedings{Bensoam01c,
  author = {Bensoam, Joël and Misdariis, Nicolas and Vergez, Christophe and Caussé, René},
  title = {Integral formalism and finite element method applied to sound synthesis by physical modeling},
  booktitle = {ICA : International Congress ofAcoustics},
  year = {2001}
}

@inproceedings{Bensoam02a,
  author = {Bensoam, Joël and Misdariis, Nicolas and Vergez, Christophe and Caussé, René},
  title = {Formulation intégrale et technique des éléments finis appliquées à la synthèse sonore par modèles physiques : Représentations intégrales utilisant la fonction de Green et le noyau de Poisson},
  booktitle = {CFA : Congrès Français d Acoustique},
  year = {2002}
}

@article{Bensoam02b,
  author = {Bensoam, Joël},
  title = {A reciprocal varational approach to the two body frictionless contact problem in elastodynamics},
  journal = {International Journal of Mechanical Sciences},
  year = {2009},
  url = {http://architexte.ircam.fr/textes/Bensoam02b/}
}

@inproceedings{Bensoam03a,
  author = {Bensoam, Joël and Caussé, René and Vergez, Christophe and Misdariis, Nicolas and Ellis, Nicholas},
  title = {Sound synthesis for three-dimensional object: dynamic contact between two arbitrary elastic bodies},
  booktitle = {Stockholm Music Acoustics Conference (SAMC)},
  year = {2003},
  volume = {1},
  pages = {369-372}
}

@phdthesis{Bensoam03b,
  author = {Bensoam, Joël},
  title = {REPRÉSENTATION INTÉGRALE APPLIQUÉE À LA SYNTHÈSE SONORE PAR MODÉLISATION PHYSIQUE : MÉTHODES DES ÉLÉMENTS FINIS},
  school = {Academie de Nantes Université du Maine},
  year = {2003},
  url = {http://architexte.ircam.fr/textes/Bensoam03b/}
}

@inproceedings{Bensoam06a,
  author = {Bensoam, Joël},
  title = {Mise en oeuvre des couplages non linéaires dans le logiciel de synthèse sonore : Modalys},
  booktitle = {8ème Congrès Français d'Acoustique CFA},
  year = {2006}
}

@inproceedings{Bensoam06b,
  author = {Bensoam, Joël},
  title = {Contact problems with friction applied to musical sound synthesis : Finite element and difference methods in musical acoustics},
  booktitle = {Acoustic Society of America},
  year = {2006}
}

@inproceedings{Bensoam07a,
  author = {Bensoam, Joël and Roze, David},
  title = {Modelling and numerical simulation of strings based on lie groups and algebras applications to the nonlinear dynamics of Reissner Beams},
  booktitle = {International Congress on Acoustics},
  year = {2007},
  url = {http://architexte.ircam.fr/textes/Bensoam07a/}
}

@inproceedings{Bensoam08a,
  author = {Bensoam, Joël},
  title = {Digital algoritm for sound synthesis : realism and complexity for creativity},
  booktitle = {Acoustics 08},
  year = {2008}
}

@inproceedings{Bensoam09a,
  author = {Bensoam, Joël},
  title = {A reciprocal variational approach to the two-body frictionless contact problem in elastodynamics},
  booktitle = {7th EUROMECH Solid Mechanics Conference (ESMC2009)},
  year = {2009}
}

@inproceedings{Bensoam12a,
  author = {Bensoam, Joël},
  title = {Differential geometry applied to acoustics : non linear propagation in Reissner beams},
  booktitle = {Acoustics2012},
  year = {2012},
  url = {http://architexte.ircam.fr/textes/Bensoam12a/}
}

@incollection{Bensoam13a,
  author = {Bensoam, Joël},
  title = {Differential geometry applied to acoustics: non linear propagation in Reissner beams},
  booktitle = {Geometric Science of Information: First International Conference, GSI 2013 Paris, France, August 28-30, 2013 Proceedings},
  publisher = {Springer},
  year = {2013},
  pages = {641-649}
}

@inproceedings{Bensoam14a,
  author = {Bensoam, Joël and Baugé, Florie-Anne},
  title = {Multisymplectic geometry with symmetry. Application to the Reissner beam},
  booktitle = {Unfold Mechanics for Sound and Music UMSM},
  year = {2014},
  url = {http://architexte.ircam.fr/textes/Bensoam14a/}
}

@inproceedings{Bensoam14b,
  author = {Bensoam, Joël},
  title = {Géométrie différentielle et Acoustique - Propagation d’ondes en grands déplacements : Séminaire LMA},
  booktitle = {Séminaire du LMA},
  year = {2014}
}

@article{Bergomi14a,
  author = {Bergomi, Mattia G. and Jadanza, Riccardo D. and Portaluri, Alessandro},
  title = {Una geometrizzazione dello spazio degli accordi},
  journal = {Ithaca: Viaggio nella Scienza},
  year = {2014},
  volume = {3},
  pages = {33-46},
  url = {http://architexte.ircam.fr/textes/Bergomi14a/}
}

@incollection{Bergomi14b,
  author = {Bergomi, Mattia G. and Jadanza, Riccardo D. and Portaluri, Alessandro},
  title = {Modelli geometrici e dinamici per spazi musicali},
  booktitle = {Conferenze e Seminari dell'Associazione Subalpina Mathesis 2013--2014}
}

@article{Bermudez11a,
  author = {Bermudez, Bertha and DeLahunta, Scott and Hoogenboom, Marijke and Ziegler, Chris and Bevilacqua, Frédéric and Fdili Alaoui, Sarah and Meneses Gutierrez, Barbara},
  title = {The Double Skin/Double Mind Interactive Installation},
  journal = {The Journal for Artistic Research (JAR)},
  year = {2011}
}

@book{Bernfeld78a,
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@incollection{Beros10a,
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  title = {Pensée conceptuelle pensée sensible en musique},
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@inproceedings{Bertet06a,
  author = {Bertet, Stéphanie and Daniel, Jérôme and Gros, Laetitia and Parizet, Etienne and Warusfel, Olivier},
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  booktitle = {8ème Congrès Français d'Acoustique},
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  url = {http://articles.ircam.fr/textes/Bertet06a/}
}

@inproceedings{Bertet07a,
  author = {Bertet, Stéphanie and Daniel, Jérôme and Parizet, Etienne and Gros, Laetitia and Warusfel, Olivier},
  title = {Investigation of the Perceived Spatial Resolution of Higher Order Ambisonic Sound Fields: A Subjective Evaluation Involving Virtual and Real 3D Microphones},
  booktitle = {30th AES Conference - Intelligent Audio Environnments},
  year = {2007}
}

@phdthesis{Bertet08a,
  author = {Bertet, Stéphanie},
  title = {Formats audio 3D hiérarchiques: caractérisation objective et perceptive des systèmes Ambisonics d'ordres supérieurs},
  school = {INSA Lyon},
  year = {2008}
}

@inproceedings{Bertet08b,
  author = {Bertet, Stéphanie and Daniel, Jérôme and Parizet, Etienne and Warusfel, Olivier},
  title = {Investigation on the restitution system influence over perceived Higher Order Ambisonics sound field: a subjective evaluation involving from first to fourth order systems},
  booktitle = {Journal of the Acoustical Society of America},
  year = {2008},
  volume = {123(5)},
  pages = {3568-3936}
}

@inproceedings{Bertet09a,
  author = {Bertet, Stéphanie and Baskind, Alexis and Londero, Alain and Warusfel, Olivier and Viaud-Delmon, Isabelle and Bonfils, Pierre},
  title = {Definition of a procedure for creating a synthetic tinnitus auditory image},
  booktitle = {3rd Tinnitus Research Initiative Meeting},
  year = {2009},
  pages = {54-54}
}

@inproceedings{Bertet09b,
  author = {Bertet, Stéphanie and Daniel, Jérôme and Parizet, Etienne and Warusfel, Olivier},
  title = {Influence of microphone and loudspeaker setup on perceived higher order ambisonics reproduced sound field},
  booktitle = {Ambisonics Symposium 2009},
  year = {2009}
}

@article{Bertet13a,
  author = {Bertet, Stéphanie and Daniel, Jérôme and Parizet, Etienne and Warusfel, Olivier},
  title = {Investigation on localisation accuracy for first and higher order ambisonics reproduced sound sources},
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  year = {2013},
  volume = {4-99},
  pages = {642-657}
}

@article{Bertet13b,
  author = {Bertet, Stéphanie and Baskind, Alexis and Londero, Alain and Bonfils, Laure and Viaud-Delmon, Isabelle and Warusfel, Olivier},
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  year = {2013},
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  pages = {121-132}
}

@misc{Berthaut98a,
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@article{Bertoncini89a,
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@inproceedings{Bevilacqua04a,
  author = {Bevilacqua, Frédéric and Fléty, Emmanuel},
  title = {Captation et analyse du mouvement pour l'interaction entre danse et musique},
  booktitle = {Rencontres Musicales Pluridisciplinaires - le corps & la musique},
  year = {2004},
  url = {http://articles.ircam.fr/textes/Bevilacqua04a/}
}

@inproceedings{Bevilacqua05a,
  author = {Bevilacqua, Frédéric and Müller, Remy and Schnell, Norbert},
  title = {MnM: a Max/MSP mapping toolbox},
  booktitle = {New Interfaces for Musical Expression},
  year = {2005},
  pages = {85-88},
  url = {http://articles.ircam.fr/textes/Bevilacqua05a/}
}

@inproceedings{Bevilacqua05b,
  author = {Bevilacqua, Frédéric and Müller, Remy},
  title = {A Gesture follower for performing arts},
  booktitle = {Gesture Workshop},
  year = {2005},
  url = {http://architexte.ircam.fr/textes/Bevilacqua05b/}
}

@inproceedings{Bevilacqua06a,
  author = {Bevilacqua, Frédéric and Rasamimanana, Nicolas and Fléty, Emmanuel and Lemouton, Serge and Baschet, Florence},
  title = {The augmented violin project: research, composition and performance report},
  booktitle = {6th International Conference on New Interfaces for Musical Expression (NIME 06)},
  year = {2006},
  pages = {402-406},
  url = {http://articles.ircam.fr/textes/Bevilacqua06a/}
}

@incollection{Bevilacqua06b,
  author = {Bevilacqua, Frédéric and Rasamimanana, Nicolas and Schnell, Norbert},
  title = {Interfaces gestuelles, captation du mouvement et création artistique},
  booktitle = {L'inouï #2: Revue de l'Ircam},
  publisher = {Editions Léo Scheer},
  year = {2006}
}

@inproceedings{Bevilacqua07a,
  author = {Bevilacqua, Frédéric and Guédy, Fabrice and Fléty, Emmanuel and Leroy, Nicolas and Schnell, Norbert},
  title = {Wireless sensor interface and gesture-follower for music pedagogy},
  booktitle = {International Conference on New Interfaces for Musical Expression},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Bevilacqua07a/}
}

@incollection{Bevilacqua07b,
  author = {Bevilacqua, Frédéric},
  title = {Momentary notes on capturing gestures},
  booktitle = {capturing intentions},
  publisher = {Emio Greco/PC and the Amsterdam School fo the Arts},
  year = {2007}
}

@inproceedings{Bevilacqua09a,
  author = {Bevilacqua, Frédéric and Zamborlin, Bruno and Sypniewski, Anthony and Schnell, Norbert and Guédy, Fabrice},
  title = {Continuous realtime gesture following and recognition},
  booktitle = {The 8th International Gesture Workshop},
  year = {2009},
  url = {http://architexte.ircam.fr/textes/Bevilacqua09a/}
}

@incollection{Bevilacqua09b,
  author = {Bevilacqua, Frédéric and Zamborlin, Bruno and Sypniewski, Anthony and Schnell, Norbert and Guédy, Fabrice and Rasamimanana, Nicolas},
  title = {Continuous realtime gesture following and recognition},
  booktitle = {Gesture in Embodied Communication and Human-Computer Interaction: Lecture Notes in Computer Science (LNCS) volume 5934},
  publisher = {Springer Verlag},
  year = {2010},
  pages = {73-84},
  url = {http://architexte.ircam.fr/textes/Bevilacqua09b/}
}

@inproceedings{Bevilacqua10a,
  author = {Bevilacqua, Frédéric and Zamborlin, Bruno and Rasamimanana, Nicolas and Schnell, Norbert},
  title = {Contrôle gestuel continu de médias sonores et visuels},
  booktitle = {Forum on tactile and gestural interaction},
  year = {2010},
  url = {http://architexte.ircam.fr/textes/Bevilacqua10a/}
}

@inproceedings{Bevilacqua10b,
  author = {Bevilacqua, Frédéric},
  title = {Following movements in interactive dance installations},
  booktitle = {Kinesthetic Empathy: Concepts and Contexts},
  year = {2010},
  url = {http://architexte.ircam.fr/textes/Bevilacqua10b/}
}

@incollection{Bevilacqua11a,
  author = {Bevilacqua, Frédéric and Schnell, Norbert and Fdili Alaoui, Sarah},
  title = {Gesture capture: Paradigms in interactive music/dance systems},
  booktitle = {Emerging Bodies},
  publisher = {transcript Verlag},
  year = {2011},
  pages = {183-193},
  url = {http://architexte.ircam.fr/textes/Bevilacqua11a/}
}

@incollection{Bevilacqua11b,
  author = {Bevilacqua, Frédéric and Schnell, Norbert and Rasamimanana, Nicolas and Zamborlin, Bruno and Guédy, Fabrice},
  title = {Online Gesture Analysis and Control of Audio Processing},
  booktitle = {Musical Robots and Interactive Multimodal Systems: Springer Tracts in Advanced Robotics Vol 74},
  publisher = {Springer Verlag},
  year = {2011},
  pages = {127-142},
  url = {http://architexte.ircam.fr/textes/Bevilacqua11b/}
}

@article{Bevilacqua12a,
  author = {Bevilacqua, Frédéric and Baschet, Florence and Lemouton, Serge},
  title = {The Augmented String Quartet: Experiments and Gesture Following},
  journal = {Journal of New Music Research},
  year = {2012},
  volume = {1-41},
  pages = {103-119},
  url = {http://articles.ircam.fr/textes/Bevilacqua12a/}
}

@inproceedings{Bevilacqua13a,
  author = {Bevilacqua, Frédéric and Schnell, Norbert and Rasamimanana, Nicolas and Bloit, Julien and Fléty, Emmanuel and Caramiaux, Baptiste and Francoise, Boyer,},
  title = {De-Mo: designing action-sound relationships with the mo interfaces},
  booktitle = {CHI'13},
  year = {2013},
  pages = {2907-2910}
}

@inproceedings{Bevilacqua13b,
  author = {Bevilacqua, Frédéric and Fels, Sidney and Jensenius, Alexander R. and Lyons, Michael J. and Schnell, Norbert and Tanaka, Atau},
  title = {SIG NIME: music, technology, and human-computer interaction},
  booktitle = {CHI'13 EA on Human Factors in Computing Systems},
  year = {2013},
  pages = {2529-2532}
}

@inproceedings{Bevilacqua13c,
  author = {Bevilacqua, Frédéric and Vanzandt-Escobar, Alejandro and Schnell, Norbert and Boyer, Eric O. and Rasamimanana, Nicolas and Hanneton, Sylvain and Roby-Brami, Agnès},
  title = {Sonification of the Coordination of Arm Movements},
  booktitle = {Multisensory Motor Behavior: Impact of Sound},
  year = {2013}
}

@misc{Bevilacqua14a,
  author = {Bevilacqua, Frédéric},
  title = {Movement and Sound Interactions},
  school = {Université Pierre et Marie Curie},
  year = {2014}
}

@book{Bevilacqua14c,
  author = {Bevilacqua, Frédéric and Fdili Aloui, Sarah and Jules, Françoise and Pasquier, Philippe and Schiphorst, Thecla},
  title = {Proceedings of the 2014 International Workshop on Movement and Computing (MOCO 14)},
  publisher = {ACM},
  year = {2014}
}

@article{Bey02a,
  author = {Bey, Caroline and McAdams, Stephen},
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}

@article{Bey03a,
  author = {Bey, Caroline and McAdams, Stephen},
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  volume = {?para?tre.}
}

@phdthesis{Bey95a,
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}

@inproceedings{Bey97a,
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  year = {1997}
}

@inproceedings{Bey97b,
  author = {Bey, Caroline and McAdams, Stephen},
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  pages = {531-534}
}

@incollection{Bey97c,
  author = {Bey, Caroline},
  title = {La perception du son},
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  year = {1997}
}

@inproceedings{Bey97d,
  author = {Bey, Caroline and McAdams, Stephen},
  title = {Etudes des processus de formation des flux auditifs par une méthode objective},
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  year = {1997},
  volume = {1},
  pages = {531-534}
}

@inproceedings{Bey97e,
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}

@inproceedings{Bey98a,
  author = {Bey, Caroline and McAdams, Stephen},
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  year = {1998},
  pages = {255-260}
}

@phdthesis{Bey99a,
  author = {Bey, Caroline},
  title = {Reconnaissance de mélodies intercalées et formation de flux auditifs : Analyse fonctionnelle et exploration neuropsychologique},
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  year = {1999},
  url = {http://articles.ircam.fr/textes/Bey99a}
}

@misc{Bianco07a,
  author = {Bianco, Tommaso},
  title = {Outil auteur pour la réalisation d'oeuvres pluri-artistiques interactives},
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  year = {2007}
}

@inproceedings{Bianco08a,
  author = {Bianco, Erkki and Degottex, Gilles and Rodet, Xavier},
  title = {Mécanismes vibratoires ou registres ?},
  booktitle = {Congrès de la société française de phoniatrie},
  year = {2008}
}

@inproceedings{Bianco09a,
  author = {Bianco, Tommaso and FRÉOUR, Vincent and Rasamimanana, Nicolas and Maniatakos, Fivos and Bevilacqua, Frédéric},
  title = {Parametric modeling of gestural co-articulation effects in music performance},
  booktitle = {The 8th International Gesture Workshop},
  year = {2009}
}

@incollection{Bianco09b,
  author = {Bianco, Tommaso and Freour, Vincent and Rasamimanana, Nicolas and Bevilacqua, Frédéric and Caussé, René},
  title = {On gestural variation and coarticulation effects in sound control},
  booktitle = {Gesture in Embodied Communication and Human-Computer Interaction: Lecture Notes in Computer Science (LNCS) volume 5934},
  publisher = {Springer Verlag},
  year = {2010},
  pages = {134-145},
  url = {http://articles.ircam.fr/textes/Bianco09b/}
}

@inproceedings{Bianco10a,
  author = {Bianco, Tommaso and Wanderley, Marcelo M. and Bevilacqua, Frédéric},
  title = {Mimicry of tone production: results from a pilot experiment},
  booktitle = {Sound and Music Computing Conference},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Bianco10a/}
}

@inproceedings{Bianco10b,
  author = {Bianco, Tommaso},
  title = {Effects of coarticulation in mimicry of tone production},
  booktitle = {JJCAAS},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Bianco10b/}
}

@article{Bianco12b,
  author = {Bianco, Tommaso and Freour, Vincent and Cossette, Isabelle and Bevilacqua, Frédéric and Caussé, René},
  title = {Measures of facial muscle activation, intraoral pressure and mouthpiece force in trumpet playing},
  journal = {Journal of New Music Research},
  year = {2012}
}

@phdthesis{Bianco12c,
  author = {Bianco, Tommaso},
  title = {Gestural control in trumpet performance: experiments and modeling.},
  school = {Université Pierre et Marie Curie (UPMC)},
  year = {2012}
}

@misc{Bietti14a,
  author = {Bietti, Alberto},
  title = {Online learning for audio clustering and segmentation},
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}

@article{Bigand00a,
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  pages = {270-278}
}

@article{Bigand02a,
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  year = {2002}
}

@inproceedings{Bigand02b,
  author = {Bigand, Emmanuel and D'Adamo, Daniel and Madurell, François and Poulin, Bénédicte},
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  booktitle = {7th International Conference on Music Perception and Cognition},
  year = {2002}
}

@inproceedings{Bigand94a,
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}

@article{Bigand98a,
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}

@article{Bigand98b,
  author = {Bigand, Emmanuel and Madurell, François and McAdams, Stephen},
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}

@article{Bigand98c,
  author = {Bigand, Emmanuel and Madurell, François and McAdams, Stephen},
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  year = {1998},
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  pages = {71-81}
}

@misc{Bigo10a,
  author = {Bigo, Louis},
  title = {Utilisation de la programmation spatiale pour l'analyse et la représentation symbolique musicale},
  school = {Ircam - Université Paris VI},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Bigo10a/}
}

@inproceedings{Bigo10b,
  author = {Bigo, Louis and Spicher, Antoine and Michel, Olivier},
  title = {Spatial Programming for Music Representation and Analysis},
  booktitle = {Spatial Computing Workshop 2010},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Bigo10b/}
}

@inproceedings{Bigo10d,
  author = {Bigo, Louis},
  title = {Symbolic Representations and Topological Analysis of Musical Structures with Spatial Programming},
  booktitle = {JCAAAS},
  year = {2010}
}

@inproceedings{Bigo11a,
  author = {Bigo, Louis and Spicher, Antoine and Michel, Olivier},
  title = {Différentes utilisations de l'espace en musique à l'aide d'un langage de programmation dédié au calcul spatial},
  booktitle = {Journées d'Informatique Musicale 2011},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Bigo11a/}
}

@inproceedings{Bigo11b,
  author = {Bigo, Louis and Spicher, Antoine and Michel, Olivier},
  title = {Two Representations of Music Computed with a Spatial Programming Language},
  booktitle = {New Worlds of Computation 2011},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Bigo11b/}
}

@inproceedings{Bigo11c,
  author = {Bigo, Louis and Giavitto, Jean-Louis and Spicher, Antoine},
  title = {Building Topological Spaces for Musical Objects},
  booktitle = {Mathematics and Computation in Music},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Bigo11c/}
}

@inproceedings{Bigo12a,
  author = {Bigo, Louis and Garcia, Jérémie and Spicher, Antoine and Mackay, Wendy},
  title = {PAPERTONNETZ: Music Composition with Interactive Paper},
  booktitle = {Sound and Music Computing},
  year = {2012},
  pages = {219-225},
  url = {http://architexte.ircam.fr/textes/Bigo12a/}
}

@inproceedings{Bigo13a,
  author = {Bigo, Louis and Andreatta, Moreno and Giavitto, Jean-Louis and Michel, Olivier and Spicher, Antoine},
  title = {Computation and Visualization of Musical Structures in Chord-based Simplicial Complexes},
  booktitle = {MCM 2013},
  year = {2013},
  pages = {38-51}
}

@inproceedings{Bigo13b,
  author = {Bigo, Louis and Spicher, Antoine},
  title = {Self-Assembly of Musical Representations in MGS},
  booktitle = {Artificial Intelligence and Simulation of Behaviour},
  year = {2013},
  volume = {19}
}

@inproceedings{Bigo13c,
  author = {Bigo, Louis and Giavitto, Jean-Louis and Spicher, Antoine},
  title = {Spatial Programming for Musical Transformations and Harmonization},
  booktitle = {Spatial Computing Workshop (SCW 2013)},
  year = {2013},
  pages = {9-16}
}

@phdthesis{Bigo13d,
  author = {Bigo, Louis},
  title = {Représentations symboliques musicales et calcul spatial},
  school = {Université Paris-Est},
  year = {2013}
}

@article{Bigo14a,
  author = {Bigo, Louis and Andreatta, Moreno},
  title = {A Geometrical Model for the Analysis of Pop Music},
  journal = {Sonus},
  year = {2014},
  volume = {35-1}
}

@inproceedings{Bigo14b,
  author = {Bigo, Louis and Spicher, Antoine and Ghisi, Daniele and Andreatta, Moreno},
  title = {Spatial Transformations in Simplicial Chord Spaces},
  booktitle = {Proceedings ICMC|SMC|2014},
  year = {2014},
  pages = {1112-1119},
  url = {http://architexte.ircam.fr/textes/Bigo14b/}
}

@misc{Bisot14a,
  author = {Bisot, Victor},
  title = {Estimation de la structure musicale par approche DTW localement contraint et maximum likehood},
  school = {Université Paris VI},
  year = {2014}
}

@misc{Blardone06a,
  author = {Blardone, Mathieu},
  title = {Le développement de logiciels documentaires adaptés au grand public},
  school = {UNIVERSITE BORDEAUX III - MICHEL DE MONTAIGNE},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Blardone06a/}
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@inproceedings{Bloch08a,
  author = {Bloch, Georges and Dubnov, Shlomo and Assayag, Gérard},
  title = {INTRODUCING VIDEO FEATURES AND SPECTRAL DESCRIPTORS IN THE OMAX IMPROVISATION SYSTEM},
  booktitle = {ICMC},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Bloch08a/}
}

@incollection{Bloch11a,
  author = {Bloch, Georges and Truchet, Charlotte},
  title = {Constraints for an Unfolding Time},
  booktitle = {Constraint Programmin in Music},
  publisher = {Truchet, C., & Assayag, G., Eds (WILEY)},
  year = {2011},
  pages = {55-80}
}

@article{Bloch14a,
  author = {Bloch, Georges},
  title = {L’improvisation composée : une utopie fructueuse née avec la musique interactive (1977-1985)},
  journal = {Revue Francophone d'Informatique Musicale},
  year = {2014},
  volume = {4},
  url = {http://architexte.ircam.fr/textes/Bloch14a/}
}

@misc{Bloit05a,
  author = {Bloit, Julien},
  title = {Analyse temps réel de la voix pour le contrôle de synthèse audio},
  school = {UPMC (Paris 6)},
  year = {2005}
}

@techreport{Bloit07a,
  author = {Bloit, Julien},
  title = {Modélisation et reconnaissance d’événements musicaux en temps réel : Rapport de thèse à mi-parcours},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Bloit07a/}
}

@inproceedings{Bloit08a,
  author = {Bloit, Julien and Rodet, Xavier},
  title = {Short-time Viterbi for online HMM decoding : evaluation on a real-time phone recognition task},
  booktitle = {ICASSP},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Bloit08a/}
}

@inproceedings{Bloit09a,
  author = {Bloit, Julien and Rasamimanana, Nicolas and Bevilacqua, Frédéric},
  title = {Towards morphological sound description using segmental models},
  booktitle = {DAFX},
  year = {2009},
  url = {http://articles.ircam.fr/textes/Bloit09a/}
}

@article{Bloit10a,
  author = {Bloit, Julien and Rasamimanana, Nicolas and Bevilacqua, Frédéric},
  title = {Modeling and segmentation of audio descriptor profiles with Segmental Models},
  journal = {Pattern Recognition Letters},
  year = {2010},
  url = {http://architexte.ircam.fr/textes/Bloit10a/}
}

@phdthesis{Bloit10b,
  author = {Bloit, Julien},
  title = {Interaction musicale et geste sonore : modélisation temporelle de descripteurs audio},
  school = {Paris 6},
  year = {2010}
}

@inproceedings{Blum04a,
  author = {Blum, Alan and Katz, Brian F. G. and Warusfel, Olivier},
  title = {Eliciting adaptation to non-individual HRTF spectral cues with multi-modal training presence},
  booktitle = {CFA-DAGA},
  year = {2004}
}

@inproceedings{Bogaards04a,
  author = {Bogaards, Niels and Roebel, Axel and Rodet, Xavier},
  title = {Sound Analysis and Processing with AudioSculpt 2},
  booktitle = {International Computer Music Conference (ICMC)},
  year = {2004},
  url = {http://articles.ircam.fr/textes/Bogaards04a/}
}

@inproceedings{Bogaards05a,
  author = {Bogaards, Niels},
  title = {ANALYSIS-ASSISTED SOUND PROCESSING WITH AUDIOSCULPT},
  booktitle = {8th International Conference on Digital Audio Effects (DAFX-05)},
  year = {2005},
  pages = {269-272},
  url = {http://articles.ircam.fr/textes/Bogaards05a/}
}

@inproceedings{Bogaards05b,
  author = {Bogaards, Niels and Roebel, Axel},
  title = {An interface for analysis-driven sound processing},
  booktitle = {AES 119th Convention},
  year = {2005},
  url = {http://articles.ircam.fr/textes/Bogaards05b/}
}

@inproceedings{Bogaards08a,
  author = {Bogaards, Niels},
  title = {Sound Editing on the Sonogram},
  booktitle = {ICAD},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Bogaards08a/}
}

@inproceedings{Bogaards08b,
  author = {Bogaards, Niels and Yeh, Chunghsin and Burred, Juan José},
  title = {Introducing ASAnnotation: a tool for Sound Analysis and Annotation},
  booktitle = {ICMC},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Bogaards08b/}
}

@inproceedings{Bonardi00a,
  author = {Bonardi, Alain},
  title = {Information Retrieval for Contemporary Music : What the Musicologist Needs},
  booktitle = {International Symposium on Music Information Retrieval},
  year = {2000},
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}

@article{Bonardi02a,
  author = {Bonardi, Alain and Rousseaux, Francis},
  title = {Composing an Interactive Virtual Opera: The Virtualis Project},
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  volume = {issue3-35},
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}

@inproceedings{Bonardi02b,
  author = {Bonardi, Alain and Rousseaux, Francis},
  title = {How do Interactive Virtual Operas Shift Relationships between Music, Text and Image?},
  booktitle = {Language, Vision and Music},
  year = {2002},
  volume = {35},
  pages = {285-294}
}

@inproceedings{Bonardi05a,
  author = {Bonardi, Alain and Rousseaux, Francis},
  title = {New Approaches of Theatre and Opera Directly Inspired by Interactive Data-Mining},
  booktitle = {Conférence Internationale Sound & Music Computing},
  year = {2005},
  url = {http://architexte.ircam.fr/textes/Bonardi05a/}
}

@inproceedings{Bonardi07a,
  author = {Bonardi, Alain and Barthélemy, Jérôme},
  title = {Le patch comme document numérique : Support de création et de constitution de connaissances pour les arts de la performance},
  booktitle = {CIDE 10},
  year = {2007},
  volume = {1},
  pages = {163-174},
  url = {http://architexte.ircam.fr/textes/Bonardi07a/}
}

@inproceedings{Bonardi07b,
  author = {Bonardi, Alain and Rousseaux, Francis},
  title = {Parcourir nos collections numériques},
  booktitle = {CIDE 10},
  year = {2007},
  volume = {1},
  pages = {133-142},
  url = {http://architexte.ircam.fr/textes/Bonardi07b/}
}

@inproceedings{Bonardi08a,
  author = {Bonardi, Alain and Barthélemy, Jérôme and Boutard, Guillaume and Ciavarella, Raffaele},
  title = {First Steps in Research and Development about the Sustainability of Software Modules for Performing Arts},
  booktitle = {Journée d'Informatique Musicale 2008},
  year = {2008},
  volume = {1},
  pages = {105-110},
  url = {http://architexte.ircam.fr/textes/Bonardi08a/}
}

@article{Bonardi08b,
  author = {Bonardi, Alain and Barthélemy, Jérôme},
  title = {The Preservation, Emulation, Migration, and Virtualization of Live Electronics for Performing Arts: An Overview of Musical and Technical Issues},
  journal = {ACM J. Comput. Cultur. Heritage},
  year = {2008},
  volume = {1-1},
  pages = {6-6}
}

@inproceedings{Bonardi08c,
  author = {Bonardi, Alain and Barthélemy, Jérôme and Ciavarella, Raffaele and Boutard, Guillaume},
  title = {Will Software Modules for Performing Arts be Sustainable ?},
  booktitle = {14th IEEE Mediterranean Electrotechnical Conference (MELECON'08),},
  year = {2008},
  url = {http://architexte.ircam.fr/textes/Bonardi08c/}
}

@article{Bonardi08d,
  author = {Bonardi, Alain and Barthélemy, Jérôme and Boutard, Guillaume and Ciavarella, Raffaele},
  title = {Préservation de processus temps réel : Vers un document numérique},
  journal = {Document Numérique},
  year = {2008},
  volume = {vol.11},
  pages = {59-80},
  url = {http://architexte.ircam.fr/textes/Bonardi08d/}
}

@book{Bonardi08e,
  author = {Bonardi, Alain},
  title = {Représentations opérationnelles : L'opéra entre Berio et Turing},
  publisher = {Editions Delatour France},
  year = {2008}
}

@phdthesis{Bonardi08f,
  author = {Bonardi, Alain},
  title = {Vers des environnements homme-machine pour ressaisir les intentions dans la création scénique : Habilitation à diriger des recherches - Réflexions sur la médiation des nouvelles technologies dans la conception de spectacles vivants et leur recréation par les spectateurs},
  school = {Université de Reims Champagne Ardenne},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Bonardi08f/}
}

@inproceedings{Bonardi09a,
  author = {Bonardi, Alain and Truck, Isis},
  title = {Designing a libray for computing [performances] with words},
  booktitle = {4th International Conference on Intelligent Systems and Knowledge Engineering},
  year = {2009},
  pages = {40-45},
  url = {http://articles.ircam.fr/textes/Bonardi09a/}
}

@article{Bonardi09b,
  author = {Bonardi, Alain},
  title = {De la fragilité des artefacts au calcul de la fragilité : Technologies et accidents dans les arts de la scène},
  journal = {Agôn},
  year = {2009},
  volume = {2},
  url = {http://architexte.ircam.fr/textes/Bonardi09b/}
}

@inproceedings{Bonardi10a,
  author = {Bonardi, Alain and Truck, Isis},
  title = {Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts},
  booktitle = {International Computer Music Conference},
  year = {2010},
  pages = {474-477},
  url = {http://articles.ircam.fr/textes/Bonardi10a/}
}

@article{Bonardi10b,
  author = {Bonardi, Alain and Rousseaux, Francis},
  title = {Interactions médiatisées sur scène},
  journal = {TECHNIQUE ET SCIENCE INFORMATIQUES},
  year = {2010},
  volume = {29-8},
  pages = {871-898}
}

@incollection{Bonardi11a,
  author = {Bonardi, Alain},
  title = {Les Petites Absences. Du théâtre à la musique en passant par l'informatique temps réel},
  booktitle = {Les interactions entre musique et théâtre},
  publisher = {Editions l'Entretemps},
  year = {2011},
  pages = {26-49}
}

@inproceedings{Bonardi11b,
  author = {Bonardi, Alain},
  title = {Approches pratiques de la préservation/virtualisation des œuvres interactives mixtes : En Echo de Manoury},
  booktitle = {Journées d'Informatique Musicale 2011},
  year = {2011},
  url = {http://architexte.ircam.fr/textes/Bonardi11b/}
}

@article{Bonardi11c,
  author = {Bonardi, Alain and Rousseaux, Francis},
  title = {L’émergence de pratiques musicales a-musicologiques},
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  year = {2011},
  volume = {18},
  pages = {99-115},
  url = {http://architexte.ircam.fr/textes/Bonardi11c/}
}

@article{Bonardi11d,
  author = {Bonardi, Alain and Rousseaux, Francis and Schwarz, Diemo and Roadley, Benjamin},
  title = {La collection numérique comme modèle pour la synthèse sonore, la composition et l’exploration multimédia interactives},
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  year = {2011},
  volume = {6}
}

@incollection{Bonardi12a,
  author = {Bonardi, Alain},
  title = {Quand émergent des pratiques musicales a-musicologiques},
  booktitle = {Musik – Kontext – Wissenschaft / Musique – Contexte – Savoirs: Perspectives interdisciplinaires sur la musique},
  publisher = {Peter Lang},
  year = {2012},
  pages = {71-81}
}

@article{Bonardi13a,
  author = {Bonardi, Alain},
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  pages = {105-126}
}

@inproceedings{Bonardi99a,
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@article{Bonneel10a,
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  year = {2010}
}

@misc{Bonnefoy12a,
  author = {Bonnefoy, Antoine},
  title = {Transcription automatic de la partie percussive d’un morceau de musique},
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}

@incollection{Bonnet88a,
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@incollection{Bonnet91a,
  author = {Bonnet, Antoine},
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@incollection{Botte95a,
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@article{Botte97b,
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@misc{Bottini06a,
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@misc{Bouche13b,
  author = {Bouche, Dimitri},
  title = {Dynamisation de l'architecture audio du logiciel OpenMusic},
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@inproceedings{Bouche14a,
  author = {Bouche, Dimitri and Bresson, Jean and Letz, Stéphane},
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  year = {2014},
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@misc{BOUCHERON12a,
  author = {BOUCHERON, Amandine},
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@misc{Boudard07a,
  author = {Boudard, Léopold},
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}

@article{Bouhoula12a,
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@misc{Bouillot02a,
  author = {Bouillot, Nicolas},
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@inproceedings{Boulez81a,
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@incollection{Boulez86a,
  author = {Boulez, Pierre},
  title = {Le système et l'idée},
  booktitle = {Inharmoniques n° 1: Le temps des mutations},
  publisher = {Ircam - Centre Georges Pompidou},
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}

@incollection{Boulez88a,
  author = {Boulez, Pierre},
  title = {Entre ordre et chaos},
  booktitle = {Inharmoniques n° 3: Musique et perception},
  publisher = {Ircam - Centre Georges Pompidou},
  year = {1988},
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}

@incollection{Boulez88b,
  author = {Boulez, Pierre},
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}

@article{Boulez88c,
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@incollection{Boulez96a,
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}

@inproceedings{Bouvier16a,
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@misc{Boyer09a,
  author = {Boyer, Eric},
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}

@article{Boyer13a,
  author = {Boyer, Eric O. and Babayan, Bénédicte M. and Bevilacqua, Frédéric and Noisternig, Markus and Roby-Brami, Agnes and Hanneton, Sylvain and Viaud-Delmon, Isabelle},
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@inproceedings{Boyer13b,
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@inproceedings{Boyer13c,
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}

@article{Boyer13d,
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@inproceedings{Boyer13e,
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}

@incollection{Boyer14a,
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}

@techreport{Boyer14b,
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@misc{Bresson03a,
  author = {Bresson, Jean},
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  year = {2003}
}

@inproceedings{Bresson04a,
  author = {Bresson, Jean and Agon, Carlos},
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  year = {2004},
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@inproceedings{Bresson05a,
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}

@inproceedings{Bresson05b,
  author = {Bresson, Jean and Agon, Carlos and Assayag, Gérard},
  title = {OpenMusic 5: A Cross-Platform Release of the Computer-Assisted Composition Environment},
  booktitle = {10th Brazilian Symposium on Computer Music},
  year = {2005},
  url = {http://articles.ircam.fr/textes/Bresson05b/}
}

@inproceedings{Bresson06a,
  author = {Bresson, Jean and Agon, Carlos},
  title = {Temporal Control over Sound Synthesis Processes},
  booktitle = {Sound and Music Computing},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Bresson06a/}
}

@inproceedings{Bresson06b,
  author = {Bresson, Jean and Agon, Carlos},
  title = {Sound Writing and Representation in a Visual Programming Framework},
  booktitle = {Digital Music Research Network Doctoral Research Conference},
  year = {2006},
  url = {http://articles.ircam.fr/textes/Bresson06b/}
}

@inproceedings{Bresson06c,
  author = {Bresson, Jean},
  title = {Sound Processing in OpenMusic},
  booktitle = {9th International Conference on Digital Audio Effects - DAFx-06},
  year = {2006},
  pages = {325-330},
  url = {http://articles.ircam.fr/textes/Bresson06c/}
}

@article{Bresson06d,
  author = {Bresson, Jean and Guédy, Fabrice and Assayag, Gérard},
  title = {Musique Lab Maquette : approche interactive des processus compositionnels pour la pédagogie musicale},
  journal = {STICEF - Sciences et Technologies de l´Information et de la Communication pour l´Education et la Formation},
  year = {2006},
  volume = {13}
}

@inproceedings{Bresson07a,
  author = {Bresson, Jean},
  title = {Processus compositionnels et opérateurs musicaux dans ML-Maquette - Les outils de traitement du signal},
  booktitle = {Journées d'Informatique Musicale},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Bresson07a/}
}

@inproceedings{Bresson07b,
  author = {Bresson, Jean and Stroppa, Marco and Agon, Carlos},
  title = {Generation and Representation of Data and Events for the Control of Sound Synthesis},
  booktitle = {Sound and Music Computing Conference},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Bresson07b/}
}

@phdthesis{Bresson07c,
  author = {Bresson, Jean},
  title = {La synthèse sonore en composition musicale assistée par ordinateur : Modélisation et écriture du son},
  school = {UPMC - Université Paris 6},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Bresson07c/}
}

@article{Bresson07d,
  author = {Bresson, Jean and Agon, Carlos},
  title = {Musical Representation of Sound in Computer-Aided Composition: A Visual Programming Framework},
  journal = {Journal of New Music Research},
  year = {2007},
  volume = {36-4},
  pages = {251-266}
}

@book{Bresson08a,
  author = {Bresson, Jean and Agon, Carlos and Assayag, Gérard},
  title = {The OM Composer's Book 2},
  publisher = {Editions Delatour France / Ircam-Centre Pompidou},
  year = {2008}
}

@article{Bresson08c,
  author = {Bresson, Jean and Agon, Carlos},
  title = {Scores, Programs, and Time Representation: The Sheet Object in OpenMusic},
  journal = {Computer Music Journal},
  year = {2008},
  volume = {32-4},
  pages = {31-47}
}

@inproceedings{Bresson09a,
  author = {Bresson, Jean and Agon, Carlos},
  title = {Synthèse sonore et composition musicale: Problématiques et outils d'«écriture» électroacoustique},
  booktitle = {EMS 09: Electroacoustic Music Studies Network Conference},
  year = {2009}
}

@article{Bresson09b,
  author = {Bresson, Jean and Agon, Carlos and Assayag, Gérard},
  title = {Visual Lisp/CLOS Programming in OpenMusic},
  journal = {Higher-Order and Symbolic Computation},
  year = {2009},
  volume = {22-1},
  pages = {81-111}
}

@inproceedings{Bresson10a,
  author = {Bresson, Jean and Agon, Carlos and Schumacher, Marlon},
  title = {Représentation des données de contrôle pour la spatialisation dans OpenMusic},
  booktitle = {Journées d'Informatique Musicale},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Bresson10a/}
}

@inproceedings{Bresson10b,
  author = {Bresson, Jean and Agon, Carlos},
  title = {Processing Sound and Music Description Data Using OpenMusic},
  booktitle = {International Computer Music Conference},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Bresson10b/}
}

@inproceedings{Bresson10c,
  author = {Bresson, Jean},
  title = {ML-Maquette / Musique Lab 2},
  booktitle = {International Computer Music Conference},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Bresson10c/}
}

@inproceedings{Bresson11a,
  author = {Bresson, Jean and Michon, Romain},
  title = {Implémentations et contrôle du synthétiseur CHANT dans OpenMusic},
  booktitle = {Journées d'Informatique Musicale},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Bresson11a/}
}

@inproceedings{Bresson11b,
  author = {Bresson, Jean and Stroppa, Marco},
  title = {The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis},
  booktitle = {International Computer Music Conference},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Bresson11b/}
}

@inproceedings{Bresson11c,
  author = {Bresson, Jean and Schumacher, Marlon},
  title = {Representation and Interchange of Sound Spatialization Data for Compositional Applications},
  booktitle = {International Computer Music Conference},
  year = {2011},
  url = {http://articles.ircam.fr/textes/Bresson11c/}
}

@inproceedings{Bresson11d,
  author = {Bresson, Jean and Agon, Carlos},
  title = {Visual Programming and Music Score Generation with OpenMusic},
  booktitle = {IEEE Symposium on Visual Languages and Human-Centric Computing},
  year = {2011},
  pages = {247-248},
  url = {http://articles.ircam.fr/textes/Bresson11d/}
}

@inproceedings{Bresson11e,
  author = {Bresson, Jean and Agon, Carlos and Assayag, Gérard},
  title = {OpenMusic - Visual Programming Environment for Music Composition, Analysis and Research},
  booktitle = {ACM MultiMedia 2011},
  year = {2011},
  url = {http://architexte.ircam.fr/textes/Bresson11e/}
}

@article{Bresson12a,
  author = {Bresson, Jean and Guédy, Fabrice and Assayag, Gérard},
  title = {Musique Lab 2: From Computer-Aided Composition to Music Education},
  journal = {Journal of Music, Technology & Education},
  year = {2013},
  volume = {5-3},
  pages = {273-291}
}

@inproceedings{Bresson12b,
  author = {Bresson, Jean},
  title = {Spatial Structures Programming for Music},
  booktitle = {Spatial Computing Workshop (SCW)},
  year = {2012},
  url = {http://articles.ircam.fr/textes/Bresson12b/}
}

@inproceedings{Bresson12c,
  author = {Bresson, Jean and Pérez-Sancho, Carlos},
  title = {New Framework for Score Segmentation and Analysis in OpenMusic},
  booktitle = {Sound and Music Computing},
  year = {2012},
  url = {http://articles.ircam.fr/textes/Bresson12c/}
}

@inproceedings{Bresson13b,
  author = {Bresson, Jean and Foulon, Raphaël and Stroppa, Marco},
  title = {Reduction as a Transition Controller for Sound Synthesis Events},
  booktitle = {FARM'13 - Workshop on Functional Art, Music, Modeling and Design},
  year = {2013},
  url = {http://architexte.ircam.fr/textes/Bresson13b/}
}

@article{Bresson14a,
  author = {Bresson, Jean and Giavitto, Jean-Louis},
  title = {A reactive extension of the OpenMusic visual programming language},
  journal = {Journal of Visual Languages and Computing},
  year = {2014},
  volume = {4-25}
}

@inproceedings{Bresson14b,
  author = {Bresson, Jean},
  title = {Reactive Visual Programs for Computer-Aided Music Composition},
  booktitle = {IEEE Symposium on Visual Languages and Human-Centric Computing},
  year = {2014},
  url = {http://architexte.ircam.fr/textes/Bresson14b/}
}

@book{Bresson14c,
  author = {Bresson, Jean and Fober, Dominique},
  title = {Informatique musicale},
  journal = {TECHNIQUE ET SCIENCE INFORMATIQUES},
  year = {2014},
  volume = {7-8-33}
}

@article{Breton96a,
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}

@article{Brindeau97a,
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}

@inproceedings{Brochard95a,
  author = {Brochard, Renaud and Drake, Carolyn and Botte, Marie-Claire and McAdams, Stephen},
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}

@article{Brochard99a,
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}

@misc{Brossier01a,
  author = {Brossier, Paul},
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  school = {Université Pierre et Marie Curie},
  year = {2001}
}

@article{Brown01a,
  author = {Brown, Judith and Houix, Olivier and McAdams, Stephen},
  title = {Feature dependence in the automatic identification of musical woodwind instruments},
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  year = {2001},
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  pages = {1064-1072}
}

@misc{Bru96a,
  author = {Bru, Olivier},
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  year = {1996}
}

@misc{Bruckert07a,
  author = {Bruckert, Jonathan},
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  year = {2007}
}

@article{Brugger10a,
  author = {Brugger, Peter and Viaud-Delmon, Isabelle},
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  volume = {2-12},
  pages = {250-254}
}

@misc{Brule03a,
  author = {Brulé, Julien},
  title = {Etude de la faisabilité du portage de l'application de traitement audio-numérique jMax sur le système temps réel Jaluna2/RT},
  school = {Université Pierre et Marie Curie},
  year = {2003}
}

@article{Brunner94a,
  author = {Brunner, Raphael},
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}

@misc{Bruno00a,
  author = {Bruno, R.},
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}

@misc{Buqlier05b,
  author = {Buqlier, Baptiste},
  title = {Développement d'une interface logicielle entre la SoundPalette et OpenMusic},
  school = {Institu des Sciences et Techniques de Valenciennes},
  year = {2005},
  url = {http://articles.ircam.fr/textes/Buqlier05b/}
}

@incollection{Buren91a,
  author = {Buren, Daniel},
  title = {Le modèle et la transgression : Entretien avec Danielle Cohen-Levinas},
  booktitle = {Inharmoniques n° 8/9: Musique recherche théorie},
  publisher = {Ircam - Centre Georges Pompidou},
  year = {1991},
  url = {http://articles.ircam.fr/textes/Buren91a/}
}

@incollection{Buren91b,
  author = {Buren, Daniel},
  title = {De l'authenticité en art},
  booktitle = {Inharmoniques n° 8/9: Musique recherche théorie},
  publisher = {Ircam - Centre Georges Pompidou},
  year = {1991},
  url = {http://articles.ircam.fr/textes/Buren91b/}
}

@incollection{Burkert91a,
  author = {Burkert, Matthias},
  title = {La musique dans le Tanztheater de Pina Bausch},
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  url = {http://articles.ircam.fr/textes/Burkert91a/}
}

@inproceedings{Burki09a,
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  booktitle = {Interspeech 2009},
  year = {2009},
  volume = {1},
  pages = {2271-2274}
}

@inproceedings{Burred06a,
  author = {Burred, Juan José and Roebel, Axel and Rodet, Xavier},
  title = {An Accurate Timbre Model for Musical Instruments and its Application to Classification},
  booktitle = {Workshop on Learning the Semantics of Audio Signals},
  year = {2006},
  volume = {1},
  url = {http://articles.ircam.fr/textes/Burred06a/}
}

@inproceedings{Burred08a,
  author = {Burred, Juan José and Cella, Carmine Emanuele and Peeters, Geoffroy and Roebel, Axel and Schwarz, Diemo},
  title = {Using the SDIF Sound Description Interchange Format for Audio Features},
  booktitle = {International Conference on Music Information Retrieval (ISMIR)},
  year = {2008},
  url = {http://articles.ircam.fr/textes/Burred08a/}
}

@phdthesis{Burred08b,
  author = {Burred, Juan José},
  title = {From Sparse Models to Timbre Learning: New Methods for Musical Source Separation},
  school = {Université Technique de Berlin},
  year = {2008}
}

@inproceedings{Burred09a,
  author = {Burred, Juan José and Röbel, Axel and Sikora, Thomas},
  title = {Polyphonic Musical Instrument Recognition Based on a Dynamic Model of the Spectral Envelope},
  booktitle = {IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)},
  year = {2009},
  pages = {173-176},
  url = {http://articles.ircam.fr/textes/Burred09a/}
}

@inproceedings{Burred09b,
  author = {Burred, Juan José and Peeters, Geoffroy},
  title = {An Adaptive System for Music Classification and Tagging},
  booktitle = {International Workshop on Learning the Semantics of Audio Signals (LSAS)},
  year = {2009}
}

@article{Burred10a,
  author = {Burred, Juan José and Röbel, Axel and Sikora, Thomas},
  title = {Dynamic Spectral Envelope Modeling for the Analysis of Musical Instrument Sounds},
  journal = {IEEE Transactions on Audio, Speech and Language Processing},
  year = {2010},
  volume = {18-3},
  pages = {663-674},
  url = {http://articles.ircam.fr/textes/Burred10a/}
}

@inproceedings{Burred10b,
  author = {Burred, Juan José and Roebel, Axel},
  title = {A Segmental Spectro-Temporal Model of Musical Timbre},
  booktitle = {Digital Audio Effects (DAFx)},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Burred10b/}
}

@inproceedings{Busson04a,
  author = {Busson, Sylvain and Nicol, Rozenn and Warusfel, Olivier},
  title = {Influence of the ears canals location on spherical head model for the individualized interaural time difference},
  booktitle = {CFA-DAGA},
  year = {2004}
}

@phdthesis{Busson05a,
  author = {Busson, Sylvain},
  title = {Individualisation d’indices acoustiques pour la synthèse binaurale},
  school = {Université de la Méditerranée, Aix-Marseille II},
  year = {2005}
}

@inproceedings{Busson05b,
  author = {Busson, Sylvain and Nicol, Rozenn and Katz, Brian F. G.},
  title = {Subjective investigations of the interaural time difference in the horizontal plane},
  booktitle = {118th Audio Engineering Society Convention},
  year = {2005}
}

@inproceedings{Cabrera10a,
  author = {Cabrera, Densil and Okamoto, Takuma and Katz, Brian F. G. and Noisternig, Markus and Iwaya, Yukio and Suzuki, Yôiti},
  title = {Considerations in characterising an almost anechoic room for interactive spatial audio reproduction},
  booktitle = {Int. Symposium on Room Acoustics (ISRA)},
  year = {2010}
}

@inproceedings{Cacciatore13a,
  author = {Cacciatore, Maurilio and Schwarz, Diemo},
  title = {Tools for the Writing of Tamonontamo (2012): A New Way to Relate Concatenative Synthesis and Spatialization},
  booktitle = {Korean Electro-Acoustic Music Society's Annual Conference (KEAMSAC)},
  year = {2013}
}

@phdthesis{Caclin01a,
  author = {Caclin, Anne},
  title = {Etude de la perception du timbre musical : Psychophysique et imagerie cérébrale},
  school = {Ecole Normale Supérieure},
  year = {2001}
}

@phdthesis{Caclin01b,
  author = {Caclin, Anne},
  title = {Etude de la perception du timbre musical : Psychophysique et imagerie cérébrale},
  school = {Ecole Normale Supérieure},
  year = {2001}
}

@article{Caclin02a,
  author = {Caclin, Anne and Brattico, Elvira and Smith, Bennett K. and Ternaviemi, Mari and Giard, Marie-Hélène and McAdams, Stephen},
  title = {Electrophysiological correlates of musical timbre perception},
  journal = {Journal of the Acoustical Society of America},
  year = {2002}
}

@inproceedings{Caclin02b,
  author = {Caclin, Anne and Brattico, Elvira and Smith, Bennett K. and Ternaviemi, Mari and Toiviainen, Petri and Näätänen, Risto and Giard, Marie-Hélène},
  title = {Musical timbre perception : A combined psychophysical and electrophysiological study},
  booktitle = {ICON8},
  year = {2002}
}

@phdthesis{Caclin04a,
  author = {Caclin, Anne},
  title = {Interactions et indépendances entre dimensions du timbre des sons complexes : Approche psychophysique et électrophysiologique chez l'Humain},
  school = {Université de Paris 6},
  year = {2004}
}

@misc{Cadars07a,
  author = {Cadars, Sylvain},
  title = {Modélisation temporelle et synthèse concatenative de boucles rythmiques},
  school = {Universitée Pierre et Marie Curie},
  year = {2007},
  url = {http://articles.ircam.fr/textes/Cadars07a/}
}

@incollection{Cadoz00a,
  author = {Cadoz, Claude and Wanderley, Marcelo M.},
  title = {Gesture-Music},
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  publisher = {Ircam},
  year = {2000},
  pages = {1-55}
}

@inproceedings{Caetano09a,
  author = {Caetano, Marcelo and Rodet, Xavier},
  title = {Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors},
  booktitle = {International Computer Music Conference},
  year = {2009},
  url = {http://articles.ircam.fr/textes/Caetano09a/}
}

@inproceedings{Caetano09b,
  author = {Caetano, Marcelo},
  title = {Applications des Algorithmes Genetiques en Synthèse et Transformation Sonore par Descripteurs Haut-Niveau},
  booktitle = {JJCAAS},
  year = {2009}
}

@inproceedings{Caetano10a,
  author = {Caetano, Marcelo and Rodet, Xavier},
  title = {Automatic Timbral Morphing of Musical Instrument Sounds by High-Level Descriptors},
  booktitle = {International Computer Music Conference},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Caetano10a/}
}

@inproceedings{Caetano10b,
  author = {Caetano, Marcelo and Burred, Juan José and Rodet, Xavier},
  title = {Automatic Segmentation of the Temporal Evolution of Isolated Acoustic Musical Instrument Sounds Using Spectro-Temporal Cues},
  booktitle = {Digital Audio Effects},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Caetano10b/}
}

@inproceedings{Caetano10c,
  author = {Caetano, Marcelo and Rodet, Xavier},
  title = {Independent Manipulation of High-Level Spectral Envelope Shape Features for Sound Morphing by Means of Evolutionary Computation},
  booktitle = {Digital Audio Effects},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Caetano10c/}
}

@inproceedings{Caetano10d,
  author = {Caetano, Marcelo},
  title = {Sound Morphing by Feature Interpolation.},
  booktitle = {Digital Music Research Network},
  year = {2010},
  url = {http://articles.ircam.fr/textes/Caetano10d/}
}

@inproceedings{Caetano10e,
  author = {Caetano, Marcelo and Rodet, Xavier},
  title = {Morphing des Sons des Instruments de Musique par Descripteurs Haut-Niveau},
  booktitle = {JJCAAS},
  year = {2010}
}

@inproceedings{Caetano11a,
  author = {Caetano, Marcelo and Rodet, Xavier},
  title = {Sound Morphing by Feature Interpolation},
  booktitle = {Inter. Conf. on Acoustics Speech and Signal Processing},
  year = {2011},
  pages = {161-164},
  url = {http://articles.ircam.fr/textes/Caetano11a/}
}

@inproceedings{Caetano11b,
  author = {Caetano, Marcelo and Rodet, Xavier},
  title = {Improved Estimation of the Amplitude Envelope of Time-Domain Signals Using True Envelope Cepstral Smoothing},
  booktitle = {Inter. Conf. on Acoustics Speech and Signal Processing},
  year = {2011},
  pages = {4244-4247},
  url = {http://articles.ircam.fr/textes/Caetano11b/}
}

@phdthesis{Caetano11c,
  author = {Caetano, Marcelo},
  title = {Morphing Isolated Quasi-Harmonic Acoustic Musical Instrument Sounds Guided by Perceptually Motivated Features.},
  school = {University Pierre and Marie Curie (UPMC), University of Paris VI},
  year = {2011}
}

@article{Caetano13a,
  author = {Caetano, Marcelo and Rodet, Xavier},
  title = {Musical Instrument Sound Morphing Guided by Perceptually Motivated Features},
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  year = {2013},
  volume = {21-8},
  pages = {1666-1675},
  url = {http://articles.ircam.fr/textes/Caetano13a/}
}

@inproceedings{Cahen05a,
  author = {Cahen, Roland and Rodet, Xavier and Lambert, Jean-Philippe},
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  year = {2005},
  volume = {Volume3805/2005}
}

@incollection{Cahen08a,
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  pages = {243-268}
}

@misc{Cahn00a,
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@misc{Caillard06a,
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@book{Campos09a,
  author = {Campos, Rémy and Donin, Nicolas},
  title = {L'analyse musicale, une pratique et son histoire},
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  year = {2009}
}

@incollection{Campos09b,
  author = {Campos, Rémy and Donin, Nicolas},
  title = {Wagnérisme et analyse musicale. L’émergence de nouvelles pratiques savantes de lecture et d’écoute en France à la fin du XIXe siècle},
  booktitle = {L'analyse musicale, une pratique et son histoire},
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